In 1880s India, two former British soldiers decide to set themselves up as Kings in Kafiristan, a land where no white man has set foot since Alexander the Great.In 1880s India, two former British soldiers decide to set themselves up as Kings in Kafiristan, a land where no white man has set foot since Alexander the Great.In 1880s India, two former British soldiers decide to set themselves up as Kings in Kafiristan, a land where no white man has set foot since Alexander the Great.
- Nominated for 4 Oscars
- 9 nominations total
- Ootah
- (as Doghmi Larbi)
- Dancer
- (uncredited)
- Dancer
- (uncredited)
- Sikh Soldier
- (uncredited)
- Sikh Soldier
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKafiristan is part of modern-day Afghanistan (Nuristan Province) and Pakistan (the city of Chitral).
- GoofsBilly Fish acts as an interpreter for Daniel and Peachy to the people of Kafiristan. In fact, Billy speaks Urdu to the Kafiristanis and they reply in Moroccan Arabic, two entirely different languages (this is due to the fact the film was shot in Morocco and Moroccan extras were used).
- Quotes
Daniel Dravot: Peachy, I'm heartily ashamed for gettin' you killed instead of going home rich like you deserved to, on account of me bein' so bleedin' high and bloody mighty. Can you forgive me?
Peachy Carnehan: That I can and that I do, Danny, free and full and without let or hindrance.
Daniel Dravot: Everything's all right then.
But you have to think that Rudyard Kipling, who grew up under British rule in India, was certainly trying to shake some sensibilities when he first wrote the story as part of an 1890 package called The Man Who Would Be King and Other Stories, nearly a century before it was made into a film and during an era when the British Empire was still very much a reality.
From the perceptive realization that even the staunchly important Masonic Lodge -- which had infilitrated every aspect of Britain's upper classes -- could be easily corrupted; to the arrogance as Sean Connery's character Daniel Dravot, who elevates what he sees as mere social superiority into a god-like status; to the inevitable humbling of both men at the hands of the 'savages' they profess to rule, the film is ultimately about the humility all men should exhude, particularly in the face of the unfamiliar.
Kipling's tale also preached tolerance, though you might not consider that to be the case based on the film's climax: consider that if Daniel and Peachy had shown an iota of respect for the religion that they instead decided to fleece, how differently the tale might have played out.
The film owes much of its success to the chemistry between Caine and Connery, who regardless of later plaudits, gave the finest performances of their careers. Connery is particularly nuanced, with Daniel Dravot starting the tale as a somewhat lackwitted second fiddle to the scheming Peachy but later seeing his limited vision help him surpass his friend in terms of villainy with an equally heavy price. Caine plays, to some degree or another, the same charming British sheyster/teddy boy he popularized in the Harry Palmer films. But without a backdrop of similarly disaffected cockney bad guys, it's stunningly effective.
John Huston's direction is among the best of his career, and in terms of his ability to use both sprawling vistas and tight, almost claustrophobic photography, owes a nod to his earlier work, including The African Queen, Night of the Iguana and the Treasure of the Sierra Madre. As examples, witness the zenith of Peachy and Daniel's hazardous trek through the mountains played out in full panoramic detail, only to be followed 90 minutes later by the tight shot of Kipling's face, the revulsion fairly etched into every crease as we reach the climax.
But perhaps the true hero of this film was Boaty Boatright, who also cast Connery's classic "The Wind and The Lion." He managed to take some of the most strident, forceful personalities in the film industries, threw them together and came up with a film about humility. Magic.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Rudyard Kipling's The Man Who Would Be King
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross worldwide
- $12,678
- Runtime2 hours 9 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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