A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses, and dup... Read allA private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses, and duplicitous dames.A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses, and duplicitous dames.
- Awards
- 1 win total
Brooks Benedict
- Kibitzer in Blue Sky Club
- (uncredited)
Oliver Blake
- Tillotson - Night Clerk
- (uncredited)
Eumenio Blanco
- Mexican Waiter
- (uncredited)
Wesley Bly
- Harlem Club Headwaiter
- (uncredited)
Mildred Boyd
- Woman at Harlem Club
- (uncredited)
Hubert Brill
- Car Manipulator
- (uncredited)
James Bush
- Doorman
- (uncredited)
Ted Collins
- Man at Harlem Club
- (uncredited)
Storyline
Did you know
- TriviaRobert Mitchum told Roger Ebert he smoked so much that when the camera was rolling and Kirk Douglas offered him a pack and asked, "Cigarette?" Mitchum, realizing he'd carried a cigarette into the scene, held up his fingers and replied, "Smoking." His improvisation saved the take and they kept it in the movie.
- GoofsLeonard Eels' apartment at 114 Fulton Street would be part of the block then occupied by the main branch of the San Francisco Public Library (now the Asian Art Museum).
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into American Cinema: Film Noir (1995)
- SoundtracksThe First Time I Saw You
(uncredited)
Music by Nathaniel Shilkret
From The Toast of New York (1937)
Used as main theme in score
Featured review
Jacques Tourneur will probably be remembered best for this film, even though he had an extensive career in Hollywood. Working with Daniel Mainwaring, the author of the novel in which this movie is based, he created one of the best pictures of this genre, one that will be a perennial favorite. Mr. Tourneur and his cinematographer, the brilliant Nicholas Musuraca, made a stunning looking film that looks as good today, as when it was originally released.
If you haven't seen the film, please stop reading now.
Jeff Bailey has reinvented himself as the owner of a gas station in California. His past comes to haunt him at the beginning of the movie. Jeff has found peace and love in the small town where he has taken refuge. He can change his identity, but he can't hide from the people that want to see him dead.
We watch in the beginning how Jeff is sent away by Whit Sterling to look for the disappearing Kathie Moffat, who has stolen forty thousand dollars and gone hiding. Jeff finds her in Acapulco. Kathie gives a bad name to any other dames in the movies of this genre. She is totally ruthless; she will do anything to double cross Whit as well as have Jeff do whatever she wants.
Comparisons have been made between "The Maltese Falcon" and "Out of the Past". Both have plots that are twisted; when we feel we know everything, there is a new twist to the story. We are constantly misled into thinking one way, when in reality, something else has happened.
This is a film that combines all the elements of the classic film noir and juxtaposes it against the serene surroundings of where Jeff is now living. Black and white photography was used to great advantage in the movie. It has a style that makes it one of a kind. The music by Roy Webb plays neatly in the background without interrupting the action.
The acting is first rate. Mr. Tourneur got a brilliant performance from Robert Mitchum. His Jeff, is the epitome of coolness. It's hard to understand the mentality of American cinema of the times not paying Mr. Mitchum his due. He was a much better actor than he was given credit for. His presence looms large in this movie and it's a tribute to him that he makes his character dominate the movie.
Jane Greer was also excellent in her take of Kathie Moffat. She is pure evil, a sensuous woman who will do anything to get her own way. When we see her in Acapulco she is a seductress that no man can resist. She leads Jeff on by the sheer power of the desire he feels for her. Ms. Greer was not a beauty, by Hollywood standard, but yet, she makes an incredible contribution to the movie. Her textured performance is exquisite in its economy. We all see right through her, yet, she takes us for an incredible ride, up to the end of the picture.
The others in the cast do an excellent job. A young and dashing Kirk Douglas is perfect as the dubious Whit. He shows such a magnetism, even then, at the start of his career in movies. Rhonda Fleming had a small role and she makes most of it. Also Virginia Huston, as Ann, makes a great contribution to the film.
The film, ultimately, is a tribute to the talent of the director. This is Mr. Tourneur's best movie.
If you haven't seen the film, please stop reading now.
Jeff Bailey has reinvented himself as the owner of a gas station in California. His past comes to haunt him at the beginning of the movie. Jeff has found peace and love in the small town where he has taken refuge. He can change his identity, but he can't hide from the people that want to see him dead.
We watch in the beginning how Jeff is sent away by Whit Sterling to look for the disappearing Kathie Moffat, who has stolen forty thousand dollars and gone hiding. Jeff finds her in Acapulco. Kathie gives a bad name to any other dames in the movies of this genre. She is totally ruthless; she will do anything to double cross Whit as well as have Jeff do whatever she wants.
Comparisons have been made between "The Maltese Falcon" and "Out of the Past". Both have plots that are twisted; when we feel we know everything, there is a new twist to the story. We are constantly misled into thinking one way, when in reality, something else has happened.
This is a film that combines all the elements of the classic film noir and juxtaposes it against the serene surroundings of where Jeff is now living. Black and white photography was used to great advantage in the movie. It has a style that makes it one of a kind. The music by Roy Webb plays neatly in the background without interrupting the action.
The acting is first rate. Mr. Tourneur got a brilliant performance from Robert Mitchum. His Jeff, is the epitome of coolness. It's hard to understand the mentality of American cinema of the times not paying Mr. Mitchum his due. He was a much better actor than he was given credit for. His presence looms large in this movie and it's a tribute to him that he makes his character dominate the movie.
Jane Greer was also excellent in her take of Kathie Moffat. She is pure evil, a sensuous woman who will do anything to get her own way. When we see her in Acapulco she is a seductress that no man can resist. She leads Jeff on by the sheer power of the desire he feels for her. Ms. Greer was not a beauty, by Hollywood standard, but yet, she makes an incredible contribution to the movie. Her textured performance is exquisite in its economy. We all see right through her, yet, she takes us for an incredible ride, up to the end of the picture.
The others in the cast do an excellent job. A young and dashing Kirk Douglas is perfect as the dubious Whit. He shows such a magnetism, even then, at the start of his career in movies. Rhonda Fleming had a small role and she makes most of it. Also Virginia Huston, as Ann, makes a great contribution to the film.
The film, ultimately, is a tribute to the talent of the director. This is Mr. Tourneur's best movie.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Traidora y mortal
- Filming locations
- East side of Sonora Pass, California, USA(Water fall and stream shot)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.37 : 1
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