A street gang known as the Warriors must fight its way from the Bronx to its home turf on Coney Island when its members are falsely accused of assassinating a respected gang leader.A street gang known as the Warriors must fight its way from the Bronx to its home turf on Coney Island when its members are falsely accused of assassinating a respected gang leader.A street gang known as the Warriors must fight its way from the Bronx to its home turf on Coney Island when its members are falsely accused of assassinating a respected gang leader.
Marcelino Sánchez
- Rembrandt
- (as Marcelino Sanchez)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSol Yurick wrote the original book as a rebuttal to the romanticized view of street gangs presented in West Side Story (1961) based on his experience as a New York City welfare department worker.
- GoofsWhen walking, the girl is wearing high-heel sandals. However when she is running with the Warriors as they are chased by the cops in the subway station, she is wearing "practical" shoes.
- Crazy creditsIn the original version, the end credits are followed by 3 minutes of black screen as the Joe Walsh song "In the City" plays.
- Alternate versionsThe Ultimate Director's Cut runs around one minute longer, adding a voiceover introduction from director Walter Hill describing a legendary Greek army's attempt to fight its way home, and comic-book freeze frame shots bridging various scenes in the film.
Featured review
Several scenes alone are worth the price of admission. What a burst of visual imagination assembling New York's gangs in a single place with an elevated Cyrus presiding at the center. It's a great piece of staging as the camera pans over the throngs of cheering youth decked out in their gang colors, enough to give the cops and everyone else the terminal shudders. Then again, how much worse would they be running the city than the gang of white-collar billionaires usually in charge. I sympathize with Swan when he surveys his dilapidated home turf saying it's a heck-uv-a place to have to return to. Seems to me he's got at least as much class as any New York politician. It's not the gangs that give rise to gangs, it's the people in charge who create the hopeless conditions.
Great color photography as Swan and the Warriors repeat an ancient Greek legend by battling their way home across miles of hostile territory. I like the realistic way macho insults are used to shame the reluctant into aggressive tacticsmuch the way the army does. Then again, boys will be boys, ready for a little side action, even when it's not the smart thing to do as several of the troops find out. The combat scenes may not be very realistic, but they are well choreographed. Another bit of clever staging-- the Rogues (I think) standing outside the Men's Room stalls and you know something's going to happen, but what? Then it's blitzkrieg with some slick choreography.
Smart bit of scripting to insert the two upper-class couples into the subway across from Swan and his cheap-looking girl (Mercy). It's a clash of classes, like the city itself. Notice Swan's hard-eyed stare and how he keeps Mercy from primping herself to look more presentable to their social betters. Swan knows the score. It's all about dignity, no matter where you come from or how you look. And despite all the fighting, I think that's what the movie's really aboutdignity among the city's social rejects, how to get it and how to keep it. That way you know that even if you never get beyond your home turf, you still qualify at a basic level. That's also why at movie's end, we know Swan will never reach a place like the mayor's office. But that's okay because they know and we know-- he and his men do qualify. Good flick.
Great color photography as Swan and the Warriors repeat an ancient Greek legend by battling their way home across miles of hostile territory. I like the realistic way macho insults are used to shame the reluctant into aggressive tacticsmuch the way the army does. Then again, boys will be boys, ready for a little side action, even when it's not the smart thing to do as several of the troops find out. The combat scenes may not be very realistic, but they are well choreographed. Another bit of clever staging-- the Rogues (I think) standing outside the Men's Room stalls and you know something's going to happen, but what? Then it's blitzkrieg with some slick choreography.
Smart bit of scripting to insert the two upper-class couples into the subway across from Swan and his cheap-looking girl (Mercy). It's a clash of classes, like the city itself. Notice Swan's hard-eyed stare and how he keeps Mercy from primping herself to look more presentable to their social betters. Swan knows the score. It's all about dignity, no matter where you come from or how you look. And despite all the fighting, I think that's what the movie's really aboutdignity among the city's social rejects, how to get it and how to keep it. That way you know that even if you never get beyond your home turf, you still qualify at a basic level. That's also why at movie's end, we know Swan will never reach a place like the mayor's office. But that's okay because they know and we know-- he and his men do qualify. Good flick.
- dougdoepke
- Nov 30, 2008
- Permalink
Everything New on Prime Video in December
Everything New on Prime Video in December
Your guide to all the new movies and shows streaming on Prime Video in the US this month.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Los guerreros
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $22,490,039
- Opening weekend US & Canada
- $3,529,675
- Feb 11, 1979
- Gross worldwide
- $22,495,288
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