Joel McCrea(1905-1990)
- Actor
- Stunts
- Producer
One of the great stars of American Westerns, and a very popular leading
man in non-Westerns as well. He was born and raised in the surroundings
of Hollywood and as a boy became interested in the movies that were
being made all around. He studied acting at Pomona College and got some
stage experience at the Pasadena Community Playhouse, where other
future stars such as Randolph Scott, Robert Young, and Victor Mature would also get their
first experience. He worked as an extra after graduation from the
University of Southern California in 1928 and did some stunt work. In a
rare case of an extra being chosen from the crowd to play a major role,
McCrea was given a part in The Jazz Age. A contract at MGM followed,
and then a better contract at RKO. Will Rogers took a liking to the young
man (they shared a love of ranching and roping) and did much to elevate
McCrea's career. His wholesome good looks and quiet manner were soon in
demand, primarily in romantic dramas and comedies, and he became an
increasingly popular leading man. He hoped to concentrate on Westerns,
but several years passed before he could convince the studio heads to
cast him in one. When he proved successful in that genre, more and more
Westerns came his way. But he continued to make a mark in other kinds
of pictures, and proved himself particularly adept at the light comedy
of Preston Sturges, for whom he made several films. By the late Forties, his
concentration focused on Westerns, and he made few non-Westerns
thereafter. He was immensely popular in them, and most of them still
hold up well today. He and Randolph Scott, whose career strongly resembles
McCrea's, came out of retirement to make a classic of the genre,
Sam Peckinpah's Ride the High Country (1962). Scott stayed retired thereafter; McCrea made a
couple of appearances in small films afterwards, but was primarily
content to maintain his life as a gentleman rancher. He was married for
fifty-seven years to actress Frances Dee, who survived him.