36 reviews
In a far-flung island called Balfe just off the Cornish coast arrives a doctor (Ian Bannen) tasked by a government agency to investigate strange events , as he has to study the after effects of a recent oil tanker spill , as the waters surrounding become contaminated by chemical dumping . Once there the locals are very cold towards him and rather disturbingly they reject him .Along the way he finds a corpse in some local forests and he is also hitten by a deformed man in a barn . There he meets a beautiful children teacher (Judy Geeson) who helps him figure out the causes that create rare results on local people . An ecological nightmare gone berserk! Now on the big screen - Doomwatch means terror . A new terror!
This is a nice chiller , though a little bit boring and slow-moving, being based on a British famous notorious TV series which made star Robert Powell before his role was killed off . In fact in this story results to be one of 13 titles included in Avco Embassy's Nightmare Theater package syndicated for television in 1975 , series regulars Simon Oates , John Trend , John Paul take a back seat appearing as secondaries , while the real protagonists Ian Bannen and Judy Geeson provide decent interpretations . Doomwatch refers to the name of a Government environmental that assigns underling scientist Dr. Del Shaw , Ian Bannen , on an allegedly routine mission . As Ian Bannen gives an acceptable acting as a scientist who discovers a chemical company is dumping poison into local waters causing horrible consequences when the villagers eat the catch of the day , while Judy Geeson is pretty good as the local schoolteacher, who aids him on Balfe . Other prestigious secondaries showing up are as follows : Percy Herbert , Norman Bird , the veteran classic actor George Sanders as a Minister , Geoffrey Keen habitual support in James Bond films and a young James Cosmo.
It contains a splendid and atmospheric musical score by the prolific John Scott . As well as Kenneth Talbot's rich cinematography full of colour and with varying shades of red. The motion picture titled Doomwatch or Island of the Ghouls (United States) Holocausto radiactivo (Spain) was professionally directed by Peter Sasdy with some flaws and gaps , as it has some scenes that result to be of variable quality . Sasdy was a fine craftsman who directed a lot of fims with penchant for terror, Adventure and thriller such as : Taste the blood of Dracula, Countess Dracula , Hands of the Ripper, Nothing but the night, Doomwatch, Young warlord, King Arthur the young warlord, I don't want to be born, The devil' undead, 13 Reunion, Rude awakening, The two faces of evil, The lonely lady, among others . Rating 6/10. Acceptable and passable. The picture will appeal to British chiller aficionados.
This is a nice chiller , though a little bit boring and slow-moving, being based on a British famous notorious TV series which made star Robert Powell before his role was killed off . In fact in this story results to be one of 13 titles included in Avco Embassy's Nightmare Theater package syndicated for television in 1975 , series regulars Simon Oates , John Trend , John Paul take a back seat appearing as secondaries , while the real protagonists Ian Bannen and Judy Geeson provide decent interpretations . Doomwatch refers to the name of a Government environmental that assigns underling scientist Dr. Del Shaw , Ian Bannen , on an allegedly routine mission . As Ian Bannen gives an acceptable acting as a scientist who discovers a chemical company is dumping poison into local waters causing horrible consequences when the villagers eat the catch of the day , while Judy Geeson is pretty good as the local schoolteacher, who aids him on Balfe . Other prestigious secondaries showing up are as follows : Percy Herbert , Norman Bird , the veteran classic actor George Sanders as a Minister , Geoffrey Keen habitual support in James Bond films and a young James Cosmo.
It contains a splendid and atmospheric musical score by the prolific John Scott . As well as Kenneth Talbot's rich cinematography full of colour and with varying shades of red. The motion picture titled Doomwatch or Island of the Ghouls (United States) Holocausto radiactivo (Spain) was professionally directed by Peter Sasdy with some flaws and gaps , as it has some scenes that result to be of variable quality . Sasdy was a fine craftsman who directed a lot of fims with penchant for terror, Adventure and thriller such as : Taste the blood of Dracula, Countess Dracula , Hands of the Ripper, Nothing but the night, Doomwatch, Young warlord, King Arthur the young warlord, I don't want to be born, The devil' undead, 13 Reunion, Rude awakening, The two faces of evil, The lonely lady, among others . Rating 6/10. Acceptable and passable. The picture will appeal to British chiller aficionados.
Scientist, Dr. Del Shaw is sent to a remote Cornish island to investigate the effects of a tanker spill on the local wildlife. On arrival on the island, he is immediately struck by the strangeness of its inhabitants, they are dismissive and suspicious of him, they seem wary of outsiders and he struggles to find a room for the one night of his stay. As he goes about his business collecting marine samples, he is aware that he is being followed, he begins to feel he may be in danger, some odd nocturnal goings on make him even ,ore suspicious that there is something amiss on the island and when he finds the shallow grave of a child he knows for sure there is. The set up is excellent, both in mood and atmosphere, one is left with the distinct impression that a Wicker Man type plot is imminent, but sadly the film never lives up to those lofty heights and instead turns out to be more of an ecological drama, interesting but never as compelling as it could have been.
- Prof-Hieronymos-Grost
- Jan 18, 2009
- Permalink
This feature film version of the British TV series of the same name uses some of the actors from the show, while adding Ian Bannen and the lovely young Judy Geeson for name value. Bannen stars as Del Shaw, a doctor with the title department of the government. They investigate effects of pollution on the environment. Del is sent to Balfe, an island community where the locals go out of their way to NOT make him welcome. What's more, chemical dumping in an off limits area has affected the fish in the waters and subsequently the islanders that have eaten them. In addition to being surly and violent, they fall victim to acromegaly as well.
Overall, this is a reasonably absorbing story, but pay no attention to false advertising. This is NOT a horror film, but more of a drama that tries to play things in a somewhat realistic manner. Thrills and suspense are minimal. The makeup effects are decent, but you don't see much of them until the end. The story is pretty simple, and straightforward, with clear cut villains and heroes. Actually, it tends to work better when Bannen's not around. The supporting characters are fine, but Del is a rather ridiculous guy, and Bannens' performance is not one of his better ones. He tends to shout his lines, and overreact.
Geeson has some appeal as a schoolteacher who is something of an outsider herself, and wants to maintain her relations with these superstitious and religious islanders. John Paul (Dr. Quist), Simon Oates (Dr. Ridge), and Joby Blanshard (Bradley) all come from the series, and they do alright. George Sanders is the special guest star, with Percy Herbert ("One Million Years B.C."), Shelagh Fraser ("Star Wars Episode IV: A New Hope"), Geoffrey Keen (who appeared in four of the James Bond adventures), Norman Bird ("Cash on Demand"), and James Cosmo ("Trainspotting") all providing solid support.
"Doomwatch" scores some marks for good intentions, and for ending in a believable enough manner.
Six out of 10.
Overall, this is a reasonably absorbing story, but pay no attention to false advertising. This is NOT a horror film, but more of a drama that tries to play things in a somewhat realistic manner. Thrills and suspense are minimal. The makeup effects are decent, but you don't see much of them until the end. The story is pretty simple, and straightforward, with clear cut villains and heroes. Actually, it tends to work better when Bannen's not around. The supporting characters are fine, but Del is a rather ridiculous guy, and Bannens' performance is not one of his better ones. He tends to shout his lines, and overreact.
Geeson has some appeal as a schoolteacher who is something of an outsider herself, and wants to maintain her relations with these superstitious and religious islanders. John Paul (Dr. Quist), Simon Oates (Dr. Ridge), and Joby Blanshard (Bradley) all come from the series, and they do alright. George Sanders is the special guest star, with Percy Herbert ("One Million Years B.C."), Shelagh Fraser ("Star Wars Episode IV: A New Hope"), Geoffrey Keen (who appeared in four of the James Bond adventures), Norman Bird ("Cash on Demand"), and James Cosmo ("Trainspotting") all providing solid support.
"Doomwatch" scores some marks for good intentions, and for ending in a believable enough manner.
Six out of 10.
- Hey_Sweden
- May 7, 2017
- Permalink
Doomwatch is directed by Peter Sasdy and adapted to screenplay by Clive Exton from the TV series written by Kit Pedler and Gerry Davis. Ian Bannen, Judy Geeson, John Paul, Simon Oates, Jean Trend, Joby Blanshard, George Sanders, Percy Herbert, Shelagh Fraser and Geoffrey Keen. Music is by John Scott and cinematography by Kenneth Talbot.
An environmental research agency known as "Doomwatch" sends Dr. Dell Shaw (Bannen) to the Cornish Island of Balfe to research the effects of an oil spill. Once there Dell finds the villagers on the island are hostile and secretive and it soon becomes apparent that something is very amiss on the island.
Inbreeding and Immorality?
Doomwatch has its problems, with some average acting and logic holes the size of the Moon, but its highlights far outweigh the flaws. Mixing environmental concerns with sci-fi horrors, even though Doomwatch is not a horror film as such, it's a film that boasts a credible script and high interest value with its mystery.
Essentially the narrative is split into two parts. The first part of the film is suitably eerie. Once Dr. Shaw arrives on the island there's a sense of doom enveloping the place. The inhabitants act oddly suspicious and the makers introduce distorted angles to emphasise the fact that something is badly wrong here. John Scott's music is perfectly off- kilter and foreboding and with the pace of the story purposely sedate, this allows Sasdy to fill the sense of place with paranoia and creeping unease.
The picture then shifts at the mid-point when the mystery of the island is brought to the surface. We then find ourselves in the middle of a science fiction story wrapped around a heart breaking revelation brought about by corporate idiocy and ecological negligence. Into the mix comes ignorance, be it from the islanders, the church or the mainland authorities. It builds up a head of steam in the last quarter, where passions run high and the final act leaves an impression that's hard to shake off.
Add some lovely location photography around real Cornish locations, and some skillful underwater shots as well, and this definitely has much to recommend. Yes it's dated in that 1970s British independently budgeted way, this is a Tigon production after all! But give it a chance by not expecting a Mutant Wicker Man type horror movie and you may just enjoy it more than you expected. 7.5/10
An environmental research agency known as "Doomwatch" sends Dr. Dell Shaw (Bannen) to the Cornish Island of Balfe to research the effects of an oil spill. Once there Dell finds the villagers on the island are hostile and secretive and it soon becomes apparent that something is very amiss on the island.
Inbreeding and Immorality?
Doomwatch has its problems, with some average acting and logic holes the size of the Moon, but its highlights far outweigh the flaws. Mixing environmental concerns with sci-fi horrors, even though Doomwatch is not a horror film as such, it's a film that boasts a credible script and high interest value with its mystery.
Essentially the narrative is split into two parts. The first part of the film is suitably eerie. Once Dr. Shaw arrives on the island there's a sense of doom enveloping the place. The inhabitants act oddly suspicious and the makers introduce distorted angles to emphasise the fact that something is badly wrong here. John Scott's music is perfectly off- kilter and foreboding and with the pace of the story purposely sedate, this allows Sasdy to fill the sense of place with paranoia and creeping unease.
The picture then shifts at the mid-point when the mystery of the island is brought to the surface. We then find ourselves in the middle of a science fiction story wrapped around a heart breaking revelation brought about by corporate idiocy and ecological negligence. Into the mix comes ignorance, be it from the islanders, the church or the mainland authorities. It builds up a head of steam in the last quarter, where passions run high and the final act leaves an impression that's hard to shake off.
Add some lovely location photography around real Cornish locations, and some skillful underwater shots as well, and this definitely has much to recommend. Yes it's dated in that 1970s British independently budgeted way, this is a Tigon production after all! But give it a chance by not expecting a Mutant Wicker Man type horror movie and you may just enjoy it more than you expected. 7.5/10
- hitchcockthelegend
- Aug 1, 2013
- Permalink
An environmentalist group ( a la early 70s ) somewhat sensationally named "Doomwatch" takes an interest in some peculiar goings-on on a small island near the UK. As a disclaimer, we never saw the BBC series so we don't have any previous notions to compare this film against but, having said that, the film is an enjoyable, cautionary tale about pollution and official stonewalling. Some people have lamented over the film's obviously modest - read: small - budget, but in our opinion this does not handicap the effort. If anything, it serves to highlight what can be achieved by the use of good writing, good acting, and good directing. Though not a horror film per se, its moody atmosphere and imaginative makeup does blur the line between suspense and horror quite effectively, and does actually manage to make you care about the people in it, most notably the character of Dr. Shaw. It's been pointed out that this film does bear a certain resemblance to "The Wicker Man", but in our opinion this has been overstated; yes, in both films an investigating official is stranded on a small island with lots of local strangeness, but that's about the only common ground between the two. Both are enjoyable, but for totally different reasons. Bottom line: while "Doomwatch" may not be a great film, it is a pretty good one. Try it.
- march9hare
- Nov 6, 2004
- Permalink
- poolandrews
- Jul 7, 2006
- Permalink
Doomwatch the movie comes forth as a spin-off from a TV-series with the same name. I only saw 3 episodes of that series and then they took it off the cable here in my country. Too few viewers, apparently
That always happens to decent series. So I was pretty enthusiast about catching the long feature film when the BBC programmed it recently. Yet, after two viewings, I must say I liked the 3 episodes a lot better. The plot offers too few aspects to fill a complete film with and tends to get boring quite easily. In fact, it would have been perfectly accurate if this were a 50 minutes episode as well. No offense to the people on this site here but the plot synopsis, as described on the film's main page, is rather misleading. It says: `The waters surrounding an island become contaminated by chemical dumping, and people who eat fish caught in those waters become cannibalistic mutants'. Judging by this two-line summary, horror fans might prepare themselves to see a good old-fashioned 70's shlock-and-sleaze film, with adorably cheap make-up effects and awful production values. Fans of this type of cinema will feel cheated because `Doomwatch' is more of a theoretical intelligent film, loaded with environmental messages and criticism towards society. This isn't necessarily a negative aspect, but it could have used a bit more action and entertainment value, if you ask me. I like story-driven horror, but there should have been at least a bit of excitement.
The film has more than enough horror potential, though. The substance is perfect for it, while cast and crew are experienced in the field as well. Directed by Peter Sasdy, who previously made some of Hammer's best vampire films like `Countess Dracula' and `Taste the Blood of Dracula', and starring George Sanders, who's one of my personal favorite actors since `Village of the Damned' and `Psychomania'. Altogether, Doomwatch is worth a look if you're in a semi-clever mood but don't think about seeing it when you're having a few friends over with beer and pizza.
The film has more than enough horror potential, though. The substance is perfect for it, while cast and crew are experienced in the field as well. Directed by Peter Sasdy, who previously made some of Hammer's best vampire films like `Countess Dracula' and `Taste the Blood of Dracula', and starring George Sanders, who's one of my personal favorite actors since `Village of the Damned' and `Psychomania'. Altogether, Doomwatch is worth a look if you're in a semi-clever mood but don't think about seeing it when you're having a few friends over with beer and pizza.
Whenever I want to watch a late-night BBC movie, I always check the IMDb site first to find out if it is worth to stay up for. At first I had my doubts about this one, but I'm certainly glad to have seen it.
Without being patronizing, idealistic or action filled, this movie is the most realistic movies about the environment. Some might say it lacks gore and monsters, but that is not the point of this film. It has interesting twists and turns and the characters all are reacting very unexpected. Again, this may confuse the average Sylvester Stallone fan, but for me it was very pleasant to see a movie with intelligent plot.
The movie could be seen as some thriller/horror crossover, but the strange thing about this one is that the story isn't about zombies and that it has a unsatisfying ending, which is good. No pointing fingers, no big stormy weather scenes and no action hero stuff.
If you hated "The day after tomorrow", you'll like this one. Cause this one might prove that environmentalists aren't always right...
I give this one a 8/10
Without being patronizing, idealistic or action filled, this movie is the most realistic movies about the environment. Some might say it lacks gore and monsters, but that is not the point of this film. It has interesting twists and turns and the characters all are reacting very unexpected. Again, this may confuse the average Sylvester Stallone fan, but for me it was very pleasant to see a movie with intelligent plot.
The movie could be seen as some thriller/horror crossover, but the strange thing about this one is that the story isn't about zombies and that it has a unsatisfying ending, which is good. No pointing fingers, no big stormy weather scenes and no action hero stuff.
If you hated "The day after tomorrow", you'll like this one. Cause this one might prove that environmentalists aren't always right...
I give this one a 8/10
- mark.waltz
- Oct 25, 2021
- Permalink
Firstly, this is NOT a horror movie (And who thought up the cannibalistic islanders?). The film is about the devastation that comes from the pollution of one the islands beaches with synthetic hormones.
The islanders, having been made to suspect that the physical and mental deformities they're suffering from are caused by generations of inbreeding, regard the coming of an environmentalist as a threat to their community. They hide the sick and try to make sure that nothing 'wrong' is found. The movie is about the struggle of an environmentalist to find out what's the matter with the island, and then the struggle to educate the population about the cause and possible solutions for the problems.
All in all not a bad environmental drama, reminds me a bit of the Minimata disaster in Japan. I give it a 7 out of 10, mainly for the atmosphere on the island and the balls it must have taken to make this film in '72.
The islanders, having been made to suspect that the physical and mental deformities they're suffering from are caused by generations of inbreeding, regard the coming of an environmentalist as a threat to their community. They hide the sick and try to make sure that nothing 'wrong' is found. The movie is about the struggle of an environmentalist to find out what's the matter with the island, and then the struggle to educate the population about the cause and possible solutions for the problems.
All in all not a bad environmental drama, reminds me a bit of the Minimata disaster in Japan. I give it a 7 out of 10, mainly for the atmosphere on the island and the balls it must have taken to make this film in '72.
Whenever the BBC has a SF hit on its hands it decides not only to hand out film rights but to hand out film rights where their series will be remade as inferior products like the films based on the QUATERMASS serials or the first two DOCTOR WHO stories to have featured the Daleks , or most disappointingly of all an original screenplay based on the classic DOOMWATCH series .
The problem with this screenplay is that it pushes all the regular characters from the show like Dr Ridge into the background while the action revolves around Dr Shaw , a character who never appeared in the series . The story itself - and the budget too for that matter - would have been adequate for a 50 minute episode of the show but seems somewhat stretched out . Ironically if the producers had decided to adapt one of the original BBC scripts like TOMORROW THE RAT instead of having an original screenplay this film might have been a classic
The problem with this screenplay is that it pushes all the regular characters from the show like Dr Ridge into the background while the action revolves around Dr Shaw , a character who never appeared in the series . The story itself - and the budget too for that matter - would have been adequate for a 50 minute episode of the show but seems somewhat stretched out . Ironically if the producers had decided to adapt one of the original BBC scripts like TOMORROW THE RAT instead of having an original screenplay this film might have been a classic
- Theo Robertson
- Dec 18, 2002
- Permalink
- Tender-Flesh
- Oct 22, 2009
- Permalink
- Leofwine_draca
- Jun 28, 2016
- Permalink
I bought this on DVD and was expecting to sit back and watch a British classic.
But far from it. It was below average stuff and the story never really got passed some toxic material being dumped and people infected.
I also think Ian Bannen was miscast. It's hard to see him as a right thinking doctor, when he displays this rather weird persona, particularly when he raises his voice.
Who can forget him in Fright (1971)...
I think if a different actor had been cast, such as Ian Ogilvy, who I believe was making a lot of horror appearances during this time, then the film might have been slightly better.
Having that said, the story was weak, and there were limited action and scares - if none at all.
Only a 4/10 from me.
But far from it. It was below average stuff and the story never really got passed some toxic material being dumped and people infected.
I also think Ian Bannen was miscast. It's hard to see him as a right thinking doctor, when he displays this rather weird persona, particularly when he raises his voice.
Who can forget him in Fright (1971)...
I think if a different actor had been cast, such as Ian Ogilvy, who I believe was making a lot of horror appearances during this time, then the film might have been slightly better.
Having that said, the story was weak, and there were limited action and scares - if none at all.
Only a 4/10 from me.
- spotlightne
- Oct 25, 2013
- Permalink
- marcgreenman
- Jul 29, 2020
- Permalink
I was about 11 when the popular BBC TV series of the day "Doomwatch" aired and vaguely remember watching it at the time. Back then, if a TV show took off it would often be stretched into a film (it still happens today of course, witness "The X Files" or "Sex and the City"), although it was usually comedy shows which got the movie treatment then ("Porridge", "Whatever Happened To The Likely Lads", " Steptoe and Son" etc) rather than dramas.
So watching this was like reliving a little of my childhood, but it did live up to my expectations in engaging and entertaining, if not exactly thrilling me. Ian Bannen and Judy Geeson (plus the ever-smooth George Sanders as a Navy bigwig) are added to the normal cast to give a little star-power to proceedings and both acquit themselves well, although the former does look a little silly at times in his chic white skip-cap!
The plot is reminiscent of the "Damned" pictures of the 60's but also anticipates "The Wicker Man" in its depiction of an establishment figure exploring a mystery in a closed island community, although the latter of course, played up the horror content and came up with a much more dramatic climax. The direction is satisfactory although I found some of the night scenes to be poorly lit and almost impossible to make out clearly.
The ecological message at the heart of the show, sorry film comes through loud and clear, but I guess my unintentional slip there confirms the contention that it rarely breaks out of small-screen mode to really pass muster as a cinematic experience.
One for the living room and not the theatre.
So watching this was like reliving a little of my childhood, but it did live up to my expectations in engaging and entertaining, if not exactly thrilling me. Ian Bannen and Judy Geeson (plus the ever-smooth George Sanders as a Navy bigwig) are added to the normal cast to give a little star-power to proceedings and both acquit themselves well, although the former does look a little silly at times in his chic white skip-cap!
The plot is reminiscent of the "Damned" pictures of the 60's but also anticipates "The Wicker Man" in its depiction of an establishment figure exploring a mystery in a closed island community, although the latter of course, played up the horror content and came up with a much more dramatic climax. The direction is satisfactory although I found some of the night scenes to be poorly lit and almost impossible to make out clearly.
The ecological message at the heart of the show, sorry film comes through loud and clear, but I guess my unintentional slip there confirms the contention that it rarely breaks out of small-screen mode to really pass muster as a cinematic experience.
One for the living room and not the theatre.
- dbborroughs
- Aug 12, 2008
- Permalink
- Hayden-86055
- Nov 17, 2020
- Permalink
I remember catching the original BBC TV series of Doomwatch as a kid and found it to be quite unsettling and grim although I didn't really know what was going on. The big screen version made in 1972 is just as grim and downbeat as I remember the series to be only this time with an over excitable Ian Bannen guest starring and it being more on location than confined to a studio.
The producers obviously didn't think the series regulars had enough star power to pull in cinema goers as they get side-lined into supporting roles. It's left to Bannen and Judy Geeson to try to make sense of an uninspired script which takes itself far too seriously in an earnest attempt to raise questions about corporations damaging the environment.
Whilst the film is often mistaken as a horror it is much more science fiction along the lines of Quatermass than horror as nothing horrific really happens, but it does unsettle being set on a remote island with strange locals who have something to hide.
The finale is neither shocking nor unexpected and for a big screen outing it doesn't try hard enough to give the audience something to get their teeth intobut having said that it has just enough intrigue to make you stick with it thanks to a familiar crop of guest supporting actors like George Sanders and Geoffrey Keen. Hammer Films director Peter Sasdy keeps things plodding along whilst attempting to create a taut atmosphere out of a clunky script within the constraints of the low budget provided by Tony Tenser's Tigon films.
No doubt fans of the original cult series will be curious enough to want to check this out.
The producers obviously didn't think the series regulars had enough star power to pull in cinema goers as they get side-lined into supporting roles. It's left to Bannen and Judy Geeson to try to make sense of an uninspired script which takes itself far too seriously in an earnest attempt to raise questions about corporations damaging the environment.
Whilst the film is often mistaken as a horror it is much more science fiction along the lines of Quatermass than horror as nothing horrific really happens, but it does unsettle being set on a remote island with strange locals who have something to hide.
The finale is neither shocking nor unexpected and for a big screen outing it doesn't try hard enough to give the audience something to get their teeth intobut having said that it has just enough intrigue to make you stick with it thanks to a familiar crop of guest supporting actors like George Sanders and Geoffrey Keen. Hammer Films director Peter Sasdy keeps things plodding along whilst attempting to create a taut atmosphere out of a clunky script within the constraints of the low budget provided by Tony Tenser's Tigon films.
No doubt fans of the original cult series will be curious enough to want to check this out.
Being a fan of the 1970's BBC 'Doomwatch' series, I had always wanted to see this film but never got the chance. At Last I caught it on the TV the other day and I have to say I felt a little let down. Obviously money was in short supply and the production values were not noticeably better than the TV version, but at least the story was far more low-key and thoughtful than most of the horror/sci-fi films we have to suffer. I found myself constantly comparing it to some of Nigel Kneale's output, and in many ways it stood up quite well. One final point - I wonder how John Paul (the main character in the BBC version) felt at having to play a rather distant second fiddle to the 'star' Ian Bannen?
- BinkieHuckaback
- Dec 19, 2021
- Permalink
This one feels a lot like the beginning of Wickerman, with out all the singing.
An investigator from Doomwatch, goes to an island to investigate strange occurrences and come up against a wall of close mouthed villagers. He picks up hints that all is not well.
Monsters. Monsters!
Now this movie was made in 1972, and follows a British TV show of the same. (Which of course desperately needs a US DVD release.) Oddly, the Environmental cause for some of the things, is Genetically Engineered Food. A current Hot Potato Political Topic that has Industry Giants spending Millions of Dollars to quash any Ballot Initiatives for Food Labeling. On the other side, Nuclear Waste is briefly used as a red herring, but Nobody, and I mean Nobody, seems worried about Nuclear Waste.
A Cool and Fun movie, just slightly on the weak side.
An investigator from Doomwatch, goes to an island to investigate strange occurrences and come up against a wall of close mouthed villagers. He picks up hints that all is not well.
Monsters. Monsters!
Now this movie was made in 1972, and follows a British TV show of the same. (Which of course desperately needs a US DVD release.) Oddly, the Environmental cause for some of the things, is Genetically Engineered Food. A current Hot Potato Political Topic that has Industry Giants spending Millions of Dollars to quash any Ballot Initiatives for Food Labeling. On the other side, Nuclear Waste is briefly used as a red herring, but Nobody, and I mean Nobody, seems worried about Nuclear Waste.
A Cool and Fun movie, just slightly on the weak side.
- mickdansforth
- Oct 1, 2004
- Permalink
Why is this movie regarded an horror movie anyway? It doesn't have any real monsters in it and there aren't any scares.
The movie relies on the mystery and the atmosphere with as a result that some things are not always happening fast enough. The atmosphere itself is actually quite good and for some reason it reminded me of "Sleepy Hollow". The way the villagers behave towards the main character are almost identical at times.
At times the movie gets a very realistic feeling but there are too many dumb and uninteresting things in the movie to be regarded as a completely realistic one (especially towards the ending of the movie).
Not a bad movie but too uninteresting and it has too many missed opportunities.
6/10
http://bobafett1138.blogspot.com/
The movie relies on the mystery and the atmosphere with as a result that some things are not always happening fast enough. The atmosphere itself is actually quite good and for some reason it reminded me of "Sleepy Hollow". The way the villagers behave towards the main character are almost identical at times.
At times the movie gets a very realistic feeling but there are too many dumb and uninteresting things in the movie to be regarded as a completely realistic one (especially towards the ending of the movie).
Not a bad movie but too uninteresting and it has too many missed opportunities.
6/10
http://bobafett1138.blogspot.com/
- Boba_Fett1138
- Jul 9, 2004
- Permalink
A scientist from London visits an island off the Cornish coast to investigate pollution but the unfriendly, suspicious locals make it clear that he's not welcome. This premise is very similar to that British classic The Wicker Man, the latter being made after Doomwatch.
I can remember seeing a still of one of the island's mutants in a horror book when I was a kid, then being rather disappointed a few years later when I first saw the movie. It is a perfectly good sci fi thriller in terms of storyline and the acting, locations, etc are fine. It just lacks much in the way of horror, bar a couple of scenes, it's simply not exciting enough. Shame as I'm sure it had potential to be a decent shocker.
- Stevieboy666
- Mar 16, 2020
- Permalink