IMDb RATING
6.6/10
1.4K
YOUR RATING
A governess becomes the center of a wealthy family after her employer's wife dies.A governess becomes the center of a wealthy family after her employer's wife dies.A governess becomes the center of a wealthy family after her employer's wife dies.
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Storyline
Did you know
- TriviaAbout this film, Ingrid Bergman said "It wasn't a very good picture. But as long as a part makes sense, and the character is a human being, I will try because I can't do artificial people on the screen. Nothing done with such a character can make it real to audiences." With Ratoff's permission, Bergman introduced changes to her character that turned Emilie from a cardboard saint to a humanized woman, such as adding the scenes in which she did gymnastics and played basketball with the boys. Bergman would humanize her Sister Benedict in The Bells of St. Mary's (1945) with some similar athletic character development.
- GoofsEmilie returns to the U.S.A from France on a British cruise ship during WWI. Due to the danger posed by German U-boats, especially after the sinking of the Lusitania, cruise ships passages in the Atlantic were ceased until the war's end.
- Quotes
Hester Stoddard: What are we drinking for - to stay sober?
- Crazy creditsThe movie begins when a photograph in the opening credits comes to life.
- ConnectionsFeatured in The Break-Up Artist (2009)
Featured review
Somewhat stolid drama is immeasurably boosted by a terrific performance by Susan Hayward on her way up. This was really the first role that allowed her any kind of showcase and she takes full advantage as the grasping cat that's up to no good. From here on she started a steady if not meteoric rise to the very top but even at this early stage she demonstrates the fiery star quality that took her there.
This second American outing for Ingrid Bergman is obviously designed as a star vehicle for her but except when pitted against Susan's shrew she is only required to show pallid goodness, not the best star making material. She only had to work her way through one more indifferent picture, Rage in Heaven, before hitting her stride as the cheap Ivy in Dr. Jekyll and Mr. Hyde and of course following that up with the luminous Ilsa in Casablanca and on to immortality.
As far as the rest of the film goes it's standard hokum with Warner Baxter stiff as the head of the household and the sons all lacking in personality. Fay Wray isn't given anything to do in her tiny amount of screen time but June Lockhart is all sweet faced and dewy youthfulness, at least making her nothing part stand out by her vivacity.
This second American outing for Ingrid Bergman is obviously designed as a star vehicle for her but except when pitted against Susan's shrew she is only required to show pallid goodness, not the best star making material. She only had to work her way through one more indifferent picture, Rage in Heaven, before hitting her stride as the cheap Ivy in Dr. Jekyll and Mr. Hyde and of course following that up with the luminous Ilsa in Casablanca and on to immortality.
As far as the rest of the film goes it's standard hokum with Warner Baxter stiff as the head of the household and the sons all lacking in personality. Fay Wray isn't given anything to do in her tiny amount of screen time but June Lockhart is all sweet faced and dewy youthfulness, at least making her nothing part stand out by her vivacity.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Legacy
- Filming locations
- Palms Railway Station, Palms, California, USA(Opening train station scene, as Stoneville.)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $488,000 (estimated)
- Runtime1 hour 21 minutes
- Color
- Aspect ratio
- 1.37 : 1
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