When two young members of feuding families meet, forbidden love ensues.When two young members of feuding families meet, forbidden love ensues.When two young members of feuding families meet, forbidden love ensues.
- Won 2 Oscars
- 16 wins & 16 nominations total
Storyline
Did you know
- TriviaSir Laurence Olivier agreed to play the uncredited role of the narrator, because he was so impressed with Zeffirelli's work for the National Theatre of Great Britain, of which Olivier was director at the time. Not only was Olivier the narrator, but as Franco Zeffirelli has also confirmed, he dubbed Antonio Pierfederici's voice (due to the actor's heavy Italian accent) as well as lending his voice to other anonymous characters. He did it all for the love of William Shakespeare, and didn't accept any payment.
- GoofsWhen Romeo and Juliet's bodies are laid out in front of the ruler, Romeo takes a deep breath.
- Alternate versionsIn the film's original release, and on DVD, the "End Titles" music continues playing on a black screen after the closing credits have ended, much as "Exit Music" used to do in roadshow releases of films. As currently (2009) shown on cable TV, however, there is an edit on the soundtrack (not on the picture) during the closing credits, so that the music ends exactly at the same time that the visual portion of the film does.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
Featured review
Zefferelli is a sporadic master. Here he is in his prime. See how he understands how to direct groups, how to continue a motion from one frame to the next, how to use color to punctuate.
What has happened here is that he has hit on a formula that works toward the problem of moving Shakespeare (a verbal, intellectual event) into film (a matter of motion and image).
It works because the play can be cast largely in terms of crowds, sometimes mobs. Never have I seen this done so well.
Much of the verbal poetry is cut, and image poetry replaced in sufficient measure to satisfy. Mercutio is rightly seen as the heart of the play, balanced by the Nurse. Both are terrific.
Oh how I wish we could combine the cinematic skills of young Zefferelli with the Shakespearian insights of Branagh and the imagination of Greenaway to do, say a Lear. Bliss in the imagining.
What has happened here is that he has hit on a formula that works toward the problem of moving Shakespeare (a verbal, intellectual event) into film (a matter of motion and image).
It works because the play can be cast largely in terms of crowds, sometimes mobs. Never have I seen this done so well.
Much of the verbal poetry is cut, and image poetry replaced in sufficient measure to satisfy. Mercutio is rightly seen as the heart of the play, balanced by the Nurse. Both are terrific.
Oh how I wish we could combine the cinematic skills of young Zefferelli with the Shakespearian insights of Branagh and the imagination of Greenaway to do, say a Lear. Bliss in the imagining.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- William Shakespeare's Romeo and Juliet
- Filming locations
- Pienza, Siena, Tuscany, Italy(Piazza Pio II: some shots of the street brawl)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $850,000 (estimated)
- Gross worldwide
- $6,292
- Runtime2 hours 18 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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