IMDb RATING
6.9/10
8.8K
YOUR RATING
An old Cuban fisherman's dry spell is broken when he hooks a gigantic fish that drags him out to sea.An old Cuban fisherman's dry spell is broken when he hooks a gigantic fish that drags him out to sea.An old Cuban fisherman's dry spell is broken when he hooks a gigantic fish that drags him out to sea.
- Won 1 Oscar
- 6 wins & 4 nominations total
Felipe Pazos
- The Boy
- (as Felipe Pazos Jr.)
Richard Alameda
- Gambler
- (uncredited)
Robert Alderette
- Gambler
- (uncredited)
Don Alvarado
- Waiter
- (uncredited)
Don Blackman
- Hand Wrestler
- (uncredited)
Don Diamond
- Cafe Proprietor
- (uncredited)
Mary Hemingway
- Tourist
- (uncredited)
Mauritz Hugo
- Gambler
- (uncredited)
Mike Morelli
- Gambler
- (uncredited)
George Nardelli
- Gambler
- (uncredited)
Jose Portugal
- Gambler
- (uncredited)
Carlos Rivero
- Gambler
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaErnest Hemingway was initially involved in the production, although the extent of his participation after selling his book's film rights to Warner Bros. was to go marlin fishing off the coast of Peru to try to find a fish suitable for use in the film. In the end, the producers used a rubber marlin and stock footage of marlin fishing in which Hemingway didn't participate. After seeing the film, Hemingway expressed his disappointment, remarking that Spencer Tracy looked less like a Cuban peasant fisherman than the rich actor he was. Nevertheless, Tracy earned an Oscar nomination for the role.
- Goofs(at around 30 mins) There's a white fishing line extending upward from the marlin as it jumps out of the water, which is impossible because Spencer Tracy is sitting at water level. As explained in the end titles, this footage was obtained when Alfred C. Glassell Jr. caught a record-sized marlin at the Cabo Blanco Fishing Club in Peru.
- Quotes
The Old Man: Do not blame the hand, it is not the hand's fault
- Crazy creditsThe only opening credit is the following: Ernest Hemingway's The Old Man and the Sea. The cast and crew all appear in the closing credits. There were only three cast members named and are listed in the following order: Felipe Pazos Jr., Harry Bellaver, Spencer Tracy.
- ConnectionsEdited into La classe américaine (1993)
Featured review
Ernest Hemingway's "The Old Man and the Sea" is a fine story, but it gives every indication of being quite a challenge to any film-maker hoping to adapt it to the screen. This is a good effort, with a well-conceived approach to getting across the story and the main ideas. Yet it required above all the right leading actor, and Spencer Tracy comes through with a poignant performance that pulls everything else together.
Tracy is perfectly cast as the old fisherman. His voice is ideal, not only for the character but also for reading the lengthy voice-over narrations from Hemingway's text. The narration is used to communicate some of the story's key themes, and without just the right reader it probably would not have worked at all. Tracy also seems to identify with the character closely, since his mannerisms and body language almost always seem just right.
The action parts of the story rely heavily on stock footage, and sometimes on rather obvious models, but the action is not nearly as important as are the old man's character and his thoughts. Although there are some exciting moments in his battle with nature, it is what these bring out in him, not the events themselves, that are important.
What works especially well here are the old man's dreams and thoughts of the past. They are all-important in defining the character, and this adaptation manages them better than you could hope for, with the simplest of means. Once again, Tracy's narration matches the content perfectly.
The heart of the story is an honest but compassionate look at a man almost thoroughly ignored by the world, seemingly with little purpose to his life. His importance comes not from any outstanding achievement or valuable talent, but simply because he is a human being, with his own hopes, memories, and worries that are unique to him. This movie version succeeds well in rendering a touching picture of its main character.
Tracy is perfectly cast as the old fisherman. His voice is ideal, not only for the character but also for reading the lengthy voice-over narrations from Hemingway's text. The narration is used to communicate some of the story's key themes, and without just the right reader it probably would not have worked at all. Tracy also seems to identify with the character closely, since his mannerisms and body language almost always seem just right.
The action parts of the story rely heavily on stock footage, and sometimes on rather obvious models, but the action is not nearly as important as are the old man's character and his thoughts. Although there are some exciting moments in his battle with nature, it is what these bring out in him, not the events themselves, that are important.
What works especially well here are the old man's dreams and thoughts of the past. They are all-important in defining the character, and this adaptation manages them better than you could hope for, with the simplest of means. Once again, Tracy's narration matches the content perfectly.
The heart of the story is an honest but compassionate look at a man almost thoroughly ignored by the world, seemingly with little purpose to his life. His importance comes not from any outstanding achievement or valuable talent, but simply because he is a human being, with his own hopes, memories, and worries that are unique to him. This movie version succeeds well in rendering a touching picture of its main character.
- Snow Leopard
- Dec 11, 2005
- Permalink
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Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross worldwide
- $67,740
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.85 : 1
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