Na década de 1960, os humanos superpoderosos Charles Xavier e Erik trabalham juntos para encontrar outros como eles, mas a busca vingativa de Erik por um ambicioso mutante que arruinou sua v... Ler tudoNa década de 1960, os humanos superpoderosos Charles Xavier e Erik trabalham juntos para encontrar outros como eles, mas a busca vingativa de Erik por um ambicioso mutante que arruinou sua vida faz com que um cisma os divida.Na década de 1960, os humanos superpoderosos Charles Xavier e Erik trabalham juntos para encontrar outros como eles, mas a busca vingativa de Erik por um ambicioso mutante que arruinou sua vida faz com que um cisma os divida.
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- 22 vitórias e 40 indicações no total
- Janos Quested
- (as Alex González)
- …
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Você sabia?
- CuriosidadesTo prepare for his role as Charles Xavier, James McAvoy shaved his head. He soon learned that the filmmakers wanted Xavier to have a full head of hair in the prequel. Throughout the first month of filming McAvoy had to wear hair extensions. He finally shaved his head for X-Men: Apocalipse (2016).
- Erros de gravação(at around 59 mins) When Xavier and Erik were confronting Emma Frost in the Soviet Union, some might think that it would have been impossible for Erik to crack Emma's neck with the metal bed frame because diamond is one of the hardest substances known to man. Hardness does not prevent cracking. There are different types of material strengths. Diamond's hardness does not mean that it is invulnerable to all types of stress.
- Citações
Erik Lehnsherr: Excuse me, I'm Erik Lehnsherr.
Professor Charles Xavier: Charles Xavier.
Logan: Go fuck yourself.
- Cenas durante ou pós-créditosPart of the closing credits take place in a sequence of X-symbols, chromosomes and DNA strands (reminiscent of the opening credits to 007 Contra o Satânico Dr. No (1962)).
- ConexõesEdited into 5 Second Movies: X-Men: First Class (2011)
- Trilhas sonorasConcentration Camp
(from X-Men: O Filme (2000))
Written by Michael Kamen
Courtesy of Twentieth Century Fox Film Corporation
The leading cast do a brilliant job in giving you a sense of their conflict with ingredients such as prejudice, ignorance, a sense of belonging and bitter revenge giving the film a more humane feel than a lot of dramas allowing you to connect with the characters more easily.
The special effects- lets not forget, are top notch as expected, but surprisingly very in-keeping with the film and doesn't take away from the other elements of it. The violence is clean but present, pitched right between a young and adult audience. There's also a decent amount of ironic humour thrown in, which, considering the party tricks on offer (by that I mean the powers and peculiarities of the mutants), just comes and goes naturally without feeling forced as like a lot of comedy moments in films of late.
Bottom-line, this is a well-constructed, well acted Marvel film. I wasn't totally convinced beforehand, casting James McAvoy as the young Xavier, a full head of hair and northern accent doesn't seem the best fit after all. I can say that he fully realised that role and showed his range in playing a more commanding lead. Michael Fassbender has great screen presence and does a good shift as the Magneto to-be and Mr Bacon adds another interesting element to the story. All the supporting cast give a solid performance with everyone focused on the exciting job at hand and no weak links.
Easily worth the cinema admission and thank god they didn't make it in hit-and-miss 3d, there's just no need! The best of the X-men franchise.
- wafeys
- 2 de jun. de 2011
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- X-Men: Primera generación
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 160.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 146.408.305
- Fim de semana de estreia nos EUA e Canadá
- US$ 55.101.604
- 5 de jun. de 2011
- Faturamento bruto mundial
- US$ 352.616.690
- Tempo de duração2 horas 11 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1