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Kapoor & Sons (Since 1921) has all the right ingredients of a Dharma film: two rumoured lovebirds Aalia Bhatt and Siddharth Malhotra with great chemistry, a deliciously handsome Fawad Khan, and a quirky director in Shakun Batra. Part of that list includes a great album that’ll continue to be played long after it’s left cinemas, and Kapoor & Sons has some gems on its soundtrack. The music has been composed by Amaal Mallik, Badshah, Arko Pravo Mukherjee, Tanishk Bagchi, and Nucleya.

Kar Gayi Chull is an absolute banger, since it reworks Badshah and Fazilpuria’s original “Chull” in the best way. Instead of going with pounding drop that was spaced out in the original, they add louder horns and trippy electro beats. They also have Sukriti and Neha Kakkar chiming for the female verses, but it’s still a bit iffy to hear that Badshah kept the line, “Ladki nahi hai tu hai garam maamla.

It’s been another whirlwind of a week – and no, we are not talking about the Monsoon Weather that’s hit the UK shores, at times we felt we were running around filming a Bollywood Rain Song – Tip Tip Barsa Pani! Can’t you just see us?

We recorded our show for Qatar Airways and focused on Bollywood Hunks – an ode to all the high octane Mumbai Muscle that is ruling the roost – including Salman Khan, John Abraham, Hrithik Roshan, Akshay Kumar, Aamir Khan – they all made the grade but one thing we do want to ask all our Bollyspice Readers is do you think Ranbir Kapoor makes the grade and what about the Badshah of Bollywood – Shah Rukh Khan? – Remember his six-pack for ‘Dard E Disco’ for Om Shanti Om. Do let us know by commenting here or sending us a tweet!

Caught up with the magical Anil Kapoor...

If a piece of cinema ever had its heart in the right place, this is it. Don't let the sluggish pace, the absence of stylish shots and flamboyant frames fool you into believing that this is a film with no style.

The style behind Paathshaala is in its inner conviction. The obvious artlessness of presentation with the students and teachers of an imaginary school behaving with a bluntness that replicates the dialect of television talk shows rather than the realism of cinema, must not come in the way of our wholeheartedly accepting the film for what it is. An unconditionally sincere effort to understand why the country's educational system pressurizes children into performance anxiety.

While Basha Lal's cinematography is free of poetic flourishes, the 'Ae Khuda' track just sweeps you off your feet. That is not the effect this grounded and sensible film and its unhurried pace strive to achieve otherwise.