IMDb RATING
6.7/10
1.3K
YOUR RATING
A showgirl returns to her New York home to visit her alcoholic mother, where she catches the eye of a Broadway producer.A showgirl returns to her New York home to visit her alcoholic mother, where she catches the eye of a Broadway producer.A showgirl returns to her New York home to visit her alcoholic mother, where she catches the eye of a Broadway producer.
- Awards
- 1 win
Bill Alcorn
- Dancer
- (uncredited)
Murray Alper
- Joe the Bartender
- (uncredited)
Jimmy Aubrey
- Ship's Steward
- (uncredited)
Brooks Benedict
- Reporter
- (uncredited)
Lulu Mae Bohrman
- Party Guest
- (uncredited)
Tex Brodus
- Party Guest
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Doris Day's character is questioned by reporters about an affair she's supposedly having with S.Z. Sakall's character, one of them asks her, "Is it true you call him 'Cuddles'?" This is an inside joke, as Sakall's nickname in real life was "Cuddles".
- GoofsGloria reads a copy of Variety with news on the back cover; in reality, the back cover of this publication has always been reserved for full-page ads.
- Quotes
Melinda Howard: [handing Tom a penny] There's a message on that to you from the women of the world.
Tom Farnham: In God We Trust
- ConnectionsFeatured in The 69th Annual Academy Awards (1997)
- SoundtracksLullaby of Broadway
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung by Doris Day
Danced by DDoris Day and Gene Nelson and mixed chorus
Featured review
Light entertainment at its best, a great guilty pleasure for your pc.
This film boasts surprisingly strong performances by a solid cast: let's say it, a cast humble enough to throw themselves into an odd sort of film: part melodrama, part musical, part fashion show for its star.
Radiating joie-de-vivre, out-singing anyone of her time, serious one moment then tongue-in-cheek the next, Day is a star, an under-rated one these days.
Gene Nelson's dancing is important to see if only to better understand Fred Astaire's. The Astaire difference was this: talent, yes, Nelson had it as well, but not the ability to bring us to the brink of something endless through his motions: to make you know he was on the edge of something vast and mysterious; to suggest a whole unseen world by dancing in this one. Bravo, Fred!
This film boasts surprisingly strong performances by a solid cast: let's say it, a cast humble enough to throw themselves into an odd sort of film: part melodrama, part musical, part fashion show for its star.
Radiating joie-de-vivre, out-singing anyone of her time, serious one moment then tongue-in-cheek the next, Day is a star, an under-rated one these days.
Gene Nelson's dancing is important to see if only to better understand Fred Astaire's. The Astaire difference was this: talent, yes, Nelson had it as well, but not the ability to bring us to the brink of something endless through his motions: to make you know he was on the edge of something vast and mysterious; to suggest a whole unseen world by dancing in this one. Bravo, Fred!
- bobbysamadhi
- Sep 7, 2011
- Permalink
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Details
- Release date
- Country of origin
- Language
- Also known as
- Das Wiegenlied vom Broadway
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 32 minutes
- Aspect ratio
- 1.37 : 1
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