This is not a slasher...it is something more. It is a fantastic character study, executed with a stylish sense of filmmaking whilst bathed in Halloweentime ambience. The writing and presentation recall a time when horror films (thrillers, if you prefer) were just as much about mystery and intrigue as they were about shock and schlock. He Never Left has all of this to offer in spades, plus a few surprises along the way. The wonderful Witching Season Films family never fails to impress, with James Morris masterfully manifesting the macabre mise-en-scène both behind and in front of the camera, beside Michael Ballif, who poignantly paints each frame in dual roles as cinematographer and editor and never allows the same motel setting to get stale. Randin Graves' score is composed with as much compelling, calculating complexity as the performances from Jessica Staples and Colin Cunningham who evoke unrelenting empathy as David McMahon and Charla Bocchicchio meanwhile offer quiet quirkiness to round out a truly classy cast. Also true is that this film may not go the way you want or expect, but it stands currently as an antithetical to so many of its contemporaries in the zeitgeist and if it doesn't find massive success now, it will certainly find a cult of its own in due time.