Three men attempt to make a living in Prohibitionist America after returning home from fighting together in World War I.Three men attempt to make a living in Prohibitionist America after returning home from fighting together in World War I.Three men attempt to make a living in Prohibitionist America after returning home from fighting together in World War I.
- Awards
- 2 wins
Elisabeth Risdon
- Mrs. Sherman
- (as Elizabeth Risdon)
Edward Keane
- Henderson
- (as Ed Keane)
Eddy Chandler
- Second Detective
- (as Eddie Chandler)
John Deering
- Narrator
- (voice)
Storyline
Did you know
- TriviaThis marked the end of James Cagney's cycle of gangster films for Warner Bros. Cagney wanted to diversify his roles: he would not play a gangster again until White Heat (1949), ten years later.
- GoofsWhen Eddie and his men impersonate the Coast Guard, there's a miniature shot of the two boats pulling alongside each other. Nick's rum runner boat that George captains is a much taller boat and its deck is higher above the water than the smaller vessel. Yet when the shot changes to live action and Eddie's crew is throwing mooring lines across to the bigger boat, the decks are now the same height; furthermore, when the men cross from one boat to the other, they merely step over the rail instead of needing to climb up to the taller boat's deck.
- Quotes
[last lines]
Panama Smith: He's dead.
Cop: Well, who is this guy?
Panama Smith: This is Eddie Bartlett.
Cop: Well, how're you hooked up with him?
Panama Smith: I could never figure it out.
Cop: What was his business?
Panama Smith: He used to be a big shot.
- ConnectionsEdited from The Public Enemy (1931)
- SoundtracksI'm Just Wild About Harry
(1921) (uncredited)
Music by Eubie Blake
Lyrics by Noble Sissle
Played during the opening and closing credits
Also played during the 1922 montage
Sung by Priscilla Lane at the club
Featured review
It is hard to believe so many truly great films were made in 1939, and I can only guess that the sheer volume of excellent pix from that year is the only reason why THE ROARING TWENTIES does not have truly major classic status. 1939 seems to be cluttered with a plethora of cinematic riches, thus burying this astonishing and entertaining crime film. I also have been roaring (with laughter) at some of the astonishing silly comments also on this film's viewer comments page: from: "Blondell's haircut is worth the price of a ticket" (Joan Blondell is not in this film, sweetie, read the credits!) - to '"Another MGM gem"...hello? pal, the opening of the film has a great big shield with WB stamped on it followed by "Warner Bros Presents". Almost everyone commenting then proceeds to tell the whole story, each one after each one as thought they are the only person writing a comment. Yeesh. I am the only person who firstly reads what is already there in order to NOT duplicate plot points or characters or the same old same old same old? For genuine long lasting flabbergastering I prefer the movie's solid direction by Raoul Walsh the sensational crackling screenplay by Mark Hellinger and Jerry Wald and mostly the truly major performance by James Cagney. This role and it's ride is possibly the best I have ever seen from him, especially in the latter scenes on skid-row. It's a very mean cruel story with Bogart's jawdropping viciousness several points above censorship rulings - all thankfully intact and now in crisp DVD clarity. The production values are equally solid well decorated nightclubs and houses and rooms and very believable and expansive sets and scenes - especially in the WW1 intro. Yes it even has a terrific Citizen Kane style march of time newsreel tone and urgency. This is a genuine gangster masterpiece and well worth finding and sharing with other vintage WB (not MGM) crime buffs. THE ROARING TWENTIES deserves to be one of the most famous gangster films for everyone of its plot, acting , character and production qualities - they are all there on show. I would love to know the budget and the box office. I know the film was a big hit but exactly how big? It deserved to be massive. Also, the best saddest role of a lifetime to the superb and endearing Gladys George as Panama. As if everything else wasn't perfect enough! This film is a collectors must-have. If remade today, it would be exactly the same, such is it's timeless tone and production. In fact it is had to believe it was made 20 years earlier than SOME LIKE IT HOT. Both films look identical. Don't waste another day, put THE ROARING TWENTIES top of your must see list.
- How long is The Roaring Twenties?Powered by Alexa
Details
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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What is the Brazilian Portuguese language plot outline for The Roaring Twenties (1939)?
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