IMDb RATING
6.8/10
2.2K
YOUR RATING
After a woman he meets is murdered, a soon-to-ship-out sailor has until dawn to find the killer, aided by a weary dance hall girl.After a woman he meets is murdered, a soon-to-ship-out sailor has until dawn to find the killer, aided by a weary dance hall girl.After a woman he meets is murdered, a soon-to-ship-out sailor has until dawn to find the killer, aided by a weary dance hall girl.
- Awards
- 1 nomination
Ernie Adams
- Waiter
- (uncredited)
Fred Aldrich
- Beefy Nightclub Guest
- (uncredited)
Walter Bacon
- Commuter
- (uncredited)
John Barton
- One-Legged Man
- (uncredited)
Billy Bletcher
- Waiter
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJoe Sawyer's character of washed-up baseball player Babe Dooley was based on Chicago Cubs hitting great Hack Wilson whose alcoholism led to his steep professional and personal decline.
- GoofsAt the end, the main characters exit the 8th Police Precinct. It is night, and the streets are deserted. Yet when June and Alex drive away in the police car, it can be seen through the back window of the vehicle that the streets bustling with activity, cars, and people, and it's bright and sunny.
- Quotes
June Goffe: You see, son, it's all right to live in a cocoon like this if you expect to be a butterfly someday. Otherwise...
- ConnectionsFeatured in Noir Alley: Deadline at Dawn (2017)
Featured review
A young sailor on leave wakes up at midnight in a newsstand with bundles of money in his pockets and no recollection of his time spent with the wrong woman. Of course she turns out to be dead and he has until a bus leaves at 6am to discover the culprit or he gets the rap.
I like films with concentrated wandering, this one has it, the entire film like a slow ride across New York after hours in the backseat of a cab with windows rolled down, it's the middle of August, the macadam breathing out the day's heat again, or like lounging by the open window of your apartment with lights turned off, glimpses of strange figures stalking the empty and sweltering streets below and imagining mischief from them.
It has mood above all, latenight paranoia being sweated out from pores in the skin. Everything looks a bit unhinged in that magic-desolate way that is summer in the big city.
But this is deeply noirish in a key way, the way of the dumb guy's dream that crystallizes the essence of noir. Our man was out at night dreaming but has no recollection what about, except it involved offers of sex and illicit money. We presume he's innocent because of his naive blond looks and because he's the one telling the story, and is bewildered as he does, because more likely suspects are paraded, stories are piled, testimonies, conjecture, a drunk man uncovers hidden truth, a cab driver reflects about love, but the puzzle persists, the puzzle that is the night of life; we cannot really know, there is a blank spot at the center. Emptiness behind the stories that we make up to narrate our private worlds.
You will need no more eloquent parallel about what this is all about than a blind pianist among the suspects and being - mistakenly - sussed from his melodramatic reaction.
So we have sinister happenings back in the waking world, itself rendered as something you wake up from. Then our film as a dream attempting inner balance, so of course thick in coincidence, in strange but kind souls assisting, capped off with a miraculous revelation in the end that absolves guilt.
This is truly wonderful stuff that has burned itself into my visual imagination. It's clean and dark both, the shadows all in having traveled, having dreamed the night away.
I like films with concentrated wandering, this one has it, the entire film like a slow ride across New York after hours in the backseat of a cab with windows rolled down, it's the middle of August, the macadam breathing out the day's heat again, or like lounging by the open window of your apartment with lights turned off, glimpses of strange figures stalking the empty and sweltering streets below and imagining mischief from them.
It has mood above all, latenight paranoia being sweated out from pores in the skin. Everything looks a bit unhinged in that magic-desolate way that is summer in the big city.
But this is deeply noirish in a key way, the way of the dumb guy's dream that crystallizes the essence of noir. Our man was out at night dreaming but has no recollection what about, except it involved offers of sex and illicit money. We presume he's innocent because of his naive blond looks and because he's the one telling the story, and is bewildered as he does, because more likely suspects are paraded, stories are piled, testimonies, conjecture, a drunk man uncovers hidden truth, a cab driver reflects about love, but the puzzle persists, the puzzle that is the night of life; we cannot really know, there is a blank spot at the center. Emptiness behind the stories that we make up to narrate our private worlds.
You will need no more eloquent parallel about what this is all about than a blind pianist among the suspects and being - mistakenly - sussed from his melodramatic reaction.
So we have sinister happenings back in the waking world, itself rendered as something you wake up from. Then our film as a dream attempting inner balance, so of course thick in coincidence, in strange but kind souls assisting, capped off with a miraculous revelation in the end that absolves guilt.
This is truly wonderful stuff that has burned itself into my visual imagination. It's clean and dark both, the shadows all in having traveled, having dreamed the night away.
- chaos-rampant
- May 29, 2012
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Details
- Release date
- Country of origin
- Language
- Also known as
- En el nombre del amor
- Filming locations
- Backlot, 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA(New York night street scenes)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1
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