User reviews

This film begins with Richard Widmark being chased by a posse. In the process, Widmark kills several of the deputies until he is ultimately captured. The sheriff (along with Widmark) soon meets up with a wagon train and tags along with them until he can get his prisoner back to town for a proper hanging. As for why Widmark did all these nasty murders, he is supposedly part Comanche (he sure doesn't look it--that's because he was a white orphan raised by the tribe) and has a total disregard for society--and somehow this entitles him to kill with abandon.

Problems soon develop with the settlers. They are devout people and can't stand the way the sheriff takes pleasure in tormenting Widmark (who is now handcuffed to a wagon wheel). What happens next with Widmark and the sheriff is something you'll need to see for yourself.

Soon another parallel story begins as well. One of the ladies in the wagon train is angry because her father was previously married to an American-Indian and she has a half-sister as a result. There is obviously much hatred of the 'half-breed' sister and the racist feelings the white sister feels is a parallel to the story of Widmark. Occasionally this tension seems a bit overdone--especially since you'd think the angry white sister would have come to terms with her half-sister and the white settlers would get tired of using words like 'savage' so much. Subtle its message ain't and the one young lady in particular plays a character too unlikable and annoying to be real--the one and only real deficit in an otherwise good film.

Unfortunately for the wagon train, the land they eventually enter is Indian land. Soon, it appears that the Indians are angry about their land being invaded and it appears that all of the settlers' lives are about to be snuffed. At this point, the tables are turned and it's up to the cold-blooded killer, Widmark, to save the day--escorting the survivors to safety and teaching them to live off the land like natives.

By the way, as you watch Widmark chained to the wagon wheel and doing some stunts as well while connected to the wheel, you are impressed by how much he was willing to do for this role. Occasionally, you assume it's a stuntman doing some of the scenes but in many cases it is clearly Widmark being tossed about in this very uncomfortable manner. What a guy...and what a good film.

Overall, a very good film that is worth watching for its fine performance by Richard Widmark as well as an interesting and thought-provoking script. As I already said, the story isn't always subtle nor are a few of the characters, but it still is an earnest and enjoyable flick.

This story chronicles the trials of a fugitive half-breed and the survivors of an Indian attack on a wagon train. Richard Widmark is the tough, steely hero who aims to guide the survivors to safety through the desert and clear his name in a murder case. The plot is basically one of survival and redemption and the picture fleshes out Widmark's character in dramatic fashion, first as an abused prisoner, then as a trail savvy outsider who must bring to safety folks who dislike him because of his reputation. The film has fine action scenes but tends to dwell on the attitudes of the young whites who resent being dependent on Widmark, yet realize they need him to pull them out of harm's way. Felicia Farr is good as the woman who falls for Widmark in spite of his troubled past, as are Susan Kohner and Stephanie Griffin, the latter as a high-strung lass with a quick temper. Nick Adams and Tommy Rettig do fine in their roles and round out the survival party. The cinematography and music are top notch.

"The Last Wagon" is the very first movie I ever went nuts over; and I've been a movie fan ever since. I was nine and I didn't even want to go to the movies that Saturday night. But my parents wanted to see "Bus Stop" and they didn't want to get a baby sitter for me and my three year old brother, so they dragged us along. But they had made a mistake when reading the starting times of the films and when we got to the theater, "The Last Wagon", not "Bus Stop" was starting. From the moment Richard Widmark shot the first bad guy even before the opening credits and the enveloping overture, I was hooked on him, the western scenery, the action, the anthropological dramatization of Comanche vs. Apache tribal hostilities at the same time that all Native American cultures were being wiped out by encroaching white "civilization", and the enthralling background music. When the co-feature of "Bus Stop" concluded, I wanted to stay to see "The Last Wagon" again. My parents had to drag me out.

As with the same year's BACKLASH, star Richard Widmark puts his stamp of authority on what otherwise might have been a routine Western. He ends up guiding what's left of a wagon train family to safety from the Apaches. Most of the survivors are not exactly thrilled with this wild and wooly frontiersman leading them anywhere, and it is all Widmark can do to keep them from painting big red targets on each other's chests and backs for the Indians to shoot at. LASSIE's Tommy Rettig is the juvenile in the group. The female leads are great to look at in a 1956 kind of way. With the exception of Nick "Johnny Yuma" Adams, none of the rest of this cast is particularly well known, but veteran director Delmer Daves keeps them in line and believable as a group of frightened tenderfeet. James Drury, who would go on to fame as THE VIRGINIAN on TV, is in the film for bit.

Good dramatic Western with nice acting and spectacular lanscapes from Red Rock Crossing , Sedona, Arizona . Pretty tough Western with great acting and masterfully made , it stars Richard Widmark as the primitive Commanche Todd whom the others believe to be a murderer but they are forced to accept him as a leader . Todd (Richard Widmark) is son of a white missionary whose family was killed and brought up by Comanches , he exacts vendetta on the four brothers who raped and murdered his Indian wife and children . Widmark deals with the more or less racist members of a wagon train and is left with the survivors on his hands after an Indian attack . They entrust the sheriff's (George Matthews) prisoner, who is captured and dragged to trial . As they must put their lives into the hands of the scout Comanche Todd . Todd who has charismatic qualities of leadership , as he could be defined as a two-fisted hero , as he emerges from the dust to stop vengeful Indians and later on , the young settlers atttempt to escape to freedom through rugged Indian territory. While Todd falls for a drippy colonist , (Felicia Farr) . Along the way hundreds of vengeful Apaches track them down, thirsting for blood . Nothing could stop the last wagon from coming through! .To save their lives, he'll have to risk his own.

This movie has a formidable combination of fine performances, intense drama and spectacular outdoors . Director Delmer Daves aims for psychological realism with a contemporary treatment and about an innocent and harassed man who becomes leader of a group of youthful people . The plot is plain and simple some settlers result to be ambushed and massacred by the Indians whose families were slaughtered by the whites, then a few survivors trust on an expert scout despite his wanted-for-murder status. A blending of talent actors with great leading players of whom Richard Widmark holds the best character as a brave frontiersman . The hothouse plot drives mercilessly forward with action , thrills , attacks and turns . The tale is strong one and the yarn is wonderfully located against a background of Arizona mountains . Very good main cast , standiing out Richard Widmark as the white man who has lived with the Comanches most of his life and is wanted for the murder of three men , he is the great hero dysplaying an inflexible sense of purpose , contriving some complexity about his role , including a certain riveting ambiguity . From his successful beginning with Kiss of death , Street with no name , Panic in the streets , Widmark has developed a brilliant and fruitful career , specially in Western genre that include : Broken Lance , The law and Jake Wade , Warlock , The Alamo , Two rode together , How the West was won , Cheyenne Autumn , Alvarez Kelly , The way west , Death of a gunfighter , Mr Horn , When the legends die and his last one : Texas Guns . Support cast is frankly well such as : Nick Adams , Susan Kohner , Tommy Rettig , George Mathews , Douglas Kennedy ,James Drury , Ken Clark , Carl Benton Reid, Timothy Carey , Bob Reeves , Abel Fernández , among others . The literate storyline sustains interest thanks to the relationships among the misfit characters and enhanced by cinemascope cinematography by cameraman Wilford Cline . Containing gorgeous outdoors exteriors from Oak Creek Canyon, Boynton Canyon,Sedona, Red Rock Crossing, Bell Rock, Sedona, Schnebly Hill, Arizona . Being well accompanied by a sensitive and moving musical score by Lionel Newman .

This red-blooded Western was compelling and stylishly directed by Delmer Daves and superbly filmed on location . Being made in the middle of his best period-all Western- . Daves was a fine , first-rate filmmaker who mingled moral or ethic analysis , documentary , lyrism , and large open spaces . Daves made some Western masterpieces , he was one of the greatest directors . As he was a western expert, including titles as ¨Broken arrow¨, the first pro-Indian western with James Stewart , ¨Drum beat¨ with Charles Bronson, ¨The last wagon¨ with Richard Widmark , ¨The badlanders¨ with Alan Ladd and Borgnine, ¨3:10 to Yuma¨ with Glenn Ford, ¨Cowboy¨ with Jack Lemmon, ¨The return of the Texan¨ with Dale Robertson , and ¨The hanging tree¨ with Gary Cooper , among others . Rating 7/10. Better than average

A half-breed (Richard Widmark) wanted for multiple murders is hunted down and captured by a vicious sheriff (George Matthews) who, as he's dragging him back to civilization to be tried and then hung, coincidentally meets up with a wagon train of devout Christians. The situation as they join the train is the best part of the film, as Richard Widmark as the half-breed being convincingly mistreated by the sheriff (Matthews is pretty believable) wins the sympathy of a sizable proportion of those in the wagon train, which includes attractive Felicia Farr, Stephanie Griffin and Susan Kohner. The opposing views of justice, Christian piety, humane treatment etc... are well enough done, and the action builds fairly well with Widmark being chained to a wagon wheel, who manages to get one hand free enough to kill Matthews by skilfully throwing a hatchet at him. The culmination of this weird setting is when the young women accompany Nick Adams on a night time skinny-dipping outing. That, unfortunately is the high point of the film, for when they return they find that everyone in the train has been killed by Apaches except Widmark who somehow escapes even though he's still chained to the wagon wheel. The rest of the film is Widmark, half-breed, who's lived with Commanches for most of his life, now saving the young and attractive females along with Nick Adams and Tommy Rettig as he leads them to a town, where he faces a trial that is one of the more inane court scenes you are likely ever to see.

It was great viewing this 1956 film and enjoying the great acting of a very young Richard Widmark,(Comanchi Todd), "Garden of Evil",'54, where he plays a very well experienced man who can deal with almost any situation and understands the Native Americans like a book. The film has great photography through out the entire picture and brings you back to the Old West and the troubles that men and women had to face in the wilderness. Susan Kohner,(Jolie Normand), gave a great supporting role along with Nick Adams,(Ridge), both these characters had their own feels toward Comanchi Todd and some doubted if he was man enough to get them out of many death threatening situations. Comanchi Todd had his problems with a Wagon Wheel and I thought he was never going to get himself away from its burden of weight. If you are a fan of Richard Widmark, you will greatly enjoy this film which he made into a great Western Classic.

This film begins with a cowboy being shot and killed at long range by a man sitting on a ledge with a high-powered rifle. He then proceeds to kill another man with that same rifle and then after running out of ammunition kills yet another one with his knife before being held at gunpoint and taken prisoner. As it turns out, the person being held at gunpoint goes by the name of "Comanche Todd" (Richard Widmark) and the man who has taken him prisoner is named "Sheriff Bull Harper" (George Mathews). The three people just killed were the sheriff's brothers. That being said, Sheriff Harper does not treat Comanche Todd very nicely from this point on and this abusive conduct continues even after they subsequently join a wagon train carrying Christian families headed in the same direction. The problem is that not only is Comanche Todd quite determined to escape but they have also wandered into hostile Apache territory and that poses a greater danger than any of them realize. Now rather than reveal any more I will just say that this was a pretty good Western which also contained an easily recognizable anti-racism message throughout. Be that as it may, it had some good action scenes and decent acting performances by all concerned and I have rated it accordingly. Slightly above average.

The Last Wagon is not in the Premier League of great westerns; but it should be. Delmer Davis has fashioned an exciting, pacey film, which has all the finest ingredients of the American West.The story is never less than interesting and absorbing,and sometimes superlative. Richard Widmark plays Commanche Todd perfectly, displaying ruthlessness, kindness, charm and craggy reliability, in equal measure.The Widmark easy grin trademark is evident, which only he can switch on, lending light relief to a grim story.

But for me the film is notable for a love scene that compares easily with that of the famous train meeting between Cary Grant and Eve Marie Saint in North by Northwest. Felicia Farr as Jenny, and Todd, fetch up in the rocks of the wild prairie, and Todd makes his move. Then follows a curiously compelling verbal exchange that is achingly romantic,full of blossoming love and yearning, and charged with heady excitement.You can almost hear Farr's rapid heart beating. For one brief moment Felica Farr makes herself the most desirable women on the planet.When the kiss comes it makes your heart sigh. Then it's back to the action, and the film pulses along to a satisfying conclusion. But it will be Farr's breathlessness, sensuality and desirability that lingers in the mind.There have been countless Screen Goddess's;but only a few like Felicia Farr and Eve Marie Saint, have been able to effortlessly radiate true sex appeal

I partially enjoyed this Western, it seemed very modern for 1956. Widmark was a firm believer in American social justice and I can see it here to the point that it is preachy. Great photography helps this film a great deal. I'm sure there are some Hollywood film sets here, but it all looks very real. I was especially interested in seeing Nick Adams since he died a tragic young death and knew James Dean, Elvis and others. Here Adams plays a young man, he's entertaining for the role but its nothing special. I give it a 6 because it is overtly preachy about white racism and also because of the damage Widmark's character got in the film, despite his hair staying perfect, seemed silly. Honestly, the guy was killed at least twice in real life if that happened to him.

We open with a pursuit of a man across Canyon Of Death {Oak Creek Canyon}, the man being pursued is Comanche Todd. Todd is a white man with Comanche blood coursing thru his veins, he's also a wanted man, wanted for the murder of three men. After his capture by Sheriff Bull Harper, Todd and his captor run into a wagon train of Christian settlers who suffer an attack by the Apache. Severely depleted and ill equipped to deal with the terrain and threat of further attacks, the remaining settlers must put their trust in Todd to hopefully steer them all to safety.

The Last Wagon is one in a long line of Westerns that feature a similar plot, but this Delmer Daves {Dark Passage & 3:10 to Yuma} picture is a touch above many of the others due to having a few things in its favour. Primarily the picture's major draw card is the performance of Richard Widmark as Todd. In what could have been a by the numbers character, Widmark fills the role out with a sort of resentful angst. Resentful and angry angst that is coated with delicate flecks of romanticism! With the romantic plot strand here being no hindrance at all. In fact the romance here with Felicia Farr's {delightful performance} Jenny is sexy and mixes well with the dramatic core of The Last Wagon's being. As a character study of a group of people under duress, Daves and his co writer, James Edward Grant, have excelled and broken away from maudlin tendencies so rife in films of this ilk. Virtues and vices come under the microscope, as does the art of being humanitarian, regardless of circumstance and being armed with basic facts or foolishly acting on hearsay.

Also containing some beautiful location work at the afore mentioned Oak Creek Canyon, Arizona {filmed in Cinemascope and Technicolor}, it's most certainly looking like a film that has apparently been forgotten outside of the Widmark and Western purists. And that's a damn shame, because although the ending doesn't quite sit right with all that has gone before it, it's a fine Western picture just begging to be discovered by any prospective newcomers to an often derided genre. 8/10

I have a sentimental attachment to The Last Wagon that has absolutely nothing to do with the movie. Once, when I was bedridden with a terrible cold, my mom sent me a picture of Richard Widmark to cheer me up. A couple of years later, when I watched The Last Wagon, a particular scene about twenty minutes before the end looked familiar. It was the screenshot she'd sent me when I was sick! Ladies, vitamin C's got nothing on a Technicolor photo of Richard Widmark's blue eyes and crooked smile.

The actual movie isn't the best of his I've seen, nor is it the best western, but I do recommend at least one viewing since he looks so cute. He plays a ruthless killer the cavalry has finally captured, after years of choosing to live with Indians. They catch him and drag him alongside a wagon train, and when they beat him mercilessly, some of the passengers object. He's still a human being, they argue, and shouldn't be treated like a rabid dog. Among them, Felicia Farr (the future Mrs. Jack Lemmon) takes particular interest - why wouldn't she? He's a doll!

In the supporting cast, you'll see Susan Kohner, Nick Adams, Tommy Rettig, Carl Benton Reid, and George Matthews. But let's face it, you won't really be renting it to see those faces. You'll be renting it for Dick, to see him get rehabilitated, fall in love, and hopefully save the wagon train when they run into trouble (which we all know will happen, otherwise it would be a pretty boring movie). If you go into it with only those expectations, you'll be very entertained.

Richard Widmark stars as Comanche Todd, a white man raised by Comanches and under arrest for murder. Deep in hostile Apache territory in 1873 he soon finds himself the leader of a small group of youths from a wagon train. Will they make it out alive? And, even if they do, can Todd escape the sentence of death-by-hanging?

Shot on location in Sedona, Arizona, at the mouth of Oak Creek Canyon, this is a gorgeous-looking Western. Not only is the plot engaging, the characters, cast and practically everything else are well done. The film successfully takes you back to the late 1800s and gives a good glimpse of what it must have been like to travel out West during that time.

Felicia Farr and Susan Kohner stand out in the supporting cast; both beautiful in different ways. Each youth has his/her issues and grows much as a result of their experiences with Comanche Todd in the dire situation. For instance, Susan (Jolie) is ashamed that she's half-Indian but Todd teaches her to be proud of who and what she is. Others hate Todd for being an "injun lover" but later see the error of their ways. Todd himself is lost in in a fog of bitterness & revenge but a new prospect is thrown in his lap. Can he get over his disillusionment to see the blessing in his current situation? This is just a taste of the character arcs in the story.

Christianity and Christians are actually portrayed in a positive light. Yet so are the beliefs/practices of the AmerIndians. The film does a good job of taking the middle road with the settlers and the Indians. Not to mention, the Indians are portrayed realistically, unlike some 50's Westerns where you just roll your eyes at their silly depiction.

Aside from the dated score (which isn't bad, just dated), the negative I can cite would be some quaintness. But the film makes up for it with a quality end-commentary on the nature of universal justice.

The film runs 1 hour, 39 minutes.

GRADE: A-