Best Film Editing and Best Picture have had an important relationship throughout Oscars history. While the two awards don’t always necessarily go to the same film, it is rare that a Best Picture winner isn’t at least nominated for Best Film Editing. Only two out of the last 20 Best Picture champs were snubbed by the editors’ branch: “Birdman” in 2015 and “Coda” in 2022.
One of the best cutters in the business is Thelma Schoonmaker. This longtime collaborator of Martin Scorsese reunites with him for this year’s red-hot Oscar contender, “Killers of the Flower Moon.” This story tells the true tale of the murder of several Osage tribe members in the USA in the 1920s, which led to an FBI investigation involving J. Edgar Hoover. Leonardo DiCaprio, Robert De Niro, and Lily Gladstone star.
Schoonmaker reaped her record ninth nomination for her work on this epic. Her other bids were as follows: 1971 for “Woodstock,...
One of the best cutters in the business is Thelma Schoonmaker. This longtime collaborator of Martin Scorsese reunites with him for this year’s red-hot Oscar contender, “Killers of the Flower Moon.” This story tells the true tale of the murder of several Osage tribe members in the USA in the 1920s, which led to an FBI investigation involving J. Edgar Hoover. Leonardo DiCaprio, Robert De Niro, and Lily Gladstone star.
Schoonmaker reaped her record ninth nomination for her work on this epic. Her other bids were as follows: 1971 for “Woodstock,...
- 1/25/2023
- by Jacob Sarkisian
- Gold Derby
Thelma Schoonmaker is on the verge of Oscar history. The veteran film editor has long collaborated with Martin Scorsese, and that has paid off with three Oscars for Best Editing. Now she’s a contender again for his Netflix gangster epic “The Irishman,” and if she wins a fourth prize it would set a new record for the most awards any individual has won in the category.
Schoonmaker previously won Oscars for cutting Scorsese’s “Raging Bull” (1980), “The Aviator” (2004) and “The Departed” (2006). That tied her with three other filmmakers who have also achieved the hat trick.
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Ralph Dawson won for “A Midsummer Night’s Dream” (1935), “Anthony Adverse” (1936) and “The Adventures of Robin Hood” (1938).
Daniel Mandell‘s three victories were for “The Pride of the Yankees” (1942), “The Best Years of Our Lives” (1946) and “The Apartment” (1960).
And Michael Kahn claimed three for “Raiders of the Lost Ark...
Schoonmaker previously won Oscars for cutting Scorsese’s “Raging Bull” (1980), “The Aviator” (2004) and “The Departed” (2006). That tied her with three other filmmakers who have also achieved the hat trick.
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Ralph Dawson won for “A Midsummer Night’s Dream” (1935), “Anthony Adverse” (1936) and “The Adventures of Robin Hood” (1938).
Daniel Mandell‘s three victories were for “The Pride of the Yankees” (1942), “The Best Years of Our Lives” (1946) and “The Apartment” (1960).
And Michael Kahn claimed three for “Raiders of the Lost Ark...
- 11/26/2019
- by Daniel Montgomery
- Gold Derby
This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
- 2/6/2017
- by Jordan Raup
- The Film Stage
Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
Both Lupita Nyongo ("12 Years a Slave") and Barkhad Abdi ("Captain Phillips") have earned Oscar nominations for their feature film debuts, making this the first time in 17 years that two actors have done so. The last time was Edward Norton ("Primal Fear") and Emily Watson ("Breaking the Waves") in 1996; if their careers are any indication, Nyongo and Abdi have a lot to look forward to regardless of the Oscar results. Since winning at Critics' Choice and the SAG Awards, Nyongo has dramatically widened her lead in the Best Supporting Actress race over Golden Globe champ Jennifer Lawrence ("American Hustle"). Indeed, Supporting Actress has crowned more debuts that any other category; Nyongo would be the ninth, following: Gale Sondergaard ("Anthony Adverse," 1936) Katina Paxinou ("For Whom the Bell Tolls," 1943) Mercedes McCambridge ("All the King's Men," 1949) ...
- 1/24/2014
- Gold Derby
Richard Burton's diaries only sparkle occasionally, most notably when he's demolishing one of his illustrious contemporaries
Richard Burton died in August 1984 at the age of 58, shortly before the premiere of Nineteen Eighty-Four, in which he gave his best performance for more than a decade as Orwell's totalitarian apparatchik O'Brien. His diaries cover some 44 years, from his early second world war schooldays in south Wales to the spring of 1983. In May that year he appeared on Broadway in a poorly received production of Coward's Private Lives with his ex-wife Elizabeth Taylor, and on 3 July he married his fourth wife in a Las Vegas hotel. A hefty brick-sized book, it brings to mind the telegram Warner Brothers boss Jack L Warner sent to the director Mervyn LeRoy, who'd inquired whether he'd got around to reading Hervey Allen's blockbuster Anthony Adverse. "Read it?" Warner replied. "I can't even lift it."
The...
Richard Burton died in August 1984 at the age of 58, shortly before the premiere of Nineteen Eighty-Four, in which he gave his best performance for more than a decade as Orwell's totalitarian apparatchik O'Brien. His diaries cover some 44 years, from his early second world war schooldays in south Wales to the spring of 1983. In May that year he appeared on Broadway in a poorly received production of Coward's Private Lives with his ex-wife Elizabeth Taylor, and on 3 July he married his fourth wife in a Las Vegas hotel. A hefty brick-sized book, it brings to mind the telegram Warner Brothers boss Jack L Warner sent to the director Mervyn LeRoy, who'd inquired whether he'd got around to reading Hervey Allen's blockbuster Anthony Adverse. "Read it?" Warner replied. "I can't even lift it."
The...
- 12/16/2012
- by Philip French
- The Guardian - Film News
I'm calling it right now: The "75 Best Supporting Actresses" YouTube video, where a whippersnapper named Matt imitates all 75 winners of the Academy Award for Best Supporting Actress in a few minutes, is and will be the best video of 2012 (excepting those wonderful Verbal Vogueing and Weeklings clips, of course). It's a hilarious exhibition of talent, creativity and raw gay nerve. And it validates everyone's obsession with award shows too. Now every Best Supporting Actress from Hattie McDaniel to Jennifer Connelly is immortalized in one flavorful, quirky mix. It's not just entertaining; it's important. Let's bow down.
I caught up with the creator himself, an enigmatic YouTube star who goes by the Twitter handle @Diariesofdoom and prefers to go by just his first name, to talk about his marvelous video. We also spoke about the best Oscar moments, the worst Oscar winners, and the awardees who helped spread his gem on YouTube.
I caught up with the creator himself, an enigmatic YouTube star who goes by the Twitter handle @Diariesofdoom and prefers to go by just his first name, to talk about his marvelous video. We also spoke about the best Oscar moments, the worst Oscar winners, and the awardees who helped spread his gem on YouTube.
- 4/16/2012
- by virtel
- The Backlot
This guy deserves his own Oscar for Best Supporting Actress (or some sort of equivalent thereof) after putting on a show like this.
Watch as one man time-warps through Oscar history as he channels all 75 winners of the Academy Award for Best Supporting Actress, from Gale Sondergaard in "Anthony Adverse" (1936) through Octavia Spencer in "The Help" (2011), in just under five minutes.
His (extremely) multi-faceted performance ranges from spot-on imitations (Claire Trevor in "Key Largo") to over-the-top parodies (Ruth Gordon in "Rosemary's Baby") to a mixture of both (Melissa Leo in "The Fighter"). And, like the Oscars themselves, there are a few that are in (rather hilarious) poor taste (especially his Patty Duke in "The Miracle Worker").
We're also rather fond of his take on Kim Basinger in "L.A. Confidential," just because … well, he's right.
Enjoy this one-of-a-kind Oscar summary below, and thanks to Movieline for the find.
Watch as one man time-warps through Oscar history as he channels all 75 winners of the Academy Award for Best Supporting Actress, from Gale Sondergaard in "Anthony Adverse" (1936) through Octavia Spencer in "The Help" (2011), in just under five minutes.
His (extremely) multi-faceted performance ranges from spot-on imitations (Claire Trevor in "Key Largo") to over-the-top parodies (Ruth Gordon in "Rosemary's Baby") to a mixture of both (Melissa Leo in "The Fighter"). And, like the Oscars themselves, there are a few that are in (rather hilarious) poor taste (especially his Patty Duke in "The Miracle Worker").
We're also rather fond of his take on Kim Basinger in "L.A. Confidential," just because … well, he's right.
Enjoy this one-of-a-kind Oscar summary below, and thanks to Movieline for the find.
- 4/7/2012
- by Bryan Enk
- NextMovie
Oscar season may be a fading memory at this point, but that doesn't stop us from loving this clip!
A video showing YouTube user The Doomsday Diaries paying tribute all of the Academy's 75 Best Supporting Actress winners in the span of five minutes has gone viral in the gay blogosphere.
"Some of you may know that Best Supporting Actress is my favorite category," he quips. "If I could, I would make love to every single one of those women!"
And all of them are there -- from Gale Sondergaard, who won in 1936 for "Anthony Adverse," right up through Melissa Leo, who nabbed the award in 2011 for "The Fighter" (the clip was made before Octavia Spencer won this year for her turn in "The Help"). The segments which pay tribute to the musical winners (including Rita Moreno in "West Side Story" and Catherine Zeta-Jones in "Chicago") are by far the most humorous,...
A video showing YouTube user The Doomsday Diaries paying tribute all of the Academy's 75 Best Supporting Actress winners in the span of five minutes has gone viral in the gay blogosphere.
"Some of you may know that Best Supporting Actress is my favorite category," he quips. "If I could, I would make love to every single one of those women!"
And all of them are there -- from Gale Sondergaard, who won in 1936 for "Anthony Adverse," right up through Melissa Leo, who nabbed the award in 2011 for "The Fighter" (the clip was made before Octavia Spencer won this year for her turn in "The Help"). The segments which pay tribute to the musical winners (including Rita Moreno in "West Side Story" and Catherine Zeta-Jones in "Chicago") are by far the most humorous,...
- 4/6/2012
- by Curtis M. Wong
- Huffington Post
We love to do top tens on Tuesdays and more of them will be coming your way soon. Today's top ten is not strictly ascending, some of these moments I loved and some I decidedly did not but they're ten things that I'm thinking about today and that I imagine will always come up when I think of the 84th Oscars.
Top Ten Takeaways
Things to remember, for better and for worse, from the 84th Oscars
10 Direction is Everything With Dance
When I first heard they were doing a Cirque Du Soleil number at the Oscars, I groaned. Not that I don't enjoy the odd acrobatic but why at the Oscars? If you want it to be a variety show, stop being so inexcusably high and mighty about the Original Song category (that music branch and those rules. sigh) and start nominating 5 songs each year like in every other category.
Top Ten Takeaways
Things to remember, for better and for worse, from the 84th Oscars
10 Direction is Everything With Dance
When I first heard they were doing a Cirque Du Soleil number at the Oscars, I groaned. Not that I don't enjoy the odd acrobatic but why at the Oscars? If you want it to be a variety show, stop being so inexcusably high and mighty about the Original Song category (that music branch and those rules. sigh) and start nominating 5 songs each year like in every other category.
- 2/28/2012
- by NATHANIEL R
- FilmExperience
Today for the International Women's History Centennial, a few "firsts" in movies. Add some in the comments if you want! I was 2/3rds done with this when I spotted Cinematical's "women in cinematic history but I wanted to make this a little more "first"y and loopier and obviously a bit more awardsy in nature since we play it like that.
A Mary Pickford biography | Florence Lawrence "The Biograph Girl"
Silents
First movie star: That's "The Biograph Girl" Florence Lawrence Or...
First "Oprah" i.e. first woman in entertainment to basic control the universe: Mary Pickford was, like Florence Lawrence, famous by sight before actor names went in credits. Pickford was also known as "America's Sweetheart" a title that the media has virtually never tired of passing on down to newish popular actresses ever since. Mary was one of the founders of AMPAS and a studio founder too. She also commanded astronomical wealth.
A Mary Pickford biography | Florence Lawrence "The Biograph Girl"
Silents
First movie star: That's "The Biograph Girl" Florence Lawrence Or...
First "Oprah" i.e. first woman in entertainment to basic control the universe: Mary Pickford was, like Florence Lawrence, famous by sight before actor names went in credits. Pickford was also known as "America's Sweetheart" a title that the media has virtually never tired of passing on down to newish popular actresses ever since. Mary was one of the founders of AMPAS and a studio founder too. She also commanded astronomical wealth.
- 3/9/2011
- by NATHANIEL R
- FilmExperience
There are a significant number of pundits who are betting that Hailee Steinfeld, the 14-year-old star of “True Grit,” will win the best supporting actress Oscar over Melissa Leo, the veteran thespian who won top honors this year from the Bfca, HFPA, and SAG for her performance in “The Fighter.” As great as Steinfeld is in her film — and she is great — the following stat may make them reconsider their pick…
Over the 73 years prior to this year in which the Academy Awards featured a best supporting actress category, only eight women who were nominated in it for their big screen debut — as is Steinfeld — wound up taking home the Oscar. That’s less than 11% of them. They were…
Gale Sondergaard for “Anthony Adverse” (1936) Katina Paxinou for “For Whom the Bell Tolls” (1943) Mercedes McCambridge for “All the King’s Men” (1949) Eva Marie Saint for “On the Waterfront” (1954) Jo Van Fleet...
Over the 73 years prior to this year in which the Academy Awards featured a best supporting actress category, only eight women who were nominated in it for their big screen debut — as is Steinfeld — wound up taking home the Oscar. That’s less than 11% of them. They were…
Gale Sondergaard for “Anthony Adverse” (1936) Katina Paxinou for “For Whom the Bell Tolls” (1943) Mercedes McCambridge for “All the King’s Men” (1949) Eva Marie Saint for “On the Waterfront” (1954) Jo Van Fleet...
- 2/21/2011
- by Scott Feinberg
- Scott Feinberg
It now appears to be more likely than not that Hailee Steinfeld, the 14-year-old actress who makes her big screen debut in the Coen brothers’ critically and commercially successful Western “True Grit,” will score an Oscar nomination — and perhaps even a win — in one category or another for her film-stealing performance. Consequently, some of you may be wondering if any other newcomer has ever earned that kind of recongition over the 82 year history of the Academy Awards. The answer is yes — in fact, it has happened precisely 47 times, 16 in lead and 31 in supporting.
Some of those women were famous before they received their nods (i.e. Jennifer Hudson and Barbra Streisand); most were not (i.e. Mary Badham and Gabby Sidibe). Some never made another movie after they received their nods (i.e. Jocelyne Lagarde); some made a few and then dropped off the face of the earth (i.e.
Some of those women were famous before they received their nods (i.e. Jennifer Hudson and Barbra Streisand); most were not (i.e. Mary Badham and Gabby Sidibe). Some never made another movie after they received their nods (i.e. Jocelyne Lagarde); some made a few and then dropped off the face of the earth (i.e.
- 1/4/2011
- by Scott Feinberg
- Scott Feinberg
Spencer Tracy as a fictionalized Clarence Darrow, Fredric March as a fictionalized William Jennings Bryan in Stanley Kramer's Inherit the Wind Turner Classic Movies' Fredric March tribute ends tonight with the presentation of six movies: Inherit the Wind (1960), There Goes My Heart (1938), Seven Days in May (1964), The Young Doctors (1961), The Adventures of Mark Twain (1944), and Anthony Adverse (1936). Of those, I've seen three: Stanley Kramer's Inherit the Wind, a fictionalized account of the Scopes "Monkey" Trial — creationism vs. evolution — is one of Kramer's Movies with a Message. Unlike the tame Guess Who's Coming to Dinner or the dull The Defiant Ones, Inherit the Wind actually delivers its message in a dramatically persuasive manner. Helping things out are Oscar nominee Spencer Tracy in one of his rare unselfconsciously low-key performances as Clarence Darrow ("Henry Drummond" in the film) and a heavily madeup Fredric March in a [...]...
- 10/26/2010
- by Andre Soares
- Alt Film Guide
Hollywood legend Tony Curtis has died at the age of 85. Jamie Lee Curtis' actor father passed away on Wednesday, September 29. No further details were available as WENN went to press. Born Bernard Schwartz to Jewish immigrants from Hungary, the star endured a tough upbringing in the Bronx borough of New York, which saw him spend a year in an orphanage with his younger brother Julius because his parents were too poor to feed them.
He served in the U.S. Navy during World War II before deciding to pursue his love of acting and enrolling in the Dramatic Workshop of The New School in New York with German director Erwin Piscator. He moved to Hollywood in 1948 when he was 23 and landed a contract with Universal Pictures. It was then that Schwartz changed his name to Tony Curtis, adopting his first name from the book Anthony Adverse and his last name from Kurtz,...
He served in the U.S. Navy during World War II before deciding to pursue his love of acting and enrolling in the Dramatic Workshop of The New School in New York with German director Erwin Piscator. He moved to Hollywood in 1948 when he was 23 and landed a contract with Universal Pictures. It was then that Schwartz changed his name to Tony Curtis, adopting his first name from the book Anthony Adverse and his last name from Kurtz,...
- 10/1/2010
- by AceShowbiz.com
- Aceshowbiz
Actor whose good looks and charm took him to the heights of Hollywood with films such as Some Like It Hot and The Defiant Ones
Born into a family of Hungarian Jews who had emigrated to the Us, Bernard Schwartz – the boy who became the actor Tony Curtis – could scarcely have dreamed of the wealth, fame and rollercoaster life that awaited him. Curtis, who has died aged 85, starred in several of the best films of the 1950s, including Sweet Smell of Success (1957), The Defiant Ones (1958) and Some Like It Hot (1959). He enjoyed a long career thanks to his toughness and resilience (despite insecurities that demanded years of therapy).
He grew up in the Bronx, New York, the eldest of three sons. As a child, he was ill-treated by his mother, Helen, and spent time in an orphanage. One of his brothers, Robert, was a schizophrenic and the other, Julius, was...
Born into a family of Hungarian Jews who had emigrated to the Us, Bernard Schwartz – the boy who became the actor Tony Curtis – could scarcely have dreamed of the wealth, fame and rollercoaster life that awaited him. Curtis, who has died aged 85, starred in several of the best films of the 1950s, including Sweet Smell of Success (1957), The Defiant Ones (1958) and Some Like It Hot (1959). He enjoyed a long career thanks to his toughness and resilience (despite insecurities that demanded years of therapy).
He grew up in the Bronx, New York, the eldest of three sons. As a child, he was ill-treated by his mother, Helen, and spent time in an orphanage. One of his brothers, Robert, was a schizophrenic and the other, Julius, was...
- 9/30/2010
- by Brian Baxter
- The Guardian - Film News
Hollywood Legend Curtis Dead
Hollywood legend Tony Curtis has died at the age of 85.
Jamie Lee Curtis' actor father passed away on Wednesday after suffering a cardiac arrest in bed at his Las Vegas home.
No further details were available as WENN went to press.
Born Bernard Schwartz to Jewish immigrants from Hungary, the star endured a tough upbringing in the Bronx borough of New York, which saw him spend a year in an orphanage with his younger brother Julius because his parents were too poor to feed them.
He served in the U.S. Navy during World War II before deciding to pursue his love of acting and enrolling in the Dramatic Workshop of The New School in New York with German director Erwin Piscator.
He moved to Hollywood in 1948 when he was 23 and landed a contract with Universal Pictures. It was then that Schwartz changed his name to Tony Curtis, adopting his first name from the book Anthony Adverse and his last name from Kurtz, from his mother's family.
Curtis made his film debut with an uncredited appearance in 1949's Criss Cross, but it was only in the mid-1950s that he emerged as a breakout star with roles in movies including 1957's Sweet Smell of Success and alongside Sidney Poitier in The Defiant Ones (1958), a performance which landed him a Best Actor Oscar nomination.
He also starred in dramas The Outsider and The Boston Strangler, but he will perhaps be best remembered for his performance in Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon. In 2000, the American Film Institute named the movie classic the greatest American comedy film of all time.
Curtis also embarked on a variety of TV projects and was immortalised as 'Stony Curtis' on popular cartoon The Flintstones in the early 1960s. In the '70s, he co-starred with former James Bond actor Roger Moore in The Persuaders! series, and went on to land roles in U.S. TV shows McCoy and Vega$.
The actor scaled down the number of films he made in the 1980s and embarked on a career as a surrealist painter. His works became such a hit in the art world, he was able to command more than $25,000 (£16,700) a piece and his painting The Red Table went on display at the New York Metropolitan Museum of Art in 2007.
Curtis was later awarded a star on the Hollywood Walk of Fame and was presented with the prestigious French honour, the Order of Arts and Letters, in 1995. He was also an Emmy nominated star and collected two Golden Globes, in 1958 and 1961.
His final role as an actor was in 2008 romantic war drama David & Fatima, in which he starred with Oscar winner Martin Landau, although he expressed a desire to return to the screen earlier this year.
Outside Hollywood, Curtis was also known for his high-profile personal life - he was married to actress Janet Leigh for 11 years and they had two children together, Jamie Lee and Kelly Curtis, who both followed their parents into showbusiness.
He openly admitted to cheating on Leigh during their union and divorced her in 1962 to wed Christine Kaufmann, his then-17-year-old German co-star in Taras Bulba. He fathered two kids with her but his second marriage lasted just four years.
He was married a further three times and had two more children with third wife Leslie Allen, although their son Nicholas died from a heroin overdose in 1994, aged 23.
Renowned womaniser Curtis later revealed he had had a brief fling with Marilyn Monroe in 1949, and detailed their love affair in his autobiography American Prince: A Memoir.
Curtis was dogged by ill health in his later years and came close to death when he was struck down by pneumonia and fell into a coma in December 2006. He regained consciousness several days later but the virus left him weak and he was resigned to using a wheelchair to get around as he could only walk short distances.
He was hospitalised in August last year when he suffered an asthma-like attack and was diagnosed with chronic obstructive pulmonary disease (Copd), a condition which sent him to seek medical attention again in New York in early 2010.
In July, Curtis was admitted to hospital in Las Vegas after another Copd attack after being taken ill at an exhibition of his artwork.
He is survived by his fifth wife Jill Vandenberg Curtis, who he wed in 1998 despite their 42-year age difference, and his five children.
Jamie Lee Curtis' actor father passed away on Wednesday after suffering a cardiac arrest in bed at his Las Vegas home.
No further details were available as WENN went to press.
Born Bernard Schwartz to Jewish immigrants from Hungary, the star endured a tough upbringing in the Bronx borough of New York, which saw him spend a year in an orphanage with his younger brother Julius because his parents were too poor to feed them.
He served in the U.S. Navy during World War II before deciding to pursue his love of acting and enrolling in the Dramatic Workshop of The New School in New York with German director Erwin Piscator.
He moved to Hollywood in 1948 when he was 23 and landed a contract with Universal Pictures. It was then that Schwartz changed his name to Tony Curtis, adopting his first name from the book Anthony Adverse and his last name from Kurtz, from his mother's family.
Curtis made his film debut with an uncredited appearance in 1949's Criss Cross, but it was only in the mid-1950s that he emerged as a breakout star with roles in movies including 1957's Sweet Smell of Success and alongside Sidney Poitier in The Defiant Ones (1958), a performance which landed him a Best Actor Oscar nomination.
He also starred in dramas The Outsider and The Boston Strangler, but he will perhaps be best remembered for his performance in Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon. In 2000, the American Film Institute named the movie classic the greatest American comedy film of all time.
Curtis also embarked on a variety of TV projects and was immortalised as 'Stony Curtis' on popular cartoon The Flintstones in the early 1960s. In the '70s, he co-starred with former James Bond actor Roger Moore in The Persuaders! series, and went on to land roles in U.S. TV shows McCoy and Vega$.
The actor scaled down the number of films he made in the 1980s and embarked on a career as a surrealist painter. His works became such a hit in the art world, he was able to command more than $25,000 (£16,700) a piece and his painting The Red Table went on display at the New York Metropolitan Museum of Art in 2007.
Curtis was later awarded a star on the Hollywood Walk of Fame and was presented with the prestigious French honour, the Order of Arts and Letters, in 1995. He was also an Emmy nominated star and collected two Golden Globes, in 1958 and 1961.
His final role as an actor was in 2008 romantic war drama David & Fatima, in which he starred with Oscar winner Martin Landau, although he expressed a desire to return to the screen earlier this year.
Outside Hollywood, Curtis was also known for his high-profile personal life - he was married to actress Janet Leigh for 11 years and they had two children together, Jamie Lee and Kelly Curtis, who both followed their parents into showbusiness.
He openly admitted to cheating on Leigh during their union and divorced her in 1962 to wed Christine Kaufmann, his then-17-year-old German co-star in Taras Bulba. He fathered two kids with her but his second marriage lasted just four years.
He was married a further three times and had two more children with third wife Leslie Allen, although their son Nicholas died from a heroin overdose in 1994, aged 23.
Renowned womaniser Curtis later revealed he had had a brief fling with Marilyn Monroe in 1949, and detailed their love affair in his autobiography American Prince: A Memoir.
Curtis was dogged by ill health in his later years and came close to death when he was struck down by pneumonia and fell into a coma in December 2006. He regained consciousness several days later but the virus left him weak and he was resigned to using a wheelchair to get around as he could only walk short distances.
He was hospitalised in August last year when he suffered an asthma-like attack and was diagnosed with chronic obstructive pulmonary disease (Copd), a condition which sent him to seek medical attention again in New York in early 2010.
In July, Curtis was admitted to hospital in Las Vegas after another Copd attack after being taken ill at an exhibition of his artwork.
He is survived by his fifth wife Jill Vandenberg Curtis, who he wed in 1998 despite their 42-year age difference, and his five children.
- 9/30/2010
- WENN
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