A major heist goes off as planned, but then double crosses, bad luck and solid police work cause everything to unravel.A major heist goes off as planned, but then double crosses, bad luck and solid police work cause everything to unravel.A major heist goes off as planned, but then double crosses, bad luck and solid police work cause everything to unravel.
- Nominated for 4 Oscars
- 5 wins & 14 nominations total
William 'Wee Willie' Davis
- Timmons
- (as William Davis)
Mary Anderson
- Police Broadcaster
- (voice)
- (uncredited)
Ray Bennett
- Detective in Hardy's Office
- (uncredited)
David Bond
- Father Sortine
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe poster showing Marilyn Monroe in a purple dress was created much later, after she became a household name. Monroe was basically unknown when the film was made in 1950 and only has a very small role. She certainly wouldn't have been given top billing at the time. In fact, she wasn't named on the original posters at all.
- GoofsWhen the police enter Gus's diner, he turns the volume of the music up, but oddly he does it by turning the dial counterclockwise, which would normally turn volume down. When they go, Gus turns the volume down, again turning the dial counterclockwise.
- Quotes
Doc Riedenschneider: One way or another, we all work for our vice.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into American Cinema: Film Noir (1995)
Featured review
This is an amazing film and one that serious film buffs need to see. However, while it is clearly an example of Film Noir, it represents a very realistic style of Noir--lacking the dramatic excesses of some (such as KISS OF DEATH and its wheelchair scene) or super-snappy dialog (like DRAGNET). I actually like all three types of Noir films but when it comes to realism, this film ranks up there with HE WALKED BY NIGHT and T-MEN--and this is certainly good company.
The movie is a step-by-step case study of a crime being organized, executed investigated and resolved. While it could have been shot documentary-style (like a few Noir films, such as NAKED CITY), it was handled like a traditional crime drama except that the focus tended to shift back and forth between the criminals and the police--though the focus tended to be on the criminals a bit more often. This really helped make the movie exciting and worked very well. What also helped the movie was the exceptional acting by mostly unknowns or long-time character actors. Good Noir usually does NOT star big names and having the film anchored by Sterling Hayden (who was amazing), Sam Jaffe and Louis Calhern was an excellent move. To assist them were some other exceptional actors, such as James Whitmore and Marilyn Monroe (in a small but exceptional role).
However, despite the amazing acting, the biggest star of the film was the taut script. From start to finish, it sparkled and abounded with realism and an unflinching message that crime doesn't ultimately pay. The total package is one of the best Noir films ever--only exceeded by a small number of movies (such as my favorite Noir, THE KILLERS). See this film!
By the way, please take a look at the very amazing biography of Sterling Hayden on IMDb. I did and was totally blown away--what an amazing life he led. It all sounded so amazing that if they turned it into a film, many would think it was fiction!!
The movie is a step-by-step case study of a crime being organized, executed investigated and resolved. While it could have been shot documentary-style (like a few Noir films, such as NAKED CITY), it was handled like a traditional crime drama except that the focus tended to shift back and forth between the criminals and the police--though the focus tended to be on the criminals a bit more often. This really helped make the movie exciting and worked very well. What also helped the movie was the exceptional acting by mostly unknowns or long-time character actors. Good Noir usually does NOT star big names and having the film anchored by Sterling Hayden (who was amazing), Sam Jaffe and Louis Calhern was an excellent move. To assist them were some other exceptional actors, such as James Whitmore and Marilyn Monroe (in a small but exceptional role).
However, despite the amazing acting, the biggest star of the film was the taut script. From start to finish, it sparkled and abounded with realism and an unflinching message that crime doesn't ultimately pay. The total package is one of the best Noir films ever--only exceeded by a small number of movies (such as my favorite Noir, THE KILLERS). See this film!
By the way, please take a look at the very amazing biography of Sterling Hayden on IMDb. I did and was totally blown away--what an amazing life he led. It all sounded so amazing that if they turned it into a film, many would think it was fiction!!
- planktonrules
- Apr 17, 2007
- Permalink
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Details
- Release date
- Country of origin
- Languages
- Also known as
- The Asphalt Jungle (The City Under the City)
- Filming locations
- 120-128 Sycamore Street, Cincinnati, Ohio, USA(opening scenes - The Vulcan Copper & Supply Co.)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,232,000 (estimated)
- Gross worldwide
- $29,868
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.37 : 1
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