Directed by
Jerome Robbins | ||
Robert Wise |
Writing Credits
Ernest Lehman | ... | (screenplay by) |
Arthur Laurents | ... | (book) |
Jerome Robbins | ... | (play) |
William Shakespeare | ... | (play) (uncredited) |
Cast (in credits order) verified as complete
Produced by
Saul Chaplin | ... | associate producer |
Walter Mirisch | ... | executive producer (uncredited) |
Robert Wise | ... | producer (uncredited) |
Music by
Leonard Bernstein | ... | (music by) |
Irwin Kostal | ... | (uncredited) |
Cinematography by
Daniel L. Fapp | ... | director of photography |
Editing by
Thomas Stanford | ... | film editor |
Casting By
Lynn Stalmaster | ... | (uncredited) |
Production Design by
Boris Leven | ... | (production designed by) |
Set Decoration by
Victor A. Gangelin | ... | (as Victor Gangelin) |
Costume Design by
Irene Sharaff | ... | (costumes designed by) |
Makeup Department
Emile LaVigne | ... | makeup (as Emile La Vigne) |
Alice Monte | ... | hairdresser |
Production Management
Allen K. Wood | ... | production manager |
Hubert Fröhlich | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Robert E. Relyea | ... | assistant director |
Jerome M. Siegel | ... | second assistant director |
Ridgeway Callow | ... | assistant director (uncredited) |
Ulu Grosbard | ... | assistant director (uncredited) |
Art Department
Shelley Bartolini | ... | scenic artist (as Shelly Bartolini) |
Sam Gordon | ... | property |
Maurice Zuberano | ... | production artist (as M. Zuberano) |
Leon Harris | ... | Illustrator (uncredited) / production illustrator (uncredited) |
William Maldonado | ... | construction coordinator (uncredited) |
Sound Department
Fred Lau | ... | sound |
Gilbert D. Marchant | ... | sound editor |
Murray Spivack | ... | sound |
Vinton Vernon | ... | sound |
Anthony Cerrotta | ... | re-recording mixer (uncredited) |
Richard Gramaglia | ... | sound mixer (uncredited) |
Fred Hynes | ... | sound recording supervisor (uncredited) |
Gordon Sawyer | ... | sound supervisor (uncredited) |
Visual Effects by
Saul Bass | ... | visual consultant |
Linwood G. Dunn | ... | photographic effects (as Linwood Dunn) |
Camera and Electrical Department
Linwood G. Dunn | ... | title photographer (uncredited) |
John Finger | ... | camera operator: title sequence (uncredited) |
Ernst Haas | ... | still photographer (uncredited) |
Jerome H. Klein | ... | electrician (uncredited) |
Louis Kulsey | ... | dolly grip: title sequence (uncredited) |
Tom D. May | ... | grip (uncredited) |
Tibor Sands | ... | still photographer (uncredited) |
Phil Stern | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Bert Henrikson | ... | wardrobe |
Editorial Department
Marshall M. Borden | ... | assistant editor |
John Sellars | ... | colorist (uncredited) |
Mike Sowa | ... | restoration colorist (uncredited) |
Music Department
Leonard Bernstein | ... | music by |
Richard Carruth | ... | music editor |
Saul Chaplin | ... | musical supervisor |
Johnny Green | ... | music conductor / musical supervisor |
Irwin Kostal | ... | musical supervisor / orchestrator |
Sid Ramin | ... | musical supervisor / orchestrator |
Stephen Sondheim | ... | lyrics by |
Robert Tucker | ... | vocal coach (as Bobby Tucker) |
Betty Walberg | ... | musical assistant |
Pete Candoli | ... | musician (uncredited) |
William C. Carruth | ... | music editor (uncredited) |
Jack Dumont | ... | musician: saxophone (uncredited) |
Walter A. Gest | ... | production music playback operator (uncredited) |
Milt Holland | ... | percusionist (uncredited) |
Shelly Manne | ... | musician (uncredited) |
Red Mitchell | ... | musician (uncredited) |
Uan Rasey | ... | musician: trumpet soloist (uncredited) |
Murray Spivack | ... | music engineer (uncredited) |
Vinton Vernon | ... | music engineer (uncredited) |
Albert T. Viola | ... | musician (uncredited) |
John Williams | ... | Piano (uncredited) |
Script and Continuity Department
Stanley Scheuer | ... | script supervisor (as Stanley K. Scheuer) |
John Flynn | ... | script supervisor (uncredited) |
Additional Crew
Tommy Abbott | ... | dance assistant |
Margaret Banks | ... | dance assistant |
Saul Bass | ... | titles |
Robert E. Griffith | ... | based upon the play produced on the stage by |
Howard Jeffrey | ... | dance assistant |
Tony Mordente | ... | dance assistant |
Bob Peak | ... | movie poster illustration |
Harold Prince | ... | based upon the play produced on the stage by (as Harold S. Prince) |
Jerome Robbins | ... | choreography by / stage play: director / stage play: orchestrator |
Roger L. Stevens | ... | by arrangement with |
Hal Bell | ... | assistant choreographer (uncredited) |
Jimmy Bryant | ... | singing voice: Tony (uncredited) |
Kit Culkin | ... | dancer (uncredited) |
Gerald Freedman | ... | assistant: Mr. Robbins (uncredited) |
Peter Gennaro | ... | co-choreographer (uncredited) |
Maria Henley | ... | Shark dancer Teresita (uncredited) |
Eliot Hyman | ... | production executive (uncredited) |
Howard Jeffrey | ... | assistant choreographer: Mr. Robbins (uncredited) |
Elaine Joyce | ... | dancer (uncredited) |
George Lake | ... | assistant stage manager: stage production (uncredited) |
Harold Mirisch | ... | production executive (uncredited) |
Marvin Mirisch | ... | production executive (uncredited) |
Howard Newman | ... | press representative (uncredited) |
Marni Nixon | ... | singing voice of Maria (uncredited) |
Arthur Rubin | ... | assistant stage manager: stage production (uncredited) |
Maurice Segal | ... | publicist (uncredited) |
Wallace Siebert | ... | assistant: Mr. Gennaro (uncredited) |
Tucker Smith | ... | singing voice: Riff (uncredited) |
Ray Stark | ... | production executive (uncredited) |
Lee Theodore | ... | assistant choreographer (uncredited) / dancer (uncredited) |
Roxanne Tunis | ... | dancer (uncredited) |
Betty Wand | ... | singing voice: Anita - "A Boy Like That/I Have a Love" (uncredited) |