As happens so often with film adaptations of great novels,we have a screenplay that will focus on the events of a novel,rather than on the underlying philosophical tenets and theories that seem to be involved.Perhaps it is inevitable that this be the case.The Karamazovs are,in actuality,the fragmented aspects of the author's
personality;a.)brutishness;b.)impulsiveness;c.)intellect;d.)spirituality;e.) depravity.(To wit;Feodor;Dimitri;Ivan;Alexis;Smerdyakov).And the real hero of the novel is Alexis.We are witnessing his growth and development as a hero against the sordid story of his family and the murder of their lustful,wicked father.It is development,particularly regarding the testing of his faith in the hard and often callous world,that marks the real journey of the story.This is minimalized in the film.I guess that this probably wouldn't have sold in 50s America.The adaptation ,given my observations,is really quite impressive.We can't fault any of the production values,efforts,and activities.And,with one exception,the cast is excellent.My one fault in this respect is with Lee J.Cobb.This outstanding character actor is much too young,virile,and attractive to portray accurately the character the author intended.Feodor Karamazov is supposed to be about 65,a physical wreck,sinister,and depraved.His physically debauched condition is intended to mirror his moral corruption.And,yet,given these attributes,he in nevertheless fascinating to women.(At least,certain kinds of women.I shudder to think what their agendas are if they find an old villain like this attractive.They must be as needy as all get-out,and viewing him through a fantasy veil that keeps out all accurate perceptions.)In my opinion,the late Donald Pleasence would have been a much more realistic choice for the part.Otherwise,given my criticism,this is a highly enjoyable film.
