IMDb RATING
6.6/10
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A religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Frieda, Gustav's niece, will involve herself in a devilish cult, and ... Read allA religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Frieda, Gustav's niece, will involve herself in a devilish cult, and become an instrument of Justice in the region.A religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Frieda, Gustav's niece, will involve herself in a devilish cult, and become an instrument of Justice in the region.
Madeleine Collinson
- Frieda Gellhorn
- (as Madelaine Collinson)
Shelagh Wilcocks
- Lady in Coach
- (as Sheelah Wilcox)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTwins of Evil was the third film in Hammer's "Karnstein trilogy," following The Vampire Lovers (1970) and Lust for a Vampire (1971) in a series loosely based on Sheridan Le Fanu's "Carmilla." These pictures were produced quickly--the trilogy's original UK release dates range only from October 1970 (The Vampire Lovers) to October 1971 (Twins of Evil)--and they were lurid even by Hammer standards, bloody and relatively steamy, with an emphasis on heaving bosoms and vampire-enhanced girl-on-girl sexuality.
- GoofsWhen Count Karnstein sacrifices the girl in the altar, in one shot we see her face while the knife hits her heart, and she is looking to her right screaming. On the next shot, while the Count puts the knife out, she is dead and looking to her left.
- Quotes
Gustav Weil: The devil has sent me twins of evil!
- Alternate versionsThe original UK cinema version was cut by the BBFC to edit the scene where Gerta lies on Count Karnstein and to remove footage of blood being smeared onto a woman's body during the sacrifice scene. Video versions featured the same print, as does the 2002 Carlton DVD, and the cut footage may no longer survive.
- ConnectionsFeatured in Peter Cushing: A One-Way Ticket to Hollywood (1989)
Featured review
In the 19th century, beautiful identical orphaned twins come to live in a small Austrian village of Karnstein with their aunty and a Puritan witch hunter uncle. One of them is innocently sweet, but the other is rebellious, and decides to pay a visit to a Count that worships the devil and who her uncle doesn't like at all. During the visit she falls mercy of the count and becomes of one of the dead just like him. So, when her uncle finds out it doesn't take long for those Puritans wanting her to be burned at the stake.
I'm not a real massive fan of Hammer studio, but for me it feels like when you've seen one you've basically seen them all. That might be a pretty frank claim to make, but that's not to say I didn't enjoy this piece and some of their other works, because some have actually surprised me, just like 'The Mummy', 'The Legend of the 7 Golden Vampires' and this particular one. These couple of films I got right into it, but some others rather bore me too death. It's just that England's legendary Hammer studio is for required tastes. Sometimes for me they work, but other times I couldn't care less. But that being said I found 'Twins of Evil' was basically the usual Hammer that had some flavour amongst the routine camp. These would be no other than Peter Cushing's priceless performance as the imposing Gustav Weil the malicious witch hunter, which it lifts the film out of the ordinary. He and is fanatic witch/vampire chasing Puritans were the life of the party. Wanting to burn basically every pretty girl they came across! But what did destroy the mood in those scenes was that I couldn't stop thinking of 'Monty Python and the Holy Grail', which has a scene about dim-witted people accusing a girl of witchcraft, which kept on popping up in my head.
While, the lustfulness was pretty high in this flick with its sexual tones and gratuitous nudity and flesh flowing. Which has kinda made its way into the latter day Hammer. Also that's the same for the violence, as there's some grisly bloodletting that's a huge delight, with impalement and decapitation. But in doing so it leaves the atmosphere for patent terror. What made film easy on the eyes were the two lead girls, the Collinson twins Mary and Madeleine were magazine pinups. They were damn right sexy, but also elegant in their revealing gowns and were plain beautiful. Damien Thomas gave an accomplished performance as the evilly suave Count Karnstein. Everyone gave a better than average performance. But there's no real mystery why these twin girls were cast in these roles, although Cushing is rightly the star here.
The film looks great and just like always Hammer captures the period strongly, from the set details of Karnstein's castle to the clothing and props. Sometimes scenes did come off as under lit, but that's due to the woodland setting that branched out throbbing sense uneasiness. Rattling behind the picture is the trademark boisterous score. While, the direction didn't come off as complete. Not enough action was sustained and there was too much chat, I thought. It's just some sequences were done to death in the film, that you already kinda get the point. But in those moments of action, it does become incredibly tense, with some clever twists and heart pounding pacing. That goes for the highly suspenseful finale. The plot device is nothing more than good vs. evil, from the twin girls too the battle of faith and religion. From what I grasp it's boring to be good, and people love bad girls. Is that far from the truth? Perhaps I'm reading too much into it. Oh well.
Highly entertaining Hammer fluff.
I'm not a real massive fan of Hammer studio, but for me it feels like when you've seen one you've basically seen them all. That might be a pretty frank claim to make, but that's not to say I didn't enjoy this piece and some of their other works, because some have actually surprised me, just like 'The Mummy', 'The Legend of the 7 Golden Vampires' and this particular one. These couple of films I got right into it, but some others rather bore me too death. It's just that England's legendary Hammer studio is for required tastes. Sometimes for me they work, but other times I couldn't care less. But that being said I found 'Twins of Evil' was basically the usual Hammer that had some flavour amongst the routine camp. These would be no other than Peter Cushing's priceless performance as the imposing Gustav Weil the malicious witch hunter, which it lifts the film out of the ordinary. He and is fanatic witch/vampire chasing Puritans were the life of the party. Wanting to burn basically every pretty girl they came across! But what did destroy the mood in those scenes was that I couldn't stop thinking of 'Monty Python and the Holy Grail', which has a scene about dim-witted people accusing a girl of witchcraft, which kept on popping up in my head.
While, the lustfulness was pretty high in this flick with its sexual tones and gratuitous nudity and flesh flowing. Which has kinda made its way into the latter day Hammer. Also that's the same for the violence, as there's some grisly bloodletting that's a huge delight, with impalement and decapitation. But in doing so it leaves the atmosphere for patent terror. What made film easy on the eyes were the two lead girls, the Collinson twins Mary and Madeleine were magazine pinups. They were damn right sexy, but also elegant in their revealing gowns and were plain beautiful. Damien Thomas gave an accomplished performance as the evilly suave Count Karnstein. Everyone gave a better than average performance. But there's no real mystery why these twin girls were cast in these roles, although Cushing is rightly the star here.
The film looks great and just like always Hammer captures the period strongly, from the set details of Karnstein's castle to the clothing and props. Sometimes scenes did come off as under lit, but that's due to the woodland setting that branched out throbbing sense uneasiness. Rattling behind the picture is the trademark boisterous score. While, the direction didn't come off as complete. Not enough action was sustained and there was too much chat, I thought. It's just some sequences were done to death in the film, that you already kinda get the point. But in those moments of action, it does become incredibly tense, with some clever twists and heart pounding pacing. That goes for the highly suspenseful finale. The plot device is nothing more than good vs. evil, from the twin girls too the battle of faith and religion. From what I grasp it's boring to be good, and people love bad girls. Is that far from the truth? Perhaps I'm reading too much into it. Oh well.
Highly entertaining Hammer fluff.
- lost-in-limbo
- Dec 19, 2005
- Permalink
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Details
- Release date
- Country of origin
- Language
- Also known as
- Las hijas de Drácula
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £205,067 (estimated)
- Runtime1 hour 27 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1(original & negative ratio/open matte)
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