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Exclusive: HanWay Films has expanded its classics library after being appointed to represent The Cohen Film Collection.

The library of Cohen Media Group’s founder, Charles S. Cohen, comprises more than one hundred restored classic titles spanning from the silent era to the present day, including The Buster Keaton Collection and The Merchant Ivory Collection.

Terms of the deal were not disclosed and Cohen Media Group is the owner of HanWay, having acquired the company in 2022.

Late last year Charles Cohen’s media group hit choppy waters when the company was forced to sell multiple assets including British arthouse exhibitor and distributor Curzon to Fortress Investment Group. The company was acquired in a foreclosure auction involving multiple Cohen assets, including the Landmark cinema chain. Fortress had lent Cohen $534M but sued him last year for default. Cohen acquired Curzon in late 2019 amid a buying spree by the U.S. real estate developer.

Few horror movie sub-genres are more enduring, influential, and prolific than the haunted house movie. A solid genre staple, haunted house movies captivate with their eerie atmospheres and the intense psychological games that so often unfold. From early cinematic examples like The Old Dark House (1932) to modern re-imaginings such as Steven Soderbergh’s Presence, now playing in theaters everywhere (get tickets now), the haunted house subgenre has consistently evolved while retaining its core elements.

The enduring appeal of these stories lies in the sub-genre’s ability to tap into universal fears—abandonment, the unknown, and the unsettling notion that our homes, meant to be places of safety, can become sites of terror. While traditional tropes like creaky floorboards, flickering lights, tragic backstories, and isolated locations have certainly shaped the subgenre’s identity, films that challenge and expand these tried and true tropes have allowed the subgenre to evolve and flourish.

Family gatherings can be murder. Even worse if you are not a member of the immediate family. As we head into this year’s holiday season, I have no doubt that many reading this will feel that even more acutely than in the past. Sure, there will be the usual gathering around the table (or in front of the TV with paper plates if you’re anything like my family), food will be served, drink will be had, and conversation will abound, but the latter especially could lead to more than a little family tension. Which is why William Castle’s classic 1959 film House on Haunted Hill feels especially appropriate for this edition of Gods and Monsters as we approach Christmas 2024. You may well feel like a stranger among strangers this year, as the guests of eccentric millionaire Frederick Loren (Vincent Price) and his wife Annabelle (Carol Ohmart) no doubt do.

I first discovered After Midnight (1989) during my freshman year of college. There at I Luv Video was this VHS tape that gave me nostalgia for a movie I actually hadn’t seen yet. The woman on the cover, a character played by Jillian McWhirter, was quite literally trapped in time, and the tagline beneath her fiery fate read: “Anything Can Happen in the Dark.” As it turned out, my little case of memory distortion was rather fitting; this movie starts off with someone having a vague recollection, albeit of a terrible event.

Growing up I had passed by After Midnight many times at my local video shop, but it wasn’t until some years later that I gave it a watch. And after witnessing the nightmarish fate of those college students enrolled in The Psychology of Fear, I was hooked. Jim and Ken Wheat’s movie — their horror debut as...

Netflix is bringing Pride to the big screen with a special curated Egyptian Theater program.

IndieWire can exclusively announce Netflix’s “Hollywood Pride: Queer Lives on the Silver Screen” event, taking place from June 25 through 27 in Los Angeles. The film series is co-programmed by critic and author Alonso Duralde, who will be in attendance to promote his book “Hollywood Pride” that influenced the title of the program.

With classics such as “All About Eve” and “Pillow Talk” coupled with “The Old Dark House” and “Suddenly, Last Summer,” the Netflix theatrical event spans nearly a century of queer representation onscreen.

Lana and Lilly Wachowski’s “Bound” also lands a theatrical premiere of its 4K restoration, with Gina Gershon and Jennifer Tilly playing onscreen lovers with mob ties.

The program concludes with “Outstanding: A Comedy Revolution” featuring LGBTQ stand-up legends and modern trailblazers like Margaret Cho and Wanda Sykes; the film recently...

Charles Addams' very first strip in what might be considered the Addams Family series ran on August 6, 1938 in the pages of the New Yorker. The strip features a large, bearded, brutish man — clearly designed after Boris Karloff's character in "The Old Dark House" — standing next to a whip-thin, vampiric woman in a slinky black dress. That same woman would later appear in additional "haunted house" strips standing next to a new husband — a squat creeper in a suit — as well her two dreadful children. Also part of the "family" were a witch-like grandmother, a bald, grinning weirdo, and a towering, Frankensteinian butler. These characters didn't have names, so readers merely referred to them as the Addams Family.

When the strips were adapted into a TV sitcom in 1964, the vampire woman was finally given a name: Morticia Addams. She and her husband Gomez were really into each other, constantly flirting...

Gay Flowers.

March featured a variety of conversations, including the Kristen Stewart vehicle Personal Shopper (listen), Alfred Hitchcock’s Strangers on a Train (listen), and Raja Gosnell‘s live-action cartoon sequel Scooby-Doo 2: Monsters Unleashed (listen here).

After previously covering The Old Dark House and Bride of Frankenstein, we wrapped the month up with another James Whale classic, The Invisible Man (1933).

In the film, Jack Griffin (Claude Rains) is an egomaniac with plans to sell his invisibility formula for a fortune, but first he has to “find a way back” from invisibility with the help of scientist/love interest, Dr. Kemp (William Harrigan). Alas, Griffin’s serum has also turned him insane and murderous, and he embarks on a killing spree that will claim the highest body count of any Universal Monster title.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts,...

Night Shift: " While working her first night shift at a remote motel, a young woman, Gwen Taylor (Phoebe Tonkin), begins to suspect that she is being followed by a dangerous character from her past. As the night progresses, Gwen’s isolation and safety, however, are made all the more worse when she starts to realize that the motel might also be haunted."

Writer & Director: The China Brothers (Paul & Ben) Cast: Phoebe Tonkin, Lamorne Morris, Madison Hu, Patrick Fischler, Lauren Bowles, Christopher Denham. Producers: Eric B. Fleischman, Maurice Fadida, John Hodges, Bradley Pilz, Dennis Rainaldi Runtime: 82 minutes Rated: TV-ma Distributor: Quiver Distribution

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Queer Horror - A Film Guide: "From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale, Lgbtqia characters have rarely been portrayed in full view. For decades, filmmakers have...

Like most movies, The Invisible Man travelled a long and winding road to the silver screen, and perhaps longer and more winding than most. As biographer James Curtis put it in his book James Whale: A New World of Gods and Monsters, “The gestation of The Invisible Man was the lengthiest and most convoluted of all of James Whale’s films. It involved four directors, nine writers, six treatments, and ten separate screenplays—all for a film that emerged very much in harmony with the book on which it was based.” It was first suggested as a possible follow-up to Dracula (1931), perhaps as a vehicle for new star Bela Lugosi, but was dropped in favor of Frankenstein (1931) due to the complicated special effects it would require. After Frankenstein was an even bigger success, both director James Whale and star Boris Karloff were immediately attached to The Invisible Man and several...

“Hill House, not sane, stood by itself against its hills, holding darkness within…and whatever walked there, walked alone.” – Shirley Jackson, The Haunting of Hill House (1959).

Of all the subgenres of horror, the haunted house story has provided the most opportunities for slow and subtle terror that creeps and crawls its way under the skin and into the psyche. The Old Dark House (1932), The Uninvited (1944), The Innocents (1961), Burnt Offerings (1976), and The Changeling (1980) stand among the best that not only the haunted house film, but all of horror have to offer. For many, the absolute pinnacle of these films is Robert Wise’s 1963 masterpiece of suggestive horror The Haunting. Based on the novel The Haunting of Hill House by Shirley Jackson, the film owes much to the influences of the past while still carving a way toward the future, is populated by rich and relatable characters, and is a deeply felt...

Villa Collina, a Mediterranean Revival masterpiece nestled in the hills of Los Feliz in the shadow of Griffith Observatory, has a historic Hollywood pedigree stretching back almost a century. Designed by architect Henry Harwood Hewitt in 1927, the four-bedroom, four-bath estate was built for Olympian Clement E. Smoot, who was part of the 1904 gold medal-winning golfing team. A later resident was Artur Rodzinski, famed Polish conductor of the LA Philharmonic.

But Villa Collina became famous as the home of legendary English director James Whale in the 1930s. Whale reportedly lived at the Villa with his longtime partner David Lewis, despite rampant homophobia in Hollywood. According to Behind the Screen: How Gays and Lesbians Shaped Hollywood, when agent Phil Berg asked Whale if he “had” to live with Lewis, Whale replied: “I don’t have to. I want to.”

One of the most prolific directors of the decade, Whale — portrayed by Ian McKellen...

Long before Jigsaw and Annabelle, Ghostface and Samara—going back to even before Freddy and Jason—there were the Universal Monsters. These were the creatures and character designs who were so iconic that they defined what the horror genre was to most moviegoers during the earliest decades of talking pictures. Primarily released in two film cycles by Universal Pictures across the 1930s and ‘40s (plus a few outliers on both sides of this), the legacy of these films and the people who made them endures still. It echoes in Halloween costumes and TV specials, merchandise toys and candies, it’s even informing recent Blumhouse films and Netflix’s Wednesday. Right now, you can go to any Universal theme park and meet the Monsters as un-goodwill ambassadors at “Halloween Horror Nights.”

Yet to return to the original movement of films which were so frightening in their day that they essentially invented...

Clockwise from top left: The Conjuring (Photo: Michael Tackett/Warner Bros.); The Shining (Screenshot: Warner Bros/YouTube); Beetlejuice (Screenshot: Warner Bros./YouTube); Poltergeist (Screenshot: MGM/YouTube)Graphic: The A.V. Club

This house … is clean. Or at least it should be. The enduring brilliance of the haunted house subgenre is its...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.

’90s Horror, Art-House Horror, and Pre-Code Horror

It’s October, which means you are likely crafting an endless queue of horror films to consume. When it comes to a single streaming service to dedicate your eyes to this month, The Criterion Channel takes the cake with three different series. First up, ’90s horror brings together such films as The Rapture (1991), In the Mouth of Madness (1994), The Addiction (1995), and Ravenous (1999), while Art-House Horror features Häxan (1922), Vampyr (1932), Eyes Without a Face (1960), Carnival of Souls (1962), Onibaba (1964), Night of the Living Dead (1968), Sisters (1973), Eraserhead (1977), House (1977), Suspiria (1977), Arrebato (1979), The Brood (1979), The Vanishing (1988), Cronos (1993), Cure (1997), Donnie Darko (2001), Trouble Every Day (2001), Antichrist (2009), and more. Lastly, Pre-Code horrors brings together ’30s features such as Freaks (1932), Island of Lost Souls (1932), The Old Dark House...

These last few years the Criterion Channel have made October viewing much easier to prioritize, and in the spirit of their ’70s and ’80s horror series we’ve graduated to––you guessed it––”’90s Horror.” A couple of obvious classics stand with cult favorites and more unknown entities (When a Stranger Calls Back and Def By Temptation are new to me). Three more series continue the trend: “Technothrillers” does what it says on the tin, courtesy the likes of eXistenZ and Demonlover; “Art-House Horror” is precisely the kind of place to host Cure, Suspiria, Onibaba; and “Pre-Code Horror” is a black-and-white dream. Phantom of the Paradise, Unfriended, and John Brahm’s The Lodger are added elsewhere.

James Gray is the latest with an “Adventures in Moviegoing” series populated by deep cuts and straight classics. Stonewalling and restorations of Trouble Every Day and The Devil, Probably make streaming debuts, while Flesh for Frankenstein,...

One of the oldest genre tropes imaginable, the use of the haunted house for a setting, offers up countless scenarios over the ages of people investigating the same old situations. From “The Old Dark House” to “The Cat and the Canary,” “The Uninvited” and “The House of Usher” to “The Amityville Horror” and “The Conjuring” to name just a couple, this timeless quality has brought about some of the best and worst the genre has seen due to so many trying their hand at the concept. Milind Rau is one of the latest to do so with his Tamil-lensed genre effort that falls more on the side of the heavyweights in the scene despite falling just short of the marks it set.

on Amazon

Arriving at their new house, Dr. Krishnakanth Acharya (Siddharth) and his wife Lakshmi (Andrea Jeremiah) are excited to learn a new family has...

One of the next Universal Monsters movies that was announced a couple years back is Paul Feig‘s Dark Army, which Feig has compared to the work of Bride of Frankenstein and The Old Dark House filmmaker James Whale. The film will reportedly include classic Universal Monsters plus brand new monster characters, but is it even […]

The post Paul Feig Updates on His Universal Monsters Movie ‘Dark Army’ appeared first on Bloody Disgusting!.

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By Tim Greaves

In the early 1980s, Israeli cousins and co-producers Menahem Golan and Yoram Globus – the men behind then-thriving outfit The Cannon Group – decided that they would like to add an old-fashioned style horror film to their burgeoning library of titles. They approached director Peter Walker, renowned for a slew of successful exploitation pictures throughout the 1970s, suggesting he create something for the likes of Bela Lugosi, Peter Lorre and Boris Karloff, blissfully unaware the three actors were dead. Regardless, Walker took the baton and ran with it, the result being 1983’s rather splendid House of the Long Shadows.

Probably best remembered for assembling icons of horror cinema Peter Cushing, Christopher Lee, Vincent Price and John Carradine under one roof, House of the Long Shadows didn’t wow critics at the time and with hindsight it’s easy to see why. Times...

I have always been a fan of that most improbable of all subgenres, the horror comedy. It has been around for a very long time, dating back to the silent era with The Cat and the Canary and the early talkies with James Whale’s genre twisting films like The Old Dark House and Bride of […]

The post ‘Evil Dead II’ Turns 35 and It’s Still the Ultimate Horror-Comedy Hybrid appeared first on Bloody Disgusting!.

Writer/director Guillermo del Toro discusses a few of his favorite movies with Josh and Joe.

Show Notes:

Movies Referenced In This Episode

Nightmare Alley (2021)

Nightmare Alley (1947) – Stuart Gordon’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

Drive My Car (2021)

Wicked Woman (1953) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing

Guillermo del Toro’s Pinocchio (2022)

Modern Times (1936)

City Lights (1931)

The Great Dictator (1940)

2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review, Dennis Cozzalio’s Muriel Awards capsule review

Vertigo (1958) – Dan Ireland’s trailer commentary, Brian Trenchard-Smith’s review

The Man Who Would Be King (1975) – Josh Olson’s trailer commentary

Lawrence Of Arabia (1962)

The Young And The Damned (1950)

Gone With The Wind (1939)

The Golem (1920) – Glenn Erickson’s Blu-ray review

Sunrise: A Song Of Two Humans (1927)

Alucarda (1977)

Greed (1924) – Dennis Cozzalio’s Muriel Awards capsule review

Taxi Driver (1976) – Rod Lurie’s trailer commentary

District 9 (2009) – John Sayles...

Whether films are set or filmed in Wales, the country and its ability to naturally bring eeriness to the screen thanks to its downcast weather have helped bring to life horror staples like The Old Dark House, The Wolf Man, and An American Werewolf in London. More often than not, you can find these titles on lists of the best horror films, and director Lee Haven Jones and writer Roger Williams throw their hat in the ring with a Welsh horror film of their own. The Feast is a parable of greed that acts as a warning of what could come if we don’t end the exploitation of the land. Themes centering on the environment and the climate crisis are ever-increasing in film, and it hits differently through the lens of horror, as it can more freely convey terrifying truths and present the consequences of actions in a violent,...

Lock the doors. Turn on the lights. Check under the bed. Crank up the volume. It’s time for another Halloween Parade!

Please help support the Hollywood Food Coalition.

Click here, and be sure to indicate The Movies That Made Me in the note section so Josh can finally achieve his dream of showing Mandy to his wife!

Show Notes: Movies Referenced In This Episode

Scream Blacula Scream (1973)

Mandy (2018)

Carnival of Souls (1962) – Mary Lambert’s trailer commentary

Night Tide (1961) – Charlie Largent’s Blu-ray review

A Bucket Of Blood (1959) – Allan Arkush’s trailer commentary, Glenn Erickson’s DVD review, Glenn Erickson’s Blu-ray review

Dementia 13 (1963) – Mick Garris’s trailer commentary, Glenn Erickson’s Region B Blu-ray review, Glenn Erickson’s director’s cut Blu-ray review

The Godfather (1972) – Ernest Dickerson’s trailer commentary, Randy Fuller’s wine pairings

The Godfather Part II (1974) – Katt Shea’s trailer commentary

The Conversation (1974) – Josh Olson...

(L-r) Boris Karloff with fellow horror star Vincent Price, in a publicity photo. Boris Karloff: The Man Behind The Monster is a documentary about the career and life of Karloff. Courtesy of Abramarama and Shout Studios

Boris Karloff: The Man Behind The Monster is a gloriously enjoyable retrospective of the legendary actor, who is forever tied to the horror genre and the monster role of Frankenstein’s monster, which first brought him fame. The film, directed by Thomas Hamilton, is thoroughly enjoyable but, despite its subtitle, it is less a personal biography than a review of this career, with an emphasis on how his work influenced future filmmakers and the horror genre. Karloff fans and serious film history buffs will find little that was not already known about the man but it is a wonderful introduction and retrospective on Boris Karloff.

If ever there was an iconic Hollywood figure who deserves a biopic,...

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.

Happiest Season (Clea DuVall)

Happiest Season, Hollywood’s first major lesbian Christmas rom-com, has everything you’d expect from a Christmas movie: snow; sweaters; mismatched family members coming together under one roof; characters saying they hate Christmas and then succumbing to holiday cheer; conflict; satisfying resolution. Director and co-writer Clea DuVall embraces cliches, but filtering them through a lesbian perspective allows old tropes to gain new context. Family dysfunction carries extra weight when viewed through the lens of heteronormativity. The happy couple’s falling-out hits deeper because it’s wrought with the anxiety of coming out. Their fairytale ending feels all the more precious because it’s hard won,...

“I want friend like me.”

Article by Jim Batts, Dana Jung, and Tom Stockman

No other actor in the long history of horror has been so closely identified with the genre as Boris Karloff, yet he was as famous for his gentle heart and kindness as he was for his screen persona. William Henry Pratt was born on November 23, 1887, in Camberwell, London, England. He studied at London University in anticipation of a diplomatic career; however, he moved to Canada in 1909 and joined a theater company where he was bit by the acting bug. It was there that he adopted the stage name of “Boris Karloff.” He toured back and forth across the USA for over ten years in a variety of low-budget Theater shows and eventually ended up in Hollywood. Needing cash to support himself, Karloff landed roles in silent films making his on-screen debut in Chapter 2 of the 1919 serial The Masked Rider.

November 17th looks to be one of the quieter home media release days we’ve had in a while, but that doesn’t mean we don’t have some great titles headed home this week, either. Hammer fans will undoubtedly want to pick up Mill Creek’s new box sets for Hammer Films: The Ultimate Collection and Inner Sanctum Mysteries this Tuesday, or if you’re looking for more modern horror to entertain you, Relic and Monstrum are headed to both Blu-ray and DVD this week as well.

Other releases for November 17th include Death of Me, 2067, Westworld: Season 3, Alfred Hitchcock: 4-Film Collection, and So Sweet, So Dead.

Hammer Films: The Ultimate Collection

For more than four decades, Hammer Films unique blend of horror, science fiction, thrills and comedy dominated countless drive-ins and movie theaters. Enjoy this massive collection from the darkest corners of the Hammer Imagination!

Featuring 20 Cult-Classics...

The November 2020 lineup for The Criterion Channel has been unveiled, toplined by a Claire Denis retrospective, including the brand-new restoration of Beau travail, along with Chocolat, No Fear, No Die, Nenette and Boni, Towards Mathilde, 35 Shots of Rum, and White Material.

There will also be a series celebrating 30 years of The Film Foundation, featuring a new interview with Martin Scorsese by Ari Aster, as well as a number of their most essential restorations, including films by Jia Zhangke, Ritwik Ghatak, Luchino Visconti, Shirley Clarke, Med Hondo, and more.

There’s also David Lynch’s new restoration of The Elephant Man, retrospectives dedicated to Ngozi Onwurah, Nadav Lapid, and Terence Nance, a new edition of the series Queersighted titled Queer Fear, featuring a new conversation between series programmer Michael Koresky and filmmaker and critic Farihah Zaman, and much more.

See the lineup below and learn more on the official site.

In his new comic book series Count Crowley: Reluctant Midnight Monster Hunter, a TV journalist turned local TV horror host discovers that her newfound duties include fighting actual creatures, so it's fitting that prolific a will host a virtual panel of horror hosts from around the Us on YouTube Live on Sunday, July 5th, followed by a “Creature Feature Quarantine Watch Party” live tweet of the classic Boris Karloff film The Old Dark House (which is now streaming on Shudder).

We have the official details and trailer for Dastmalchian's Horror Host Live (Dead) Stream Panel below, and to learn more about Count Crowley, visit Dark Horse Comics' website and read our previous Q&a with Dastmalchian!

"This Sunday July 5th at 5Pm Pst (8pm Est)

A first-of-its-kind virtual gathering of Horror Hosts from around the Us is taking place this Sunday! Discussing Horror Host History, love of hosting and engaging...

Looking to heat up your summer from the air-conditioned confines of your own home? Shudder has you covered this June with an eclectic set of horror films both old and new, including the Mark Patton documentary Scream, Queen! My Nightmare on Elm Street, Rob Zombie's House of 1000 Corpses, the horror anthology Scare Package, and much more!

Below, you can check out the full list of titles coming to Shudder in the Us this June, and be sure to visit Shudder's website to learn more about the streaming service and their scary good lineup!

"Scream, Queen! My Nightmare On Elm Street

Some have called it the 'gayest horror movie ever made,' but for Mark Patton, the star of A Nightmare on Elm Street 2: Freddy’s Revenge, it was anything but a dream come true. 30 years after its initial release, Patton sets the record straight about the controversial sequel...

Helping you stay sane while staying safe… featuring Leonard Maltin, Dave Anthony, Miguel Arteta, John Landis, and Blaire Bercy from the Hollywood Food Coalition.

Show Notes: Movies Referenced In This Episode

Plague (1979)

Target Earth (1954)

The Left Hand of God (1955)

A Lost Lady (1934)

Enough Said (2013)

Here Comes Mr. Jordan (1941)

Mr. Smith Goes To Washington (1939)

Heaven Can Wait (1978)

Down to Earth (2001)

Down To Earth (1947)

The Commitments (1991)

Once (2007)

Election (1999)

About Schmidt (2002)

Sideways (2004)

Nebraska (2013)

The Man in the Moon (1991)

The 39 Steps (1935)

Casablanca (1942)

The Lady Vanishes (1938)

The Night Walker (1964)

Chuck and Buck (2000)

Cedar Rapids (2011)

Beatriz at Dinner (2017)

Duck Butter (2018)

The Good Girl (2002)

The Big Heat (1953)

Human Desire (1954)

Slightly French (1949)

Week-End with Father (1951)

Experiment In Terror (1962)

They Shoot Horses Don’t They? (1969)

Ray’s Male Heterosexual Dance Hall (1987)

Airport (1970)

Earthquake (1974)

Drive a Crooked Road (1954)

Pushover (1954)

Waves (2019)

Krisha (2015)

The Oblong Box (1969)

80,000 Suspects (1963)

Panic In The Streets (1950)

It Comes At Night (2017)

Children of Men (2006)

The Road (2009)

You Were Never Really Here...

Arrow Video continues to reconstitute the filmography of Spanish genre filmmaker Jose Ramon Larraz with his final English language thriller, Deadly Manor (originally released on VHS as Savage Lust), the final in a triptych of slasher films set in the Us (but filmed in Spain) in the late 1980s to early 1990s. Following on the heels of the label’s glorious box set of his earlier works, plus his 1988 title Edge of the Axe (released under his pseudonym Joseph Braunstein), this final thriller from the underrated director is decidedly dull and derivative affair, borrowing heavily from a variety of classics, everything from The Old Dark House (1932) to The Texas Chainsaw Massacre (1974).…...

Gothic and folk horror is alive and well in the halls of Hex! Today brings word that the studio behind Lord of Tears/The Owlman and The Black Gloves will release Jack McHenry’s genre-bending directorial debut, Here Comes Hell! Best described as The Old Dark House meets The Evil Dead, the stylish horror-comedy is an homage […]

The post Hex Studios to Release Limited Edition of Festival Hit Here Comes Hell appeared first on Dread Central.

Welcome to 31 Days of Streaming Horror. Every day this October we’ll be highlighting a different streaming horror movie to help you get into the Halloween spirit. Today’s entry: The Old Dark House (1932). The Old Dark House Now Streaming on Shudder and The Criterion Channel Sub-Genre: Horror-comedy bordering on camp Best Setting to Watch It In: An […]

The post 31 Days of Streaming Horror: ‘The Old Dark House’ is a Charming, Oddball Horror Classic appeared first on /Film.

If you're looking to camp out on your couch instead of under the stars, Shudder has plenty of horror movies to keep you entertained in the air-conditioned comforts of your own home this month, with Phantom of the Paradise, Knife+Heart, Boar, Hagazussa, The Exorcist, and more horror films joining the streaming service's eclectic lineup (which also includes a new podcast Queer Horror curated collection this month).

You can check out the full list of titles coming to Shudder in the Us this month below, and visit Shudder online to learn more about the streaming service.

"Things get wild this month, starting off with the Shudder exclusive big bad pig pic, Boar; a Pride Month collection headlined by the streaming premiere of Knife+Heart; our latest original podcast, Visitations with Elijah Wood & Daniel Noah; a tour through some of our favorite sub-genres with Sam Zimmerman’s Shudder Guides videos, and new additions...

You may love “Mad Max: Fury Road” — how could you not? — but you probably don’t love it as much as Edgar Wright. The filmmaker responsible for “Shaun of the Dead,” “Hot Fuzz,” and “The World’s End” took to Twitter to reaffirm his admiration of George Miller’s 2015 genre masterpiece, giving it the highest praise possible: “I had to test out a new home projector with a BluRay and I can confirm the results,” he tweeted. “‘Mad Max Fury Road’ is still the best action film of all time.”

This naturally led to a number of “what about…” responses in his mentions, with the filmmaker replying to just one: “Every time I mention anything about superlatives in cinema (action or otherwise), there’s a reply saying ‘What no Predator / Commando?'” Wright said. “Neither are even my fav Arnie action film (both are fun though).”

It’s certainly true...

“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, It’S Alive!”

The ‘Grave Tales’ Horror film series continues at Webster University Thursday January 31st with a screening of the groundbreaking horror classic Frankenstein (1931) starring Boris Karloff. The screening will be at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts at 7:30. A Facebook invite for the event can be found Here. Look for more coverage of the ‘Grave Tales’ Horror film series here at We Are Movie Geeks in the coming weeks.

Dr. Henry Frankenstein, played by Colin Clive, and his assistant Fritz, portrayed by Dwight Frye, stalk the graveyards at night. They dig up the fresh corpses of the recently deceased in order to fulfill a mad scientist’s dream. They seek to give life to a dead,...

(Welcome to Now Stream This, a column dedicated to the best movies streaming on Netflix, Amazon, Hulu, and every other streaming service out there.) Welcome, streamers! I have some good news: Halloween is less than a week away! If you’re like me, you like to spend October watching as many creepy, weird, strange movies as you […]

The post Now Stream This: ‘The Night Comes For Us’, ‘The Old Dark House’, ‘Tales From the Crypt’, ‘Ghost Stories’ and More For Halloween appeared first on /Film.

A top horror title gets the Powerhouse Indicator treatment just in time for Halloween — it’s not a domestic release but it plays in our Region A players. You can shuffle the alternate versions like a deck of cards: one basic movie, but six separate encodings: by length, title sequence and aspect ratio. Plus fascinating extras and a killer versions comparison feature.

Night of the Demon / Curse of the Demon

Blu-ray

Powerhouse Indicator

1957 / B&W / 1:66 + 1:75 widescreen / 95 & 82 min. / Limited Edition / Street Date October 22, 2018 / available from Amazon UK / £47,42

Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis, Maurice Denham,

Athene Seyler

Cinematography: Ted Scaife

Production Designer: Ken Adam

Special Effects: George Blackwell, S.D. Onions, Wally Veevers

Film Editor Michael Gordon

Original Music: Clifton Parker

Written by Charles Bennett and Hal E. Chester

from the story Casting the Runes by M. R. James

Produced by Frank Bevis, Hal E. Chester

Directed by Jacques Tourneur...

Lyon, France – Attending the Lumière Film Festival in Lyon for the first time this week, Charles S. Cohen, chairman and CEO of Cohen Media Group, praised the event and its International Classic Film Market (Mifc).

A producer and distributor of independent and arthouse films and the biggest distributor of French films in the U.S., Cohen Media Group also releases restored and re-mastered editions of classic films through its Cohen Film Collection, which includes the Merchant Ivory library and the Buster Keaton catalog.

In town for the Festival premiere of his documentary, “The Great Buster,” directed by Peter Bogdanovich, Cohen described the market as “specialized and highly focused, which is really appealing to me because it allows me to focus on what we take great pride in, acquiring and licensing these wonderful film assets that are really the DNA of Cohen Media.”

The company partnered with the Festival this year...

A couple seek refuge from a sinister couple in this prototype creepy-house tale that takes its cues from Shelley and Brontë

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The great scary-movie ancestor is rereleased: James Whale’s 1932 drama The Old Dark House – a film that was part of Universal Studios’ deliriously successful run of horror films in the pre-Hays Code era when scares were in their unevolved infancy, and it was still acceptable to show a lady changing down to her underwear.

This one did much to invent the creepy-house setting (along with Castle Dracula) and set a benchmark for the self-satirising absurdities of horror – featuring tropes such as the bizarre Munsterish family with its grotesque semi-wolfman butler answering the door to terrified strangers seeking refuge from the storm.

The beginnings of what would become films such as The Texas Chain Saw Massacre and House of 1000 Corpses can be found in James Whale’s The Old Dark House, a highly unique 1932 gem that had been out of print for quite some time before Cohen Media Group restored it in 4K and released it on Blu-ray in October of […]...

The Impatient Maiden (1932) is an almost entirely overlooked film, and it's easy to see why, falling as it does between Frankenstein (1931) and The Old Dark House (1932) in director James Whale's Universal career. Those two films are important classics of the horror field, whereas Maiden is a modest romantic comedy that probably nobody had any particular hopes for. Still, as some of Whale's other, lesser-known movies are getting more attention (The Road Back has been restored, and Whale's own favorite film, By Candlelight, has had recent revivals; I'd like to see more attention paid to The Great Garrick and The Man in the Iron Mask) this one might reward attention—or at least I supposed so.How it came into the world: Universal had bought the novel The Impatient Virgin as a vehicle for fading star Clara Bow, who promptly rejected it. The censors mandated a change of title, despite...

The last film by James Whale (Frankenstein, The Old Dark House) is a forty-minute short based on a one-act play by William Saroyan. Whale had directed the play in 1942 as part of a show to entertain Us troops passing through La. The opportunity to film it arrived through strange circumstances.Millionaire Huntington Hartford loved his wife, Marjorie Steele, who was an actress. He decided to bankroll a series of short films showcasing her talents. Somehow Whale, who was thoroughly retired from film direction, was approached, and he welcomed the idea of adapting Saroyan's lonely parable to the screen. Harry Morgan was recruited as male lead.Like a lot of late works, this one needs approaching with a sympathetic attitude. The play is built around its title, a line shouted like a refrain throughout the piece. For some reason, Harry Morgan shouts every other line too. This was far from Morgan's debut,...

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

Atomic Blonde (David Leitch)

There’s a bargain underlying the whole of Atomic Blonde, wherein director David Leitch wavers between its more cheeky qualities and its adherence to the conventions of generic spy fare. The film is, by definition, “cool” in every sense. Despite some wonky plotting best described as Diet John le Carré and a heavy-handed soundtrack that occasionally gets in its own way, Charlize Theron plows full...

Your ultimate Halloween horror movie binge is here. Edgar Wright has joined forces with Mubi to list his 100 favorite horror movies, and the collection is full of classics and surprising choices that range from 1922 to 2016. The director, who himself has given the genre a classic title thanks to “Shaun of the Dead,” names recent horror hits like “Raw,” “The Witch,” and “Train to Busan,” as well as classics from horror masters James Whale and Mario Bava.

Read More:Edgar Wright’s 40 Favorite Movies Ever Made (Right Now): ‘Boogie Nights,’ ‘Suspiria’ and More

Wright wrote an introduction to his list, in which he makes it clear this is simply a list of 100 favorite titles and not his definitive list of the best horror films ever. You can read Wright’s statement below:

Here, for Halloween, is a chronological list of my favorite horror movies. It’s not in any way...

With Halloween only a week away now (how in the heck did that happen?), of course there are a ton of horror and sci-fi home entertainment offerings arriving on Tuesday, ready to get you primed for all your spooky shenanigans leading up to October 31st. In terms of new titles, both War of the Planet of the Apes and Annabelle: Creation hit various formats, and Criterion has put together a stellar release for Olivier Assayas’ Personal Shopper as well.

On the cult side of the genre spectrum, we have a myriad of movies to look forward to, including a quartet of titles from Vinegar Syndrome: The Corpse Grinders, Demon Wind, Blood Beat, and the double feature of Prime Evil and Lurkers. Arrow Video has assembled a special edition set for Herschell Gordon Lewis’ Blood Feast that’s a must-own for any splatter fans out there, and the Warner Archive Collection...

It’s a genuine Universal horror classic that to my knowledge has never been available in a decent presentation — but The Cohen Group has come through with a nigh-perfect Blu-ray, both image and sound. Karloff is creepy, Gloria Stuart lovely and Ernest Thesiger is at his most delightfully fruity. And the potato lobby should be pleased, too.

The Old Dark House (1932)

Blu-ray

The Cohen Group

1932 / B&W / 1:37 flat full frame / 72 min. / Street Date October 24, 2017 / 25.99

Starring: Boris Karloff, Melvyn Douglas, Charles Laughton, Lilian Bond, Ernest Thesiger, Rebecca Femm, Raymond Massey, Gloria Stuart, John (actually Elspeth) Dudgeon, Brember Wills.

Cinematography: Arthur Edeson

Film Editor: Clarence Kolster

Special Makeup: Jack Pierce

Written by Benn W. Levy, from the novel by J. B. Priestley

Produced by Carl Laemmle Jr.

Directed by James Whale

I suppose fans of horror films will forever hope that some pristine copy of the lost 1927 London After Midnight will someday appear.

The Creative Death sub-sub-genre took flight in the ‘70s with The Omen (1976), as that little imp Damien (and his dad) dispatched the cast in different macabre and entertaining ways. (Variety is the spice, and all that.) The ’78 sequel continued the burgeoning tradition, leading us up to The Legacy (1978) - a film that takes its own stab at variety by marrying The Old Dark House to The Dark Underlord and delivering a fun, wicked (albeit goofy) little offspring.

Released in September in the U.K. (and the following September stateside) by Columbia-emi-Warner (and Universal in the U.S.), The Legacy brought in $11 million against its $2.5 million budget, making it a commercial if not critical success. That this British/American co-production manages to combine their unique aesthetics into something coherent is and of itself some kind of horror miracle.

Maggie (Katharine Ross – The Stepford Wives) and her boyfriend Pete (Sam Elliott – Ghost Rider...

The beginnings of what would become films such as The Texas Chain Saw Massacre and House of 1000 Corpses can be found in James Whale’s The Old Dark House, a highly unique 1932 gem that has been out of print on home video for quite some time now. As we recently learned, Cohen Media Group will […]...

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Metrograph

Chinatown-centered cinema will play in two separate series.

Museum of Modern Art

“Black Intimacy” offers a lens on black cinema.

Nitehawk Cinema

Tobe Hooper-wise, Texas Chainsaw and The Funhouse both screen, as does House on Haunted Hill.

Anthology Film Archives

Essential Cinema has a strong run.

Quad Cinema

James Whale’s The Old Dark House has been restored.