IMDb RATING
6.8/10
2.8K
YOUR RATING
Resentful of her small-town life, a married woman schemes to run off with a rich businessman.Resentful of her small-town life, a married woman schemes to run off with a rich businessman.Resentful of her small-town life, a married woman schemes to run off with a rich businessman.
- Nominated for 1 Oscar
- 1 nomination total
Joel Allen
- Minister
- (uncredited)
Gail Bonney
- Woman
- (uncredited)
Frances Charles
- Miss Elliott
- (uncredited)
James Craven
- Man with Photographs
- (uncredited)
Ann Doran
- Edith Williams
- (uncredited)
June Evans
- Woman
- (uncredited)
Bess Flowers
- Secretary
- (uncredited)
Hal Gerard
- Waiter
- (uncredited)
Creighton Hale
- Townsman with Glasses
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBette Davis thought Joseph Cotten was all wrong for the role of her husband, saying: "He's adorable. What in the world would she leave him for?"
- GoofsPrior to visiting lawyer's office, Rosa wipes off all her make-up, then is seen wearing bright lipstick during a close-up in waiting room, which immediately disappears for rest of scene.
- Quotes
Rosa Moline: What a dump!
- Crazy creditsThe film begins after the opening credits with this warning title: This is the story of evil. Evil is headstrong - is puffed up. For our souls sake, it is salutory for us to view it in all it's ugly nakedness once in a while. Thus may we know how those who deliver themselves over to it end up like the scorpion, in a mad frenzy stinging themselves to eternal death.
Featured review
Bette Davis gave many great performances, but she did not make many great films or work with many truly great directors (with the exception of William Wyler & Joseph L. Mankiewicz). King Vidor ranks as one of Bette Davis' greatest directors and Beyond the Forest is her most underrated film (another underrated film is The Private Lives of Elizabeth & Essex, directed by the superb technician Michael Curtiz). The eminent film critic Pauline Kael wrote that "there's not a sane dull scene in this peerless piece of camp." And I agree that this film is never boring. It has elements of film noir, melodrama, comedy and stands the test of time, as it is not sentimental like so many of Bette's soap operas (The Great Lie is a great bore). I challenge anyone to watch this film and be bored by it. Impossible. It starts off slowly, but after the first 20 minutes, it is compulsively watchable: a hoot! And although Bette in her later years said she "loathed" this film, it is clear that she relished the part of Rosa Moline and was living the part as she played it. She poured into the part all of the frustration & fury with Jack Warner and the studio for giving her bad roles & bad scripts, her own fears of aging after she had her baby and she was no longer box office, and all the emotional turmoil (both the sexual electricity & the physical & verbal abuse) of her marriage to William Grant Sherry. Ruth Roman (who played a small role in this film) said that she watched Bette on set and it was all too REAL for her that she was terrified of Bette. And indeed, this is one of Bette's most real performances, however over the top it may be. Rosa Moline is a precursor to Margo Channing in All About Eve, yet I find Beyond the Forest more interesting because King Vidor is more of a stylist than Joseph L. Mankiewicz. All About Eve is theatrical, not cinematic; Beyond the Forest is pure cinema. Savor every frame of this fading femme fatale in this film noir farce. You will laugh at Rosa, be moved by her, feel sorry for her, but ultimately admire her for her courage, pride & determination. She was just a dame who was trying to get out of her own personal prison & hell.
- bettedavis-53555
- Jun 11, 2016
- Permalink
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Details
Box office
- Gross US & Canada
- $1,300,000
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.37 : 1
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