Biography

Canadian-born Fay Wray was brought up in Los Angeles and entered films at an early age. She was barely in her teens when she started working as an extra. She began her career as a heroine in westerns at Universal during the silent era. In 1926 the Western Association of Motion Picture Advertisers selected 13 young starlets it deemed most likely to succeed in pictures. Fay was chosen as one of these starlets, along with Janet Gaynor and Mary Astor. Fame would indeed come to Fay when she played another heroine in Erich von Stroheim's The Wedding March (1928). She continued playing leads in a number of films, such as the good-bad girl in Thunderbolt (1929). By the early 1930s she was at Paramount working with Gary Cooper and Jack Holt in a number of average films, such as Master of Men (1933). She also appeared in such horror films as Doctor X (1932) and The Vampire Bat (1933). In 1933 Fay was approached by producer Merian C. Cooper, who told her that he had a part for her in a picture in which she would be working with a tall, dark leading man. What he didn't tell her was that her "tall, dark leading man" was a giant gorilla, and the picture turned out to be the classic King Kong (1933). Perhaps no one in the history of pictures could scream more dramatically than Fay, and she really put on a show in "Kong". Her character provided a combination of sex appeal, vulnerability and lung capacity as she was stalked by the giant beast all the way to the top of the Empire State Building. That was as far as Fay would rise, however, as this was, after all, just another horror movie. After "Kong", she began a slow decline that put her into low-budget action films by the mid '30s. In 1939 her 11-year marriage to screenwriter John Monk Saunders ended in divorce, and her career was almost finished. In 1942 she remarried and retired from the screen, forever to be remembered as the "beauty who killed the beast" in "King Kong". However, in 1953 she made a comeback, playing mature character roles, and also appeared on television as Catherine, Natalie Wood's mother, in The Pride of the Family (1953). She continued to appear in films until 1958 and television into the 1960s.

- IMDb Mini Biography By: Tony Fontana <tony.fontana@spacebbs.com>

She was born Vina Fay Wray near Cardston, Alberta, Canada, on September 15, 1907. Fay was from a large family that included five siblings. She moved to Arizona when she was still small in order for her father to find better work than what was offered in Alberta. After moving again to California, her parents divorced, which put the rest of the family in hard times. Being in entertainment-rich Los Angeles, there was ample opportunity to take advantage of the chances that might come her way in the entertainment industry. At the age of 16, Fay played her first role in a motion picture, albeit a small one. The film was Speed Bugs (1923) in 1923. The film was not a hit, nor was it a launching vehicle for her career. It would be two more years before she ever got another chance. When it did come, it was another lackluster film called The Coast Patrol (1925). The only thing it did for Fay was give her a slightly more prominent role than the film two years earlier. Four more films followed in 1926, and her career finally left the ground. She was noticed to the extent that the Western Association of Motion Pictures chose her as one of 13 starlets most likely to succeed in film. After three films in 1927, the following year established Fay as an actress to be reckoned with. She played the lead, Mitzi Schrammell, in the hit The Wedding March (1928). She had made the successful transition into the "talkie" era when most performers' services were no longer needed because of the sound of their voices on film. In 1933, Fay appeared in eleven films, including The Big Brain (1933), The Vampire Bat (1933), and Ann Carver's Profession (1933). But it was another film that placed her in a role that is remembered to this day. That year she played Ann Darrow in the classic King Kong (1933). After that, Fay came by more and better roles, but she is best remembered for that one performance. The movie wound up being named one of the 100 greatest films of all time by the American Film Institute in 1998 (and again in AFI's 2007 list, rising two spots to #41). She continued her pace in films, making eleven films again in 1934, including Once to Every Woman (1934), Viva Villa! (1934), and Alias Bulldog Drummond (1935). However, her career was now beginning the proverbial backward slide. Movie roles were becoming fewer and fewer with new stars on the horizon. Now it was Fay's services which were being curtailed. Her 11-year marriage to John Monk Saunders ended in a painful divorce. After Not a Ladies' Man (1942), Fay was not in another film until Treasure of the Golden Condor (1953). The films she appeared in during the latter 1950s were not much to write home about, and several were some of the weakest ever projected. Her last performance before the cameras was a made-for-television movie, Gideon's Trumpet (1980). Fay Wray died of an natural causes on August 8, 2004. She was an excellent actress who never was given a chance to live up to her potential, especially after being cast in a number of horror films in the 1930s. Given the right role, Fay could have had her star up alongside the great actresses of the day. No matter; she remains a bright star from cinema's golden era.

- IMDb Mini Biography By: Denny Jackson