A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.
- Won 1 Oscar
- 13 wins & 7 nominations total
Jean-Pierre Léaud
- Alphonse
- (as Jean-Pierre Leaud)
Xavier Saint-Macary
- Christian
- (as Xavier Macary)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter the release of this film, Jean-Luc Godard sent François Truffaut a letter criticizing the way the film depicts filmmaking and called him a liar for it. Godard also criticized him for pandering to the mainstream, something they were both critical of filmmakers doing when they were critics at Cahiers du Cinema. Additionally, Godard went on to say that because the film was not truth and because the film was a hit, that they should make a film together about the filmmaking process; Truffaut would produce, Godard would direct, and they would co-write the script. Godard's return address was of Jacques Daniel-Norman, a virtually unknown filmmaker whose films were loved by Truffaut and Godard when they were film critics, hinting at a return to a simpler time. Ignoring this hint, Truffaut was insulted by the letter and responded by telling Godard that he is demeaning and pretentious and that he pretends to be poor, when in reality he was the wealthiest of their circle of friends. The response also included a line in which Truffaut flat out calls Godard a "shit". It is believed that this quarrel is what ended their lifelong friendship. Godard later regretted writing this letter, especially after Truffaut's early death in 1984 and went as far as to write a moving tribute to his former friend.
- GoofsSeveral takes are wasted trying to get a cat to drink milk from a tray. Eventually Joelle brings in "the studio cat" to do the scene. But the cat that drinks the milk is actually a third, different cat.
- Crazy creditsThis film is dedicated to Lillian Gish and Dorothy Gish.
- ConnectionsEdited into Day for Night: A Conversation with Jaqueline Bisset (2003)
Featured review
Lights, Camera, Distraction...
When making movies, it appears, there's many hurdles, the behaviour of the crew can make blood curdle, you need to keep hold of your senses, repair, rebuild, renew strained fences, as you spin, rotate and turn around in circles. Most common are the fraught relationships, musical chairs and their resulting partnerships, bonds are formed and bonds are broken, sometimes strong, quite often token, but they're guaranteed to challenge, the film script.
François Truffaut genially introduces us the often chaotic and unpredictable world of filmmaking, the perpetual challenges from the people, product and process, and the diplomatic way all manner of banana skins are traversed. Highly amusing, and with many parallels to more ordinary lives and livings, it's sure to bring a smile to your face.
François Truffaut genially introduces us the often chaotic and unpredictable world of filmmaking, the perpetual challenges from the people, product and process, and the diplomatic way all manner of banana skins are traversed. Highly amusing, and with many parallels to more ordinary lives and livings, it's sure to bring a smile to your face.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Ameriška noč
- Filming locations
- Aéroport Nice-Côte d'Azur - Nice, Alpes-Maritimes, France(press conference)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $509
- Opening weekend US & Canada
- $11,206
- Apr 25, 1999
- Gross worldwide
- $509
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