User reviews

Hrishikesh Mukherjee's Abhimaan is a beautiful story involving many aspects of marriage, success and competition between close and related. When it happens between a husband and his wife, it's evident that it's gonna be a troubled relationship. In short, Amitabh Bachchan is a popular singer who falls for and marries a young and talented girl who can also sing. Post marriage, she finds her own success as a singer and soon surpasses his own. And that's when the problems begin. These problems are called envy, pride, ego (or hurt thereof), anger, and the destructive results of such feelings.

This is quite reflective of the real state of these artists at that point of time. While Amitabh was still struggling to pave his way to the top, Jaya was already a leading lady. Amitabh is excellent in his performance and brings forth the character's feelings effectively. He is quite tailor made for such roles, which are not overblown and are far more demanding and impressive than the AYM (angry young man) roles he would later play. But the real winner is Jaya, who is wonderfully understated. She is first a bubbly young girl, then a shy newly-married bride, then a successful yet humble artist, then a woman who intelligently understands her husband's feelings and despair and takes a firm decision, then a suffering wife who bears the brunt of her husband's envy and anger. She goes through it all, and blows it out of the park every time out by just living her character's struggle. An unusually different performance it must be noted comes from the part of Bindu, whose character is surprisingly warmhearted and lovely.

Abhimaan is a fine movie of 1973, and the way it was made, treated by the filmmaker and acted, makes it a must-watch for every cine-goer. It is only two hours long, an exception in Hindi cinema and as expected by a great director like Mukherjee, whose films are always realistic and balanced, never goes overboard.

I finished watching Abhimaan 15 minutes ago.I just loved this movie.Amitabh and Jaya share an envious chemistry in the flick and it does wonders to what the film tried depicting.Hrishikesh Mukherjee was one of the best directors around that time,and this is one of his gems and a milestone in Indian cinema.This is a movie that people won't get tired watching even half a century after it was been made,because the issues that Hrishikesh Da tackled in his movies were very a part of an Indian middle-class society and they still do prevail.

Watch this movie to feel the warmth of good film-making. Hrishikesh Mukherjee leaves the audience in tears in the end,as he never gets tired of doing that.Wonderful,and lovely!

The inspiration behind the film ABHIMAN could have been any of the following (i) The singer-actor duo Kishore Kumar & Ruma Guha Thakurta and their lives (ii) The actors Amitabh Bachchan & Jaya Bhaduri (many opined that Jaya was a superior actor than Amitabh in those days) and their lives (iii) The Hollywood film A STAR IS BORN Whatever may have been the inspiration, this is a beautiful film laden with wonderful songs unfolding a tale of a singer couple (Amitabh & Jaya) , their quick romance and marriage and thereafter making music together. When the wife starts getting more recognition, male ego gets hurt and husband starts sulking endlessly taking recourse to booze and ex- flame (Bindu). Kudos to Hrishikesh Mukherjee for offering the role to Bindu as a sensitive friend, as it shows her in a different light and a far cry from her usual vampish roles. The directorial style is muted; to convey the deep agony of Usha (Jaya) upon losing her son at childbirth, the director uses a long shot, and the distance between Usha and her father (A. K. Hangal) in the same frame highlights the gulf that exists between them (signifying the loneliness of Usha) , even though Usha respected and cared for her father immensely. The acting is first- rate; Jaya and Amitabh are outstanding. David, Asrani, Durga Khote and A.K.Hangal are also memorable in the portrayal of their respective characters. The unspoiled village with its purity and keeper of the classical music tradition alive is contrasted with a materialistic music driven industry in its urban setting. Rating : 4.1 out of 5

This is a lovely little movie with really strong performances by Amitabh Bachchan, Jaya Bhaduri and the rest of the cast. It's about love, envy and understanding the dynamics of a relationship.

The film is beautifully and minimally directed, and the music is also lovely - my favourite is 'Bindiya'. The movie moves at a very nice pace, and the chemistry between Bachchan and Bhaduri is excellent and compelling. I understand this film was made around the time of their marriage, and it shows. They are adorable as a young couple in love who are torn apart by the vagaries of fame and success.

Jaya Bhaduri's subtle but comprehensive performance in this film is wonderful - for me, she is the star of this movie - the way she expresses herself with her eyes is powerful. Amitabh Bachchan supports her excellently with a nuanced and understated portrayal of his tragic character. Asrani is good too, I love the scene where he shows her the 'chhoti chhoti' socks.

I love the ending of this movie... redemption and rediscovery is so sweet! A satisfying and mature Bollywood movie.

This is one of my all time favorite films. Amitabh plays the young heartthrob Subir Kumar - a famous pop singer - and he pulls it off with great panache and style. I saw the film as a young teenager and fell in love with the "Meet Naa Mila Re Man Ka" persona immediately! On a trip to a village he meets a young girl Uma (Jaya Bhaduri) and is mesmerized by her innocence and her singing. There is a quick romance and marriage and the happy couple are back in the glamor life of Bombay. Subir wants him and Uma to sing together and make a successful career. But a storm is brewing and we hear the veteran David remarking to someone that Uma is way more talented and this would be a mistake leading to a rift in the marriage. The predicted rift occurs when Subir's ego cannot swallow the fact that Uma is considered better, offered more assignments. Uma is heartbroken, pregnant and goes back to the village.. The ending is predictable but very very sweet.

Amitabh gives a dynamite performance, first as the heartthrob, then as the lover and finally as the egotistical husband. I rate this as one of his finest performances, way better and nuanced than those endless angry young man roles he bored us with. But the film belongs to Jaya - she does the whole gamut from innocent young girl, to lover, to rejected wife in one of the most realistic performances ever seen. Jaya had true talent that did not rely on mere looks - she shone in almost every film, but this is a tour de force. The supporting cast of Mr. David, AK Hangal, Bindu, Asrani all shine, making this a well acted excellent film. The story, dialogs are superb, the direction is fantastic. The music is by Sachin Dve Burman - and the maestro concocts divine music. ALL songs are true gems but particular standouts are "Meet Na Mila Re", "Nadiya Kinare", "Tere Mere Milan Ki Ye Raina". Hrishikesh Mukherjee proves yet again that he is a master director - even within the trappings of a celebrity life style and glamor he gives us a most realistic film. Abhimaan is worth many a repeat watch.. and touches me every time.

Hrishikesh Mukherjee made this masterpiece of Indian cinema three years after the equally marvelous "Anand".

More than just a reflection of man's ego, his fall from grace, eventual defeat, surrender and redemption, it is a fine glimpse of the delicate balance and intricate nuances of marriage, and of course, extra-marital relationships. Subir, himself a successful singer, is unable to digest his wife Uma's rising fame and its slow eclipsing of his own career. He crumbles under the weight of his misguided ego and misplaced pride.

The mythological underpinnings of this film are simply superb. Chandru (played so well by Asrani) says that he's not just Subir's manager, but more like a brother! But even the sane, balanced Laxman can't save Rama from life's inevitable follies. He leaves when insulted by Subir, who then takes aim at Uma and casts aspersion on her integrity, her morality and even her dignity. The interchange between Chitra, the other woman (played by Bindu) and Uma is unusual -- there's no acrimony or jealousy, just unconditional love. If you truly love someone, you must be able to accommodate all their faults and forgive! Shyam may not belong to both Radha and Mira, but surely both have equal right to love him!! That is so incredible. Chitra once calls him 'Subi', she retains the right to use a before-marriage nickname. But what about the wife...?

The cinematography, the editing and of course S D Burman's rendering of each song into a heavenly ode, is just incomparable. Jaya and Amitabh soar to such heights in this movie, they are hard to surpass. The shots where she is singing, framed by the microphones (imprisoned by Subir?!) and those of Subir talking to CHitra, looming large in the foreground, seemingly taller than his own ego, are just great.

Hrishi-da fans will recall Guddi, Bawarchi, Gol Maal, Mili (a gem) and Khubsoorat, made in the 1970s. Along with Basu-da (Basu Chatterjee) and Shakti-da (Shakti Samanta), this golden era of Hindi cinema sadly came to an end in mid-80s, after giving audiences many memorable films, some of which also became all-time hits.

It has been 30+ years since Abhimaan, and 30+ viewings later, it still holds the same charm as always. A truly evergreen film.

This is a rather ordinary film UNTIL Jaya Bachchan makes her appearance. From that moment on the film gathers life and breath.

Touching tale of the marriage between a very popular singer (played by Amitabh Bachchan) and a simple, devout country girl. (Jaya Bachchan)

All goes well until the public begins to prefer the wife's singing over that of her husband. Arrogance, jealousy and envy possess him.....and.......a lot happens.

I won't say more.

See it for yourself.

Jaya is completely amazing.....especially in the last 30 minutes.

Abhimaan is a tale of how "music" brings two singers (amitabh and jaya) together; how it creates disharmony in their marital life and drives them apart; and finally how the same music reunites them.

Excellent performances by Amitabh and Jaya. Asrani, A. K. Hangal, Durga Khote and Bindu as supporting casts have acted very well.

S. D. Burman's music direction is excellent, both background score and songs (all time hits). Very rarely one gets to see a Hindi movie like Abhimaan with background score at appropriate places.

Hrishikesh Mukerjee has directed the movie very well. An example is how he takes the story forward through direction of just one song (Ab tho hai tumse, kudos to S.D. Burman too). He also brings in social issues such as tax evasion, commercialization of music etc. without diverging from the main story line.

Abhimaan (1973) : Brief Review -

Hrishikesh Mukherjee's melodramatic and positive version of 'Star Is Born'. The original version in 1937, Star Is Born has been remade multiple times til the latest version in 2018 and before that bollywood version Aashiqui 2 (2013) but these all have been just copy paste and nothing else, except for Hrishi da's Abhimaan. Hrishikesh Mukherjee didn't do remake but instead he made sort of adaption with different consequences and additional melodrama. No matter how popular Star Is Born has been for years, even i loved too but I always had one big complaint about the film and that's none other than the drunkard Protagonist. I never understood why did drink so much for no valid reasons, it was his mistake from the start. Anyways, Hrishi Da made me forget that complaint as the protagonist here does bad things for reason and the reason none other than one of the most prominent emotion of human nature, the Arrogance! A successful singer marries a girl who becomes even more successful than him which causes him lose his arrogance and ultimately his love for the music. The fight follows terrible consequences and shatters their married life untill he realises his mistake but isn't it too late? Amitabh Bachchan and Jaya Bhaduri creates an amazing chemisty with thier Romance and Melodious musicals. SD Burman's Music is certainly the best thing about Abhimaan and the songs still have the same magic even after 5 decades. Mukherjee's direction is fantastic while changing the momentum but somewhere towards he loses that grip. Abhimaan is very different than Star Is Born in the later part and that's where i felt it had a chance to surpass the original but may be I was expecting too much. The film uses the typical postive formula of reconciliation to end it on happy note which could have been more intelligent if wanted. Overall, very good but not Top Class work upto other Hrishi da's Classics.

RATING - 7/10*

By - #samthebestest

What can be said about this old time classic movie? Perhaps it can be described as one of the best movies that I can remember watching in Bangalore with my parents thirty six years back and even that after I had heard that Amitabh Bachchan had got married to Jaya Bhaduri. Watching this film, made me remember those childhood days. A professional singer, whose career is soaring, marries a girl from a village, who has learnt singing from her father and whose career, he takes care of. But then his begins to falter and leads to jealousy.

Starring Amitabh Bachchan, Jaya Bhaduri, Asrani, David Abraham, Bindu, Durga Khote and A.K. Hangal, this is superbly directed by the late Hrishikesh Mukherjee, while the music is by S.D. Burman I still remember watching Bindu as a vamp in many of the films before this and it made a change to see her in a role, which could have led her to be the "other woman" in this, but she didn't and this made a difference in the story. Amitabh as the husband who becomes jealous is just superb and since this was released after "Zanjeer," he was by then very well known. Jaya Bhaduri was also perfectly cast as are Asrani and David Abraham.

The music by S.D. Burman is beyond any doubt as the best for this type of film and the songs – all of them are memorable even after thirty six years and while listening to and watching them, I was able to sing along, which nowadays is extremely rare to do so as many of the tunes are not so memorable. As the lyricist, Javed Akhtar, said recently, it is very rare to hear such tunes nowadays.

It's a shame that films such as "Abhimaan" are no longer being made and if they are, they wouldn't do very well as times have changed, peoples taste have also changed and they will keep on doing so even after you, the reader, and I are no longer around.

This 70s Bollywood saga plays like an Indian version of A Star Is Born, only on a much smaller scale and without any of the Hollywood razzmatazz. A young Amitabh Bachchan (looking a bit like an Asian George Hamilton) plays Subir Kumar, a hugely successful pop star who takes the comely village girl Uma (Jaya Bhaduri) for his wife. Things are idyllic until it becomes apparent that Uma's career is taking off while Subir's is faltering, a reversal of fortunes that threatens both their marriage and Uma's sanity.

Where this version differs from the American equivalent is in the representation of the female. In the Western world, even back in the 70s, women had achieved a large measure of equality while, judging from this film, in India they were still considered subservient to men. At one stage, Subir's friend Chandru (Asrani) warns him off another woman because she is rich and independent, reminding the singer that he has always claimed to want a wife who will serve and care for him. In a way, this gives a little more resonance to the plight of Subir when the autograph hunters begin abandoning him whenever his wife walks in the room and, to even things up a little, other women, such as Subir's platonic girlfriend Chitra (Bindu) and aunt (Durga Mausi) are portrayed as quite strong characters.

Like Western movies from the same era, this suffers from some dire 70s men's fashion. The lighting is also rather flat much of the time, and the whole affair looks a little cheap considering the fact that we are supposed to be looking in on lifestyles of the rich and famous. Nevertheless, the film is reasonably entertaining and, at a little over two hours, is fairly short for an Indian flick.

Abhimaan explores the depths of human character. It's a movie that makes you think, that also makes you entertained. Put together the perfect couple, excellent songs, and a unique plot...you've got a great movie!

Subir Kumar (Amitabh Bachchan) is a famous singer, who has millions of fans. Despite the fact that he is adored, he is lonely. He barely has close friends, except for Chitra (Bindu) and Chander (Asrani). One day he goes to his Mausi's house, and hears a voice. He discovers Uma (Jaya Bhaduri). Before he goes back to his usual mansion, they get married. Ready for a perfect life.

But then the problems start. Uma's career reaches inimitable heights, and soon Subir feels quite lonely again...an even slightly jealous of his wife. Through all of this, Uma feels hurt, and says all the wrong things to her confused husband. Circumstances cause them to temporarily separate.

The fact is, Uma was pregnant when she goes to Subir's mausi's house. Everyone is mad at Subir now. Uma writes to Asrani telling him that she is expecting. Subir feels betrayed once again. Why didn't she tell him? He doesn't go to see Uma.

Uma miscarries the baby. Subir feels awful. Uma becomes depressed...how can this chain of unfortunate events ever be put together to make their once perfect life? Watch Abhimaan to find out! I rate this movie a ten. It has the perfect songs sung by Lata Mangeshkar... "Nadiya Ki Nare", "Ab Tho Hai Tumse", and "Piya Bina" being my favorites. There are nice duets, "Teri Bindiya Re" sung by Lata and Rafi, and "Tere Mere Milan Ki" by Lata and Kishore Kumar. There is also Kishore Kumar's trendy "Meet Na Mila", which will surely entertain a movie watcher as well as a music lover. An excellent soundtrack by S.D. Burman.

Performance wise...spectacular by all! Amitabh, Jaya, Bindu, Asrani, Durga Khote, A.K. Hangal....they fit together like a perfect puzzle. Watch them all under the direction of Hrishikesh Mukherjee, to add another favorite to your list.

An enchanting film with notable songs tells the story of one man's ego & the lengths he is prepared to go to protect it. If that means putting his marriage at risk along the possibility of raising future generations than that is the price he is willing to pay. His wife (Jaya Bhaduri) in an effort to shield her husbands pride (Abhimaan) is prepared to give up her music in which she excels at to protect the relationship they have. But her husband seeing this as sympathy & is not willing to accept her sacrifice. Things spiral out of control affecting her mental state as she blames herself for the breakdown of their relationship. Eventually when her husband comes to his senses realising his mistake he rehabilitates her & they are reunited once again. Music remains the bond that brought them together which will always remain so, that will keep them from ever parting...

An excellent musical score from the maestro S.D. Burman breathes new life into the songs within the film which are given a new dimension. Hrishikesh Mukherjee's direction is second to none proving once again to be one of the leading directors from the 70's.

Hrishikesh Mukherjee made his best movies with Amitabh and this is one of the best of the best. Though many would think that this is a remake of the movie A STAR ID BORN (and is does look like it), it is actually based on the life of the genius Kishore Kumar and his first wife, the mother of singer Amit Kumar. Kishore was offered the leading role first but things didn't work out so it eventually went to AB. The very last scene of the movie where Amitabh and Jaya walk out of the auditorium was actually filmed the day both of them got married anbd went out of the hall. The song TERE MERE MILAN KI JEH RAINA has an extra version a capella in the movie which is not available on the soundtrack. A gem

Abhimaan is truly a masterpiece of Hrishikesh Mukherjee after Anand. Great direction, Great music{one of the most beautiful i have heard}, Great editing and script, Great story, and obviously Great acting make such a fabulous film like Abhimaan!!!

Amitabh Bachchan has truly done a fabulous job as Subeer Kumar. He shows the different humane shades with such ease!!! Jaya Bachchan too delivers a splendid performance!!! But Amitabh steals the show with his superb performance and completely great looks which bowl you over!!!

Kudos to both of them and Hrhikesh Mukherjee for making such a fabulous and evergreen film!!! Abhimaan is one of my favorite films!!! It truly shows Music can do wonders...and such a lovely music too!!! SD Burman has done a fabulous job.

Jaya Bachchan at her best.

Amitabh Bachchan is brilliant.

Hrishikesh Mukherjee shows why he is one of the best film maker.

And as far as music is concerned, I don't have enough words to admire Goddess Lataji and legend Kishore da.

Must watch !!

Abhimaan is the best film ever made in India. It is special not just because of one reason. it is a simple story narrated in a very touching and mesmerising way, with out even getting to overdose of melodrama. The film touches the zenith when it comes to portraying jealousy of human nature. The story is very clearly and crisply said. Everything was very aptly placed, be it the prodigal and carefree ways of Subir or the innocent life of Uma. Film had seen the best from Amitabh Bacchan, Jaya Bacchan, Bindu and Asrani. All actors have portrayed their characters with such a simplicity and easiness that it leaves you awed. The music is perfectly tuned for the film. All the songs remain fresh even today. the film had the songs with all the flavours, with out getting any loud. The cinematography of the village is just heart taking. The simplicity of the background adds more taste to the film. Thus overall the film had a very good message that was presented in a very simple, strong and comprehensive way. Kudos to Hrishi Da.

Review By Kamal K

One of the Great Gems of Hindi cinema. Amitabh and Jaya have never looked better together - and of course Bachchan on the glorious ascendancy of his career knocking on the doors of his super stardom (that he attained in a few years).

SD Burman producing an unbelevable album in the evening of his long illustrious career. One of the very rare movies in which Rafi and Kishore BOTH sang for Bachchan.

Must watch for all Hindi movie fans.

Abhimaan (Pride) is a mellow film that does not falter at all. Narrating the story of a popular singer (Amitabh Bachchan) who courts and marries a woman (Jaya Bachchan) and how her superior singing ability makes his ego come out of the den is told so beautifully, it's hard to dismiss any of the scenes. Of course, the film is problematic from today's lens but after having watched it on the big screen for the first time 50 years later since its initial release, I kind of get it why it's legendary. A true gem of a film worth its melodious songs, central cast and their chemistry, and the overall vibe of this 1973 stunner.

(Watched at the 2022 International Film Festival of India in Goa.)

Hrishikesh Mukherjee's 'Abhimaan' takes a look on gender role complexities and stereotypical thinking in a 70's modern day Indian marriage. Another equally excellent film that revolves around a similar theme is Basu Chatterji's 'Anubhav'. But both Mukherjee and Chatterjee tell their own stories and give their films different treatments.

We initially see Subir as this almost burnt out popstar who's fed up with partying, paparazzi, fame etc but Aarti's entrance into his life gives him a new focus and continues to inspire him to sing. Soon after their marriage, Uma's talent for singing is discovered and Subir encourages her to sing with him. As Uma's singing is more exposed (and she is the more talented artiste) she begins to gain more fame than her husband. Subir's envy becomes stronger and eventually his ego takes over and results in the collapse of their marriage.

Mukherjee's presentation of the themes and dilemma that arise within a marriage are very well depicted. I liked how he made the theme part of the story without having them stick out like a soar thumb. The strength of his films were always the down to earth touch and the characters and stories being easy to relate to. 'Abhimaan' is no different. Even though it's about a popstar, the problems that arise with the characters do occur with the common man. I especially liked how the movie ended with the couple despite walking through a crowd, they silently walk away holding each other as if they have just found each other and never want to let go. The writing is superb with some great dialogues. Even though the lines are of a few words, they speak volumes. Sachin Dev Burman's soundtrack is phenomenal. I love all the songs. Each and every one of them are beautiful. The lyrics are priceless. It's hard to pick a favourite but the first one that pops up in mind is the wonderful 'Tere Mere Milan Ki'.

Amitabh Bachchan and Jaya Bhaduri are at their best. I loved them both in 'Mili' and 'Chupke Chupke' (both also happen to be Hrishikesh Mukherjee films) and in 'Abhimaan' their roles are somewhat more complex than in the other two films. Bachchan's Subir could have easily been a one-dimensional caricature jealous husband but he brilliantly brings out the human side portraying him as a devoted husband who did try to accept this wife's more successful singing career until his ego got the better of him. At the same time he also feels guilt and is ashamed of his growing resentment towards Uma. Jaya Bhaduri is sublime. Her Uma is the devoted wife who shares her husband's passion but only Subir has always been her first priority. The supporting cast do a fine job but Asrani and Bindu deserve special mention. Asrani performs naturally as Subir's friend/manager and Bindu, who is cast against type, delivers a memorable performance as Subir's silent lover.

There are some glitches. For instance the scene where Subir, who clearly loves his wife, asks his doctor whether to perform electroshock therapy looks out of place. Perhaps it was Mukherjee's intention to state that such measures are not required to treat depression.

Overall, 'Abhimaan' is a timeless classic. The songs still feel fresh and stay in the head. The performances are outstanding. The story's very creative and one that still applies to today's society and Hrishikesh Mukherjee's magic touch makes this one a gem.

What worked:

• screenplay; the story has been told many times in the movie industry. This story brings charm and realism to the characters, and you can applaud the simplicity and subtleness of the narration.
• performances by the lead; I have not seen much of Jaya Bachan's previous works but I am quiet impressed by her performance in the movie.
• the ending; the final song tells a lot about the movie and acts as a catharsis exploding the suppressed emotions.

What did not work:

• it's commendable that the run time of the movie is shorter than many Bollywood movies of those times, I guess it could have been made more subtle and clear cut by reducing the songs except the recording scenes and final song.

Final verdict: Recommended

Abhimaan, a 1973 Indian Hindi musical drama film. Directed by Hrishikesh Mukherjee.

Abhimaan explores the complexities of relationships, ego, and the price of fame. The story revolves around Subir Kumar (Amitabh Bachchan), a successful singer, and his wife Uma (Jaya Bachchan), who is a talented singer herself. As Subir's career reaches new heights, Uma's talent is overshadowed, leading to jealousy and resentment.

One of the strongest aspects of "Abhimaan" is the brilliant performances by the lead actors. Amitabh Bachchan delivers a powerful portrayal of Subir Kumar, a man torn between his love for his wife and his own ego. Jaya Bachchan is equally impressive as Uma, capturing the pain and frustration of a talented woman whose abilities are ignored.

The film's music, composed by S. D. Burman, is another highlight. Songs like "Meet Na Mila Re Man Ka" and "Tere Mere Milan Ki Yeh Raina" are timeless classics that have stayed popular even after all these years. The music not only enhances the emotional depth of the film but also showcases the talents of the lead actors as singers.

Director Hrishikesh Mukherjee's storytelling is simple yet effective. He presents the complexities of relationships and the struggles of artists in a realistic and relatable manner. The film explores themes of ego, insecurity, and the sacrifices one makes in the pursuit of success, making it a thought-provoking experience.

One minor drawback of the film is its pacing. Some scenes could have been trimmed to make the narrative more tightly knit. However, this doesn't significantly detract from the overall impact of the film.

In conclusion, Abhimaan is a must-watch for fans of classic Bollywood cinema. It stands as a timeless tale of love, jealousy, and the price of fame, beautifully brought to life by the talented cast and memorable music.

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