User reviews

Early in his career, when the Duke worked at Columbia Pictures, Harry Cohn tried him out in this romantic vehicle, for which he received second billing to Laura LaPlante, who plays a scorned Evelyn eventually getting her chance to make Bob pay for calling it quits. This mostly forgotten flick, not even listed in many film catalogs under Wayne's name, is best left that way, forgotten and unlisted. Still, as one of the first films that gave him significant billing, he holds his own against his equally forgettable cast mates. As a romantic actor, he fails to impress in his clinches with either of his lovers. It's obvious he had a long way to go to become a good actor although he never turned into a great one like the Gables and Stewarts and others then starting their careers. It's still of interest to watch the old football game and the cavalry drills in this picture, so it's not without its merits. Just don't expect much and you won't be disappointed. I'd recommend if for fans of the Duke, just to see how green he was back then. And the girls are pretty and the guys look nice in uniforms, so there are worse ways to pass an hour or so. Dale Roloff

John Wayne stars as a West Point cadet and star football player named Bob. All the ladies lust after him, but he only has eyes for Evelyn (Laura La Plante). However, as his graduation nears, he breaks things off, much to Evelyn's dismay. Some time later, the now Lieutenant Bob is stationed in Arizona where he is reunited with his mentor Colonel Frank (Forrest Stanley). Things get awkward when Lt. Bob meets Col. Frank's new bride...Evelyn! Lt. Bob does the reasonable thing and immediately starts dating Evelyn's younger sister Bonnie (June Clyde), which for some reason upsets Evelyn.

This instantly forgettable programmer has a cornball script only matched by its uninspired performances. Wayne, looking lean and bewildered, appears to be searching for the nearest exit. La Plante gets a big "Acting" scene near the end that doesn't do her any favors. Highlights include Nina Quartero's brief role as the drunken Conchita, and Wayne and Clyde singing a song about cookies.

Its pedigree as an early oddity starring John Wayne searching for a screen persona and stardom in a modern dress role and a film that doesn't help him do either of those things is a reason to watch this.

I suppose this is what they used to call a "woman's picture." Laura LaPlante, a fetching, if gnomish blonde, plays Evelyn Palmer, a New York girl (what she does for a living is never revealed) who's been dallying with dashing West Point cadet Bob Denton, played robotically by a very young & handsome John Wayne. When she is dumped unceremoniously before Bob's graduation, Evelyn woos & eventually marries his mentor, Colonel Bonham, played by Forrest Stanley more like a stuffed-shirt British army officer than an American who's spent years in Arizona. The big complication is that, once the newlywed Bonhams relocate to Arizona, Denton shows up for duty &, despite Evelyn's triumphant attitude toward him, Denton takes a fancy to Evelyn's sister, Bonnie, who's the cutest flapper I've seen in ages.

This plot, made today, might have a bit more nastiness in that; it's as close to a "Cruel Intentions" as you're going to get in 1931. That Bob & Evelyn are having a sexual relationship is implied, of course, & it's amusing how, later in the picture, every time someone's about to say it, that person is interrupted or hushed. More than that, though I saw this on the Starz Western channel, it's more like your average sophisticated thirties melodrama than a western. The cigarettes are in boxes, gowns are worn to dinner, & the Colonel's house in Arizona is strictly Long Island.

The film features some amusing stock footage of an Army-Navy football game, as well as military maneuvers. But without giving anything away, the film unwinds & then winds up in a pretty cliched manner. For John Wayne fans, it's bound to be extremely disappointing, but for those of us who are intrigued by the early days of Hollywood, good & bad, it's not such a bad way to spend an hour. But it was way too silly to be moving, & it's by the numbers mix-up plot never really generates any suspense.

This film begins with a young West Point cadet by the name of "Bob Denton" (John Wayne) abruptly ending his two-year relationship with his girlfriend "Evelyn Palmer" (Laura La Plante) just before graduation. For her part, Evelyn is devastated by this news as she had anticipated their getting married in the near future. So, in order to get back at him, she decides to date Bob's superior officer and mentor "Colonel Frank Bonham" (Forrest Stanley). One thing leads to another, and they are soon married with Frank getting assigned to an army post in Arizona. However, since Bob was on training maneuvers at the time, he is completely unaware of their relationship. To that effect, he is taken completely by surprise when he is ordered to report for his first assignment to Arizona--with Colonel Bonham as his new commanding officer. Further complicating the situation is the fact that Evelyn's younger sister "Bonita Palmer" (June Clyde) is living with them and, much to the consternation of Evelyn, falls madly in love with Bob. Now, rather than reveal any more, I will just say that this film was initially released under the title of "Men Are Like That" but, since it was a remake of an earlier silent picture from 1913, renamed "Arizona" to reflect that fact. For what it's worth, it was also released under the title of "The Virtuous Wife" in the United Kingdom. Be that as it may, although this movie is quite dated, I enjoyed it for the most part and I have rated it accordingly. Slightly above average.

This could have been rather more than this simple melodrama, had Messrs. Seitz and Riskin been a bit more adventurous with their adaptation of quite a fun play. It centres around "Evelyn" (Laura la Plante) who is jilted by her beau, and so, reluctantly, marries "Col. Bonham" (Forrest Stanley) on the rebound. They relocate to his command in Arizona where they are soon joined by the colonel's handsome, football-star protegé "Bob Denton" (John Wayne) who, guess what - turns out to be the one who jilted her, and who now starts to take a bit of a shine to her younger sister "Bonnie" (June Clyde). Well, "Evelyn" is having none of this and sets up an elaborate plan to save her sister and disgrace poor old "Bob". This story is a bit thin, as are the performances - but it isn't hard to see why the dashing Wayne was drawing in the crowds - wooden as he is, he has charisma here in spades and plays well against the vengeful character and much more accomplished actress that is La Plante. This is really little more than a film for Wayne fans to tick off a list of his early works - not terrible, but not really anything much at all...

I suppose that on the plus side for John Wayne in this film he got to put on a football jersey which up until recently he had been wearing for the University of Southern California. Here he plays a cadet who kicks the winning field goal in the Army/Navy game before graduating West Point.

The Duke is the foster son of Colonel Forrest Stanley and after graduation he's been assigned out in Arizona to the army post that Stanley is commandant of. Before leaving he rather callously gives the air to Laura LaPlante who he'd been seeing. Laura doesn't take the breakup well and without Wayne knowing it, makes a play for Stanley who she marries. She's out living in Arizona with Stanley and her sister June Clyde before Wayne arrives at the post.

John Wayne fans should realize that this is not the Duke they're accustomed to. He's playing the kind of hero/heel part that Tyrone Power later perfected so well. It doesn't wear well on Wayne at all.

In fact as I watched Arizona and did a little research on it, I saw that it was remake of a silent film of the same name that starred that greatest of swashbucklers Douglas Fairbanks. No wonder I thought that this was a film better played by someone like Tyrone Power.

In the Citadel Film Series book, The Films of John Wayne, Arizona is listed under its later title of Men Are Like That. My guess is that the title was changed to not confuse viewers with the later Jean Arthur William Holden western Arizona. Of course the title need not have been changed at all, but I suspect this Arizona was re-released to take advantage of John Wayne's burst into major stardom following Stagecoach. Harry Cohn could do little else because John Wayne was pointedly not working for Columbia Pictures after Cohn fired him and later tried to blackball him in the industry. There was never any new Duke product for Columbia after Wayne became a legend.

Probably only the Duke's most devoted fans would want to see Arizona.

Melodramatic soap opera about a young lady named Evelyn (Laura La Plante) who is in love with West Point football hero Bob Denton (John Wayne) - unfortunately for her, he's somewhat of a brash ladies man who says, and these are his very words, "My women understand me - they take one look and know they can expect nothing". Hmmm, well she doesn't seem to understand that and expects to marry him - but he dumps her when he realizes how serious she is about him. So she sets out to get even by actually marrying Bob's boyhood guardian (without Bob's knowledge) and moving to Arizona with the poor older man who is completely clueless about her former relationship. Soon Bob is assigned a post there and stirs things up when he begins a romance with Evelyn's flirtatious sister (June Clyde).

This is a very interesting, well done film - okay, I never could understand why women in movies sometimes marry the "wrong man" just to get even or just because they can't get the man they really want. Laura La Plante plays a role here that isn't exactly a very likable person, yet she is such a charming, likable actress herself, her character does manage to come across in an appealing way. John Wayne is okay too (and he doesn't look too bad in his tight-fitting cadet uniform pants, I might add). June Clyde, by the way, gives a very enjoyable performance here playing the cutesy, bubbly flirt to the hilt. A good film, worth seeing.

An American drama; A story about an American army lieutenant whose former girlfriend marries his commanding officer out of revenge causing complications down the line. This pre-code melodrama is a stagebound production about false accusation and romantic shenanigans. It contrives a plot about a mix-up but it contains holes at almost every turn, never really generating any suspense. The main characters are written as scoundrels without many redeeming features and it is too silly to be moving. June Clyde is likeable as the excitable younger sister full of energy and life. John Wayne wilts despite his alacrity.

A very solid good picture from 1931 is finally seeing the light of day via the new TV channel, GET/TV. We watched it last night.

First of all you need to know the picture and sound of this 83 year old film is much better than might be expected. Perhaps withheld because of long term friction between Columbia Pictures and John Wayne.

Set in West Point and later in Arizona, Wayne plays a football hero who finds it necessary to break up with a girl he realizes he doesn't love. He soon finds out she's the b...h from hell, and her reaction will impact on several other people.

The script and acting is just fine.

Arizona showcased John Wayne at 24 and only his second leading role is the most interesting actor despite being the most inexperienced. It all starts with the Duke kicking the winning extra point at the Army-Navy game much to the delight of the Colonel (Forrest Stanley). Then Laura La Plante plays the woman scorned to perfection with her sister June Clyde brilliantly complicating the drama. When the energized performance of Nina Quartero comes on the scene the plot thickens setting the stage masterfully for the grande finale. Arizona is one of the hidden gems that needs to see the light of day.

Certainly not one of John Wayne's worst films, as one reviewer proclaims, but among his worst performances. After his initial starring role in "The Big Trail" in 1930, Wayne found himself at Columbia and turned in this wooden acting role in "Arizona" along with other pictures and was eventually fired by Harry Cohn. Soon Wayne found himself on poverty row, starring in "His Private Secretary" for Showmen's Pictures in 1933 and a series of westerns for Lone Star Productions released by Monogram Pictures in 1934. His climb back to being a top Hollywood star would take a few years. This film is a cultural significance since it has been released on a DVD set entitled "Columbia Pictures - Pre-Code Collection" along with four other films made in 1931-1932, starring Barbara Stanwyck, Jean Harlow, and Carole Lombard.

Laura La Plante is perfectly cast in this pre-code drama that sounds from the title as if it ought to be a Western (perhaps deliberately?) but is in fact an adult romantic story that could as easily take place in 2023 as in 1931. Beyond the fine performances from the leads, some excellent cinematography and set decoration lift this above what one might expect from a so-called Poverty Row studio in the depths of the Depression. Highly recommended also for fans of the Duke, who towers over the other players with his bashful physicality. Mr. Cohn is credited producer on this one. Once again, well recommended.

Unlike most of his roles, almost any good male actor could have played the part John Wayne had in this rarely seen film.

Still new in the biz, John Wayne handled this melodrama very well, but he and the other top-billed performers were robbed by June Clyde.

She was sparkling, effervescent, cute, and just adorable. From this one role alone, I have the belief she should have been a big star.

Though other than John Wayne, none of the other players are well known today, but all were top-quality performers in what is probably considered a "woman's picture."

Despite being a strong fan of John Wayne, I didn't even know the name of this movie, only in part because it had had another name, but it is so unusual for him, so completely different from most of his films, and especially from the ones he's most famous for, it's seldom even mentioned when he is discussed.

Laura LaPlante is actually the star. And watching her, it's easy to understand: She had looks and talent and screen presence.

But even she is over-shadowed by June Clyde, in a lesser role. Still, over-shadowed though she might be, there is no doubt as to her ability and her deserving of all the fame she could have got.

This is well worth seeing, especially for John Wayne completists, but for anyone who wants a good story and high production values and an excellent cast, for whom there cannot be too much praise.

There is a good print at YouTube. I hope you see it.