A man beyond middle-age living in tony, upscale Connecticut environs decides to swim home from one neighbors' swimming pool to another, drinking cocktails all along the way, engaging in friendly, empty banter and confronting all the demons of his life -- most of his own making. This is a late '60s experiment (and, thankfully, they were more experimental in the main in the '60s than today) that takes an exceptional short story by the uniquely American master teller of modern tales, John Cheever, and expands it into a character piece for the wonderful Burt Lancaster. Here he's playing an ordinary business executive stuck in an early '60s, three martini lunch time warp, a Viet Nam era/Hippie-Nation prevailed-upon Upper West side would-be master of the universe. A man who is strangely out of place and out of time and will suffer a fate, maybe cruel, maybe just, but one that he is entirely complicit in despite any protest. This is engagingly dark stuff told under the glare of a late summer bright sunny sky. The film's flaws are bound to its era of production -- auto-camera zooms and sunlight flares and delirious music montages -- but they mean little compared to the hyper-sophisticated smarts of its dialogue and the performances, obviously from Lancaster, but also the unique variety of women he encounters from his past before arriving at his horrible present. "It's a beautiful day! Look at that sky, look at that blue water!"
