Uma equipe de exploradores viaja através de um buraco de minhoca no espaço, na tentativa de garantir a sobrevivência da humanidade.Uma equipe de exploradores viaja através de um buraco de minhoca no espaço, na tentativa de garantir a sobrevivência da humanidade.Uma equipe de exploradores viaja através de um buraco de minhoca no espaço, na tentativa de garantir a sobrevivência da humanidade.
- Ganhou 1 Oscar
- 44 vitórias e 148 indicações no total
Francis X. McCarthy
- Boots
- (as Francis Xavier McCarthy)
Bill Irwin
- TARS
- (narração)
Josh Stewart
- CASE
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Jessica Chastain Through the Years
Jessica Chastain Through the Years
Take a look back at Jessica Chastain's movie career in photos.
Enredo
Você sabia?
- CuriosidadesEarly in pre-production, Dr. Kip Thorne laid down two guidelines to strictly follow: nothing would violate established physical laws, and that all the wild speculations would spring from science, and not from the creative mind of a screenwriter. Writer, Producer, and Director Sir Christopher Nolan accepted these terms, as long as they did not get in the way of the making of the movie. That did not prevent clashes, though; at one point Thorne spent two weeks talking Nolan out of an idea about travelling faster than light.
- Erros de gravaçãoTwo characters sustain a fall from an ice plateau, on a steep ice ramp, onto a shadowy ice platform. A moment later, a panoramic shot shows them fighting on a very different place.
- Cenas durante ou pós-créditosThe Warner Bros, Paramount, Syncopy and Legendary Pictures logos are brown and dusty, representing Earth's arid dry state in the film.
- Versões alternativasThe 70mm IMAX version is two minutes shorter than the regular 70mm, Digital IMAX, 35mm, and digital projection versions. This is because the end credits are played in an abbreviated slide-show form (rather than scrolling from bottom to top), due to the size capacity of the IMAX platters, which can hold a maximum of 167 minutes of film.
- ConexõesFeatured in Trailer Failure: Interstellar (2013)
Avaliação em destaque
Interstellar is a movie like no other. Unlike many apocalyptic sci-fi films that feature advanced technology as the source of our destruction (ala The Terminator movies), it instead asserts that technology will save us.
Not everyone in Interstellar recognizes the potential of advanced technology. Most dismiss it as a waste of time and resources, and not just old curmudgeons feel this way. Thoughtful, intelligent young characters share this sentiment. This belief gained steam following a world-wide blight that wiped out the vast majority of life on earth—crops and humans.
Farming became paramount while advanced technology was deemed frivolous. Cooper (McConaughey) remains one of the few survivors who still appreciates the need for engineering. He feels like a man lost in time, until he stumbles into the headquarters of NASA (which had been operating in secret due to public disapproval). Here he meets others who realize that a return to our old ways is unsustainable and will ultimately lead to our demise. We need technology to save us. As Michael Caine, playing the brilliant (duh!) Professor Brand, eloquently tells Cooper, "we were never meant to save the world. We were meant to leave it." For a movie that won an Oscar for Best Visual Effects (and deservedly so) the sound stole the show. Hans Zimmer (Dark Knight Trilogy) unleashed a performance that was, quite appropriately, out of this world. Never have I seen a movie elevated so much by its score. The sound literally took my breath away. Forgive me for the next paragraph. I will gush irresponsibly about the magic that is this movie's sound. Skip it if you please. You have your warning.
The music fueled every important scene. In every meaningful moment Zimmer's harmonies captivated watchers' attention in the way of a coach commanding a locker room with a pregame speech. The music elucidated those emotional scenes, particularly ones featuring Cooper and his daughter, in a way that no words or visual ques possibly could. I sat frozen, jaw agape, with tears pouring down my cheeks as the music completely overwhelmed my emotions. The sound penetrated my soul and reverberated through my body, flowing to my appendages, supplying me with life like a heartbeat pumping blood through my veins. The music was truly the life force of movie.
Yes, we all witnessed a visual triumph, a daring creative wonder the likes of which we haven't encountered since Inception. Yes, nearly every actor's performance proved worthy of commendation. McConaughey is on fire. Chastain is blossoming into a star. At this point Michael Cain exudes such knowledge and wisdom by merely appearing on screen that if he were cast as Albert Einstein, people would wonder if the role were beneath him. All this considered, and the sound still towered over everything.
I walked out of the theater believing that I had experienced something unique, something truly special. Interstellar inspires, it awes, and above all it entertains. I cannot ask for more than that.
Not everyone in Interstellar recognizes the potential of advanced technology. Most dismiss it as a waste of time and resources, and not just old curmudgeons feel this way. Thoughtful, intelligent young characters share this sentiment. This belief gained steam following a world-wide blight that wiped out the vast majority of life on earth—crops and humans.
Farming became paramount while advanced technology was deemed frivolous. Cooper (McConaughey) remains one of the few survivors who still appreciates the need for engineering. He feels like a man lost in time, until he stumbles into the headquarters of NASA (which had been operating in secret due to public disapproval). Here he meets others who realize that a return to our old ways is unsustainable and will ultimately lead to our demise. We need technology to save us. As Michael Caine, playing the brilliant (duh!) Professor Brand, eloquently tells Cooper, "we were never meant to save the world. We were meant to leave it." For a movie that won an Oscar for Best Visual Effects (and deservedly so) the sound stole the show. Hans Zimmer (Dark Knight Trilogy) unleashed a performance that was, quite appropriately, out of this world. Never have I seen a movie elevated so much by its score. The sound literally took my breath away. Forgive me for the next paragraph. I will gush irresponsibly about the magic that is this movie's sound. Skip it if you please. You have your warning.
The music fueled every important scene. In every meaningful moment Zimmer's harmonies captivated watchers' attention in the way of a coach commanding a locker room with a pregame speech. The music elucidated those emotional scenes, particularly ones featuring Cooper and his daughter, in a way that no words or visual ques possibly could. I sat frozen, jaw agape, with tears pouring down my cheeks as the music completely overwhelmed my emotions. The sound penetrated my soul and reverberated through my body, flowing to my appendages, supplying me with life like a heartbeat pumping blood through my veins. The music was truly the life force of movie.
Yes, we all witnessed a visual triumph, a daring creative wonder the likes of which we haven't encountered since Inception. Yes, nearly every actor's performance proved worthy of commendation. McConaughey is on fire. Chastain is blossoming into a star. At this point Michael Cain exudes such knowledge and wisdom by merely appearing on screen that if he were cast as Albert Einstein, people would wonder if the role were beneath him. All this considered, and the sound still towered over everything.
I walked out of the theater believing that I had experienced something unique, something truly special. Interstellar inspires, it awes, and above all it entertains. I cannot ask for more than that.
- Jared_Andrews
- 12 de abr. de 2016
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Interstellar
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 165.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 203.227.580
- Fim de semana de estreia nos EUA e Canadá
- US$ 47.510.360
- 9 de nov. de 2014
- Faturamento bruto mundial
- US$ 746.606.706
- Tempo de duração2 horas 49 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente