IMDb RATING
7.8/10
55K
YOUR RATING
Mary Shelley reveals the main characters of her novel survived: Baron Henry Frankenstein, goaded by an even madder scientist, builds his monster a mate.Mary Shelley reveals the main characters of her novel survived: Baron Henry Frankenstein, goaded by an even madder scientist, builds his monster a mate.Mary Shelley reveals the main characters of her novel survived: Baron Henry Frankenstein, goaded by an even madder scientist, builds his monster a mate.
- Nominated for 1 Oscar
- 5 wins & 4 nominations total
Boris Karloff
- The Monster
- (as Karloff)
Anne Darling
- Shepherdess
- (as Ann Darling)
Robert Adair
- Hunter in Woods
- (uncredited)
Norman Ainsley
- Archbishop
- (uncredited)
Storyline
Did you know
- TriviaCinematographer John Mescall's drinking had become so problematic that the studio had to provide a car to get him safely to and from the set. James Whale liked that he worked fast and rarely wasted time fussing with incidental camera and lighting hardware. He was still very good at his job, even when drunk.
- GoofsIn the prologue explaining what happened in the first Frankenstein (1931), a man is shown in close-up being strangled by the monster; however, the monster's sleeves are torn and his arms already burned by the windmill fire. Clearly this close-up was newly filmed and inserted as if from the 1931 movie.
- Quotes
Doctor Pretorius: To a new world of gods and monsters!
- Crazy creditsIn the opening and closing credits, "The Monster's Mate" is listed as being played by "?." Elsa Lanchester is only billed as playing Mary Shelley.
- Alternate versionsThe Director's cut was 87 minutes long, but Producer Carl Laemmle Jr. imposed a number of cuts, to tame down the Director's "excesses". The Prologue was cut (making difficult to understand the present dialogue), the body count was reduced from 21 to 10, two love scenes between the couple and a toy representing the Monster with a child have been deleted. This ammount of 12-minute footage has subsequently been lost, making it impossible to reconstruct the initial idea by 'James Whale'.
- ConnectionsEdited into House of Dracula (1945)
- SoundtracksFrühlingslied (Spring Song) Op.62 #6
(1842) (uncredited)
Written by Felix Mendelssohn
Danced by Marie DeForrest
Featured review
I love the first Frankenstein, it was shocking and enthralling despite the complaints of it being dated and slow. Maybe so but I still love it. The Bride of Frankenstein is a wonderful sequel to an already wonderful film, and surpasses it technically I feel. Even if the acting is a little forced in the beginning scene, with the exception of Elsa Lanchester, that is such a minor flaw compared to how good and enjoyable this film was. If you ask me Bride of Frankenstein is one of the greatest achievements in the history of horrordom.
First of all, it is extravagantly produced. The sets are really imaginative, the cinematography is beautiful and the costumes are extravagant. Along the way I noticed two improvements compared to the first film. One is that Bride of Frankenstein is faster in pace, and two the music score is more haunting and melancholic here, Franz Waxman was the perfect choice for composer. Bride of Frankenstein also has some really effective scenes, the ending was very well done as was the unveiling of the bride to the sound of wedding bells and the miniature people in the bell jars, but I found the scene between the monster and the blind hermit especially touching. James Whale's direction is innovative just like in the first film, and the script is also very good and adds to the atmosphere. The acting is excellent, Colin Clive is very good once again as the eccentric Henry Frankenstein, and Ernest Thesiger gives a genius turn as Doctor Pretorious. Valerie Hobson is alluring and sympathetic as Elizabeth, occasionally overdoing it with the hysteria but she was fine overall, while Elsa Lanchester is good as Mary Shelley but electrifyingly beautiful as the bride. Once again though, Boris Karloff gives the finest performance, his towering presence and frightening look ensures for some scares, but he is very poignant as well, as his monster only wants to fit in and is rejected by everybody.
Overall, a wonderful sequel, and not to be missed! 10/10 Bethany Cox
First of all, it is extravagantly produced. The sets are really imaginative, the cinematography is beautiful and the costumes are extravagant. Along the way I noticed two improvements compared to the first film. One is that Bride of Frankenstein is faster in pace, and two the music score is more haunting and melancholic here, Franz Waxman was the perfect choice for composer. Bride of Frankenstein also has some really effective scenes, the ending was very well done as was the unveiling of the bride to the sound of wedding bells and the miniature people in the bell jars, but I found the scene between the monster and the blind hermit especially touching. James Whale's direction is innovative just like in the first film, and the script is also very good and adds to the atmosphere. The acting is excellent, Colin Clive is very good once again as the eccentric Henry Frankenstein, and Ernest Thesiger gives a genius turn as Doctor Pretorious. Valerie Hobson is alluring and sympathetic as Elizabeth, occasionally overdoing it with the hysteria but she was fine overall, while Elsa Lanchester is good as Mary Shelley but electrifyingly beautiful as the bride. Once again though, Boris Karloff gives the finest performance, his towering presence and frightening look ensures for some scares, but he is very poignant as well, as his monster only wants to fit in and is rejected by everybody.
Overall, a wonderful sequel, and not to be missed! 10/10 Bethany Cox
- TheLittleSongbird
- May 1, 2010
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La novia de Frankenstein
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $397,024 (estimated)
- Gross worldwide
- $11,533
- Runtime1 hour 15 minutes
- Color
- Aspect ratio
- 1.37 : 1
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