Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Sound
Weekly Commentary: In the highly competitive sound category, “Oppenheimer” production sound mixer Willie D. Burton could become the first Black person to win three Oscars in the category, an historic achievement. A victory for “Oppenheimer” would also grant Universal Pictures its 10th statue,...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Sound
Weekly Commentary: In the highly competitive sound category, “Oppenheimer” production sound mixer Willie D. Burton could become the first Black person to win three Oscars in the category, an historic achievement. A victory for “Oppenheimer” would also grant Universal Pictures its 10th statue,...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Hollywood’s sound pros nominated Birdman and Dawn of the Planet of the Apes for three awards apiece as the Motion Picture Sound Editors unveiled nods for its 62nd Mpse Golden Reel Awards, honoring the best feature film, television, animation and computer entertainment work of the year.
“2014 was a fantastic year for sound,” said Mpse president Frank Morrone. “The advent of new distribution channels, streaming services and gaming platforms is creating additional opportunities for sound artists to practice their craft beyond the traditional venues of film and television. This year’s nominations reflect that change, spanning an amazing diversity of mediums and genres, all executed at the highest level of creativity. We are truly inspired and impressed by the work of our colleagues.”
This year’s Golden Reels will additionally honor Noah director Darren Aronofsky with the Mpse’s annual Filmmaker Award. Oscar winner Skip Lievsay, known for his work...
“2014 was a fantastic year for sound,” said Mpse president Frank Morrone. “The advent of new distribution channels, streaming services and gaming platforms is creating additional opportunities for sound artists to practice their craft beyond the traditional venues of film and television. This year’s nominations reflect that change, spanning an amazing diversity of mediums and genres, all executed at the highest level of creativity. We are truly inspired and impressed by the work of our colleagues.”
This year’s Golden Reels will additionally honor Noah director Darren Aronofsky with the Mpse’s annual Filmmaker Award. Oscar winner Skip Lievsay, known for his work...
- 1/14/2015
- by Jen Yamato
- Deadline
Roger Savage; photo by Zorro Gamarnik
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
- 11/26/2012
- by Colin Delaney
- Encore Magazine
The Australian Sound Guild has announced the winners of.the 2012 Assg Awards.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
- 11/25/2012
- by Emily Blatchford
- IF.com.au
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