1986 was an important year for DC Comics. "Crisis on Infinite Earths" rebooted the decades-old continuity, and Frank Miller reinvigorated Batman with "The Dark Knight Returns." Miller's tale depicted an aged Bruce Wayne coming out of retirement to fight the evils of the 1980s, from street gangs to the Cold War to Ronald Reagan. If you've ever wondered what the beginning of dark and gritty Batman was, it was this book.
The next year, DC was relaunching the main "Batman" title for the "Post-Crisis" era, and Miller was the obvious choice to kick it off. The result was "Year One," running four issues from "Batman" #404-407. The book follows Bruce Wayne's early days as a crime fighter when Gotham City was menaced by the mob, not super-villains. Batman refines his tactics through trial and error and slowly wins the trust of James Gordon — not yet a commissioner, but a rare...
The next year, DC was relaunching the main "Batman" title for the "Post-Crisis" era, and Miller was the obvious choice to kick it off. The result was "Year One," running four issues from "Batman" #404-407. The book follows Bruce Wayne's early days as a crime fighter when Gotham City was menaced by the mob, not super-villains. Batman refines his tactics through trial and error and slowly wins the trust of James Gordon — not yet a commissioner, but a rare...
- 16/1/2024
- por Devin Meenan
- Slash Film
If a script involves the antichrist, gruesome deaths, and one spiraling towards insanity as they question whether or not their child is evil, it's safe to conclude the film can be categorized as horror. However, director Richard Donner took a delicate approach when he asked renowned actor Gregory Peck to be a lead role in his 1976 film "The Omen," the fourth film in Donner's directorial career. Donner's filmography is filled with successful and treasured films like "The Goonies". "Scrooged", and "Lethal Weapon." While his work has comedic elements, "The Omen" was far from a feel-good film and yet Donner desperately wanted Peck on board. In order to convince the highly sought-after and acclaimed actor to accept the role, Donner took a grey-area approach and tread lightly about how the film would be categorized.
We'll Never Call It A Horror Film
In an interview with TheLipTV, Donner explains that he went...
We'll Never Call It A Horror Film
In an interview with TheLipTV, Donner explains that he went...
- 11/2/2023
- por Marisa Mirabal
- Slash Film
While performances that win the Oscar for Best Actor are usually longer than those that win Best Actress, a solid amount of lengthy roles have won in the lead female category. The average screen time among Best Actress winners is one hour, four minutes, and 41 seconds, and plenty of much longer ones have triumphed. Here is a look at the 10 longest winners of all time. (And here’s the list of the 10 shortest winning performances for Best Actress.)
10. Natalie Portman (“Black Swan”)
1 hour, 29 minutes, 18 seconds (82.67% of the film)
Portman received her first Best Actress nomination and win in 2011 for her role as ballerina Nina Sayers. While nine performances with higher amounts of screen time had already won in the category, Portman’s became the one with the second-highest percentage. Hers is also one of only 25 performances ever nominated for the award with a screen time total of over 80%.
9. Julie Christie (“Darling”)
1 hour,...
10. Natalie Portman (“Black Swan”)
1 hour, 29 minutes, 18 seconds (82.67% of the film)
Portman received her first Best Actress nomination and win in 2011 for her role as ballerina Nina Sayers. While nine performances with higher amounts of screen time had already won in the category, Portman’s became the one with the second-highest percentage. Hers is also one of only 25 performances ever nominated for the award with a screen time total of over 80%.
9. Julie Christie (“Darling”)
1 hour,...
- 31/12/2020
- por Matthew Stewart
- Gold Derby
In 91 years, no one has ever been Oscar-nominated for playing a pope. That could change this year if Jonathan Pryce (lead actor) and Anthony Hopkins (supporting) are recognized for the crowd-pleasing “The Two Popes,” as, respectively, Pope Francis and Pope Benedict XVI.
The film depicts their mutual wariness, which turns into friendship. And thanks to director Fernando Meirelles and writer Anthony McCarten, it also packs a punch in dealing with the men’s very different socio-political backgrounds.
“The Two Popes” sounds like a TV movie that would be shown on cable every Easter. In fact, Italian TV has done a bevy of papal biopics over the years, and America has had a hand in several, including Jon Voight (!) in the 2005 “Pope John Paul II” miniseries.
But Vatican City has rarely appeared on the big screen. “The Agony and the Ecstasy” (1965) and “The Shoes of the Fisherman” (1968) were both intended as...
The film depicts their mutual wariness, which turns into friendship. And thanks to director Fernando Meirelles and writer Anthony McCarten, it also packs a punch in dealing with the men’s very different socio-political backgrounds.
“The Two Popes” sounds like a TV movie that would be shown on cable every Easter. In fact, Italian TV has done a bevy of papal biopics over the years, and America has had a hand in several, including Jon Voight (!) in the 2005 “Pope John Paul II” miniseries.
But Vatican City has rarely appeared on the big screen. “The Agony and the Ecstasy” (1965) and “The Shoes of the Fisherman” (1968) were both intended as...
- 5/12/2019
- por Tim Gray
- Variety Film + TV
Gregory Peck would’ve celebrated his 103rd birthday on April 5, 2019. The Oscar-winning actor starred in dozens of classics, staying active on the big and small screen until his death in 2003 at the age of 87. In honor of his birthday, let’s take a look back at 20 of his greatest films, ranked worst to best.
Born in 1916, Peck made his screen debut with a starring role in “Days of Glory” (1944). He earned his first Oscar nomination as Best Actor for his second movie, “The Keys of the Kingdom” (1944), playing a Catholic priest spreading Christianity in China. He earned subsequent bids for playing an ex-Confederate soldier in “The Yearling” (1946), a journalist posing as Jewish in “Gentleman’s Agreement” (1947) and an Air Force commander in “Twelve O’Clock High” (1949).
SEEOscar Best Actor Gallery: Every Winner in Academy Award History
He clinched the gold for “To Kill a Mockingbird” (1962), adapted from Harper Lee‘s beloved Civil Rights novel.
Born in 1916, Peck made his screen debut with a starring role in “Days of Glory” (1944). He earned his first Oscar nomination as Best Actor for his second movie, “The Keys of the Kingdom” (1944), playing a Catholic priest spreading Christianity in China. He earned subsequent bids for playing an ex-Confederate soldier in “The Yearling” (1946), a journalist posing as Jewish in “Gentleman’s Agreement” (1947) and an Air Force commander in “Twelve O’Clock High” (1949).
SEEOscar Best Actor Gallery: Every Winner in Academy Award History
He clinched the gold for “To Kill a Mockingbird” (1962), adapted from Harper Lee‘s beloved Civil Rights novel.
- 5/4/2019
- por Zach Laws and Chris Beachum
- Gold Derby
Gregory Peck would’ve celebrated his 103rd birthday on April 5, 2019. The Oscar-winning actor starred in dozens of classics, staying active on the big and small screen until his death in 2003 at the age of 87. In honor of his birthday, let’s take a look back at 20 of his greatest films, ranked worst to best.
Born in 1916, Peck made his screen debut with a starring role in “Days of Glory” (1944). He earned his first Oscar nomination as Best Actor for his second movie, “The Keys of the Kingdom” (1944), playing a Catholic priest spreading Christianity in China. He earned subsequent bids for playing an ex-Confederate soldier in “The Yearling” (1946), a journalist posing as Jewish in “Gentleman’s Agreement” (1947) and an Air Force commander in “Twelve O’Clock High” (1949).
He clinched the gold for “To Kill a Mockingbird” (1962), adapted from Harper Lee‘s beloved Civil Rights novel. The role of Atticus Finch, a...
Born in 1916, Peck made his screen debut with a starring role in “Days of Glory” (1944). He earned his first Oscar nomination as Best Actor for his second movie, “The Keys of the Kingdom” (1944), playing a Catholic priest spreading Christianity in China. He earned subsequent bids for playing an ex-Confederate soldier in “The Yearling” (1946), a journalist posing as Jewish in “Gentleman’s Agreement” (1947) and an Air Force commander in “Twelve O’Clock High” (1949).
He clinched the gold for “To Kill a Mockingbird” (1962), adapted from Harper Lee‘s beloved Civil Rights novel. The role of Atticus Finch, a...
- 5/4/2019
- por Zach Laws and Chris Beachum
- Gold Derby
Ethan Hawke is this awards’ season critical darling earning several best actor nods from critic’s groups including the Los Angeles Film Critics Assn. and New York Film Critics Circle for his powerful performance as a troubled clergyman haunted with his past and the future in Paul Schrader’s “First Reformed.”
Hawke, who also won the Gotham Awards honor for best actor, is also nominated for a Critics Choice and a Film Independent Spirit Award but was snubbed in the Golden Globe and Screen Actors Guild Award nominations.
But Hawke, who has received four previously Oscar nominations including for supporting actor for 2014’s “Boyhood,” shouldn’t give up the faith about a fifth nomination. Over the years, the academy has embraced actors and actresses who played members of the clergy with six wins and upwards of two dozen nominations.
Predict the Oscar nominations now; change them until January 22
Both Spencer Tracy...
Hawke, who also won the Gotham Awards honor for best actor, is also nominated for a Critics Choice and a Film Independent Spirit Award but was snubbed in the Golden Globe and Screen Actors Guild Award nominations.
But Hawke, who has received four previously Oscar nominations including for supporting actor for 2014’s “Boyhood,” shouldn’t give up the faith about a fifth nomination. Over the years, the academy has embraced actors and actresses who played members of the clergy with six wins and upwards of two dozen nominations.
Predict the Oscar nominations now; change them until January 22
Both Spencer Tracy...
- 2/1/2019
- por Susan King
- Gold Derby
The Keys of the Kingdom
Blu-ray
Twilight Time
1944 / B&W / 1:37 Academy / 137 min. / Street Date December 13, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Gregory Peck, Thomas Mitchell, Vincent Price, Rose Stradner, Roddy McDowall, Edmund Gwenn, Cedric Hardwicke, Peggy Ann Garner, Jane Ball, James Gleason, Anne Revere
Cinematography: Arthur Miller
Art Direction: James Basevi, William Darling
Film Editor: James B. Clark
Original Music: Alfred Newman
Written by: Joseph L. Mankiewicz, Nunnally Johnson from a novel by A.J. Cronin
Produced by: Joseph L. Mankiewicz
Directed by John M. Stahl
The Twilight Time label has access to much of the Fox library, and draws from the vault what’s been fully restored and what’s not already claimed elsewhere. Accompanying their UA- sourced disc of Joseph L. Mankiewicz’s The Barefoot Contessa is a 1944 Fox release from the writer-director-producer, a big studio production directed in this case by John M. Stahl. The Keys of the Kingdom...
Blu-ray
Twilight Time
1944 / B&W / 1:37 Academy / 137 min. / Street Date December 13, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Gregory Peck, Thomas Mitchell, Vincent Price, Rose Stradner, Roddy McDowall, Edmund Gwenn, Cedric Hardwicke, Peggy Ann Garner, Jane Ball, James Gleason, Anne Revere
Cinematography: Arthur Miller
Art Direction: James Basevi, William Darling
Film Editor: James B. Clark
Original Music: Alfred Newman
Written by: Joseph L. Mankiewicz, Nunnally Johnson from a novel by A.J. Cronin
Produced by: Joseph L. Mankiewicz
Directed by John M. Stahl
The Twilight Time label has access to much of the Fox library, and draws from the vault what’s been fully restored and what’s not already claimed elsewhere. Accompanying their UA- sourced disc of Joseph L. Mankiewicz’s The Barefoot Contessa is a 1944 Fox release from the writer-director-producer, a big studio production directed in this case by John M. Stahl. The Keys of the Kingdom...
- 10/1/2017
- por Glenn Erickson
- Trailers from Hell
Gregory Peck was an instant sensation at the cinema. He was nominated for Best Actor in his very first year of the movies for The Keys of the Kingdom (1944) and the hits just kept on coming: The Yearling (1946), Gentleman's Agreement (1947), Twelve O'Clock High (1949). The Academy became less interested in nominating him after that the 1940s but for his Oscar winning and most iconic role (To Kill a Mockingbird) but audiences never stopped loving him. He had key hit films for over 30 years in his big screen career.
Though he was a very politically active liberal he was never interested in running for office himself but he proved to be an influential politician within the industry itself as a key AMPAS president.
For this week's Hit Me With Your Best Shot, in honor of Peck's Centennial, we gave participants the choice between what are arguably his two greatest films, Roman Holiday...
Though he was a very politically active liberal he was never interested in running for office himself but he proved to be an influential politician within the industry itself as a key AMPAS president.
For this week's Hit Me With Your Best Shot, in honor of Peck's Centennial, we gave participants the choice between what are arguably his two greatest films, Roman Holiday...
- 6/4/2016
- por NATHANIEL R
- FilmExperience
'Father of the Bride': Steve Martin and Kimberly Williams. Top Five Father's Day Movies? From giant Gregory Peck to tyrant John Gielgud What would be the Top Five Father's Day movies ever made? Well, there have been countless films about fathers and/or featuring fathers of various sizes, shapes, and inclinations. In terms of quality, these range from the amusing – e.g., the 1950 version of Cheaper by the Dozen; the Oscar-nominated The Grandfather – to the nauseating – e.g., the 1950 version of Father of the Bride; its atrocious sequel, Father's Little Dividend. Although I'm unable to come up with the absolute Top Five Father's Day Movies – or rather, just plain Father Movies – ever made, below are the first five (actually six, including a remake) "quality" patriarch-centered films that come to mind. Now, the fathers portrayed in these films aren't all heroic, loving, and/or saintly paternal figures. Several are...
- 22/6/2015
- por Andre Soares
- Alt Film Guide
By Anjelica Oswald
Managing Editor
At Sunday’s Academy Awards ceremony, Julianne Moore could join the ranks of 10 actors and actresses who have had five or more acting nominations before their first win.
Moore earned her fifth nomination for her portrayal of a professor suffering from early-onset Alzheimer’s in Still Alice, based on Lisa Genova‘s 2007 novel of the same name. She was first nominated in 1998 for Paul Thomas Anderson’s Boogie Nights.
In Academy history, five actors and actresses have won their first Oscar on their fifth nomination.
Gregory Peck, who was first nominated in 1946 for The Keys of the Kingdom, didn’t win until 1962 for To Kill a Mockingbird. Five years later, Peck was awarded The Academy’s Jean Hersholt Humanitarian Award.
Susan Hayward won her first and only Oscar in 1959 for her leading role in I Want to Live!. She was first nominated in 1948 for Smash-Up: The Story of a Woman.
Managing Editor
At Sunday’s Academy Awards ceremony, Julianne Moore could join the ranks of 10 actors and actresses who have had five or more acting nominations before their first win.
Moore earned her fifth nomination for her portrayal of a professor suffering from early-onset Alzheimer’s in Still Alice, based on Lisa Genova‘s 2007 novel of the same name. She was first nominated in 1998 for Paul Thomas Anderson’s Boogie Nights.
In Academy history, five actors and actresses have won their first Oscar on their fifth nomination.
Gregory Peck, who was first nominated in 1946 for The Keys of the Kingdom, didn’t win until 1962 for To Kill a Mockingbird. Five years later, Peck was awarded The Academy’s Jean Hersholt Humanitarian Award.
Susan Hayward won her first and only Oscar in 1959 for her leading role in I Want to Live!. She was first nominated in 1948 for Smash-Up: The Story of a Woman.
- 18/2/2015
- por Anjelica Oswald
- Scott Feinberg
TCM devotes Thursday nights in October to Vincent Price, the versatile actor whose career lasted more than five decades and extended far beyond the horror films for which he was best known.
The chronological lineup includes such classics as The Private Lives of Elizabeth and Essex (1939), The Three Musketeers (1948) and While the City Sleeps (1956).
And on Oct. 23 and Oct. 31, Price’s talents in the horror genre are on full display in 17 films, just in time for Halloween.
Thursday, Oct. 3
8 p.m. – The Private Lives of Elizabeth and Essex (1939)
10 p.m. – Leave Her to Heaven (1945)
Midnight – The Keys of the Kingdom (1945)
2:30 a.m. – The Three Musketeers (1948)
5:15 a.m. – The Bribe (1949)
7 a.m. – The Long Night (1947)
Thursday, Oct. 10
8 p.m. – The Baron of Arizona (1950)
9:45 p.m. – His Kind of Woman (1951)
Midnight – The Las Vegas Story (1952)
1:30 a.m. – Dangerous Mission (1954)
3 a.m. – Son of Sinbad (1955)
4:45 a.m. – Serenade (1956)
Thursday,...
The chronological lineup includes such classics as The Private Lives of Elizabeth and Essex (1939), The Three Musketeers (1948) and While the City Sleeps (1956).
And on Oct. 23 and Oct. 31, Price’s talents in the horror genre are on full display in 17 films, just in time for Halloween.
Thursday, Oct. 3
8 p.m. – The Private Lives of Elizabeth and Essex (1939)
10 p.m. – Leave Her to Heaven (1945)
Midnight – The Keys of the Kingdom (1945)
2:30 a.m. – The Three Musketeers (1948)
5:15 a.m. – The Bribe (1949)
7 a.m. – The Long Night (1947)
Thursday, Oct. 10
8 p.m. – The Baron of Arizona (1950)
9:45 p.m. – His Kind of Woman (1951)
Midnight – The Las Vegas Story (1952)
1:30 a.m. – Dangerous Mission (1954)
3 a.m. – Son of Sinbad (1955)
4:45 a.m. – Serenade (1956)
Thursday,...
- 3/10/2013
- por Michelle McCue
- WeAreMovieGeeks.com
No 78: Edmund Gwenn 1877-1959
He was born Edmund Kellaway in Wandsworth, London (or possibly the Vale of Glamorgan), grew to be 5ft 4in, was described over the years as "endearing", "cherubic", "portly", "elfin", with "a twinkle in his eye" and a seductively "soothing voice". All these attributes contributed to his appearance as Kris Kringle, the New York department store Santa Claus in Miracle on 34th Street (1947) who believes he's Father Christmas and convinces a Manhattan court to agree with him.
This brought him an Oscar as best supporting actor and a kind of immortality. In 1951, he was nominated for a similar role in Mister 880 as a sweet-natured counterfeiter who only forges dollar bills when he needs them. But there's much more to Gwenn than this.
Gwenn's stern Victorian father kicked him out of the house for wanting to go on the stage and he travelled around England and...
He was born Edmund Kellaway in Wandsworth, London (or possibly the Vale of Glamorgan), grew to be 5ft 4in, was described over the years as "endearing", "cherubic", "portly", "elfin", with "a twinkle in his eye" and a seductively "soothing voice". All these attributes contributed to his appearance as Kris Kringle, the New York department store Santa Claus in Miracle on 34th Street (1947) who believes he's Father Christmas and convinces a Manhattan court to agree with him.
This brought him an Oscar as best supporting actor and a kind of immortality. In 1951, he was nominated for a similar role in Mister 880 as a sweet-natured counterfeiter who only forges dollar bills when he needs them. But there's much more to Gwenn than this.
Gwenn's stern Victorian father kicked him out of the house for wanting to go on the stage and he travelled around England and...
- 20/12/2009
- por Philip French
- The Guardian - Film News
Oscar®-winning actor Gregory Peck, who just recently topped the American Film Institute's list of all-time cinematic heroes for his portrayal of Atticus Finch in To Kill a Mockingbird, died overnight of undisclosed causes at his home in Los Angeles; he was 87. A tall actor of quiet grace and dignity whose rugged good looks belied a talent for inhabiting numerous characters, Peck planned on becoming a doctor before turning to Broadway in 1942. Two years later, he achieved instant stardom with his role as a priest in The Keys of the Kingdom, which garnered the California-born actor his first Academy Award nomination. A string of critically and commercially successful films followed, including Spellbound, The Yearling, Gentlemen's Agreement and Twelve O'Clock High; the `50s saw Peck take on lead roles in Captain Horatio Hornblower, Roman Holiday and Moby Dick, among others. After four Oscar nominations, Peck finally won the Best Actor honor in 1962 for his stirring portrayal of lawyer Atticus Finch in To Kill a Mockingbird, the role that best embodied his screen persona. A champion of liberal causes and president of Academy of Motion Pictures Arts & Sciences during the late 1960s, Peck was also honored with the Jean Hersholt Humanitarian award in 1967. His later films included The Omen, The Boys from Brazil, and Amazing Grace and Chuck. Peck is survived by his wife, Veronique, and four children. --Prepared by IMDb staff...
- 12/6/2003
- IMDb News
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