Directed by
Charles Vidor |
Writing Credits
Daniel Fuchs | ... | (screenplay) and |
Isobel Lennart | ... | (screenplay) |
Daniel Fuchs | ... | (story) |
Cast (in credits order) verified as complete
Produced by
Joe Pasternak | ... | producer |
Cinematography by
Arthur E. Arling | ... | director of photography |
Editing by
Ralph E. Winters |
Art Direction by
Cedric Gibbons | ||
Urie McCleary |
Set Decoration by
Jack D. Moore | ... | (set decorations) |
Edwin B. Willis | ... | (set decorations) |
Costume Design by
Helen Rose |
Makeup Department
Sydney Guilaroff | ... | hair stylist |
John Truwe | ... | makeup artist |
William Tuttle | ... | makeup creator |
Production Management
William Dorfman | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Ridgeway Callow | ... | assistant director |
John Greenwald | ... | assistant director (uncredited) |
Hank Moonjean | ... | assistant director (uncredited) |
Sid Sidman | ... | assistant director (uncredited) |
Sound Department
Wesley C. Miller | ... | recording supervisor |
Donald Flick | ... | sound (uncredited) |
Arthur H. Pullen | ... | sound editor (uncredited) |
Stewart Walden | ... | sound editor (uncredited) |
Special Effects by
Warren Newcombe | ... | special effects |
Editorial Department
Alvord Eiseman | ... | color consultant |
Music Department
Irving Aaronson | ... | music adviser |
Percy Faith | ... | song arranger: Doris Day / song conductor: Doris Day |
George Stoll | ... | musical supervisor / composer: music cues (uncredited) |
Robert Van Eps | ... | composer: music cues (uncredited) / orchestrator (uncredited) |
Script and Continuity Department
E. Darrell Hallenbeck | ... | script supervisor (uncredited) |
Additional Crew
Alex Romero | ... | dances originated by / dances supervised by |
Hal Bell | ... | assistant choreographer (uncredited) |