User reviews

Hurray, this film exists. I always remembered a film from my childhood that had two stop motion monsters fighting outside a house and there being strange lights. For years I wondered if it actually existed at all, and then I happened to get it on a pack of 50 films! I was not even trying to find this one, I just always wanted to see a couple of the films on this pack and figured a lot of extra movies would not hurt. So I ended up finding this one, and it only took the first time seeing the house in the middle of nowhere for me to recall the film I saw as a child.

The story in this one is just about nonexistent. People drive out to their solar powered ranch home and they come under attack from aliens and other weird things. Every description says they are transported to prehistoric times, but I have never seen the monsters this film features in any science books as dinosaurs. The aliens are sometimes friendly, sometimes play with your mind and sometimes fly around in vacuums that emit death rays.

The acting in this thing is kind of bad. The grandfather is okay at times, but his facial expressions do not fit the situation and the daughter's fretting was getting on my nerves. The grandmother looks like she is in genuine pain when she and the grandfather go to bed and the father trying to get back home is an obvious plot padding device for an extremely short film. To bad no one gets killed in this one.

So no gore, no nudity, basically no nothing. A bunch of cheap effects and a couple of interesting scenes here and there. There is a scene that reminded me of Kingdom of the Spiders, and it turns out there is a tie to that film. It also has a Laser Blast feel to it, but I could not find any ties to that film. The ending is way to happy, the whole thing has a television vibe to it as it almost seems to be a pilot for a television show that never made it beyond its pilot. Still, it is nice to know it exists as an actual movie and not just in my mind. A kid may enjoy it, I remember liking it, but that is because of the monsters that are not dinosaurs.

This is a movie with logic, no sense of cause and effect, and no real plot to speak of. Nothing here makes the slightest bit of sense, and the whole thing is like a hippie's acid trip. The last movie I saw that made this little sense was not only Japanese, but also intended to be surreal and experimental.

In this case however, I suspect the weirdness has less to do with any design or purpose than with none of the people involved having any idea what they were doing or even trying to do. It seems they just threw every idea that was within their limited budget on screen and hoped for the best. I suspect many of these ideas were the result of acid and peyote. The dialogue certainly sounds like something you would hear at an alternative health spa in the California desert.

That still doesn't explain how they found anyone willing to fund a project based on this screenplay, or a distributor willing to show the final product. But some things simply have no explanation, and this movie is certainly one of them. It should be seen - if it is seen at all- as a product of its time and place. And drugs. Lots of drugs.

The Day Time Ended is a late 70's sci-fi b-movie that tells the story of a family who find themselves dealing withseveral close encounters and who are (Complete with their house) ripped through space and time repeatedly.

Consisting of the usual quality cgi and some stop motion creatures the idea behind the movie is sound but the execution is pretty disastrous.

The plot is a mess and is more than slightly difficult to follow, for this reason caring about characters felt like a chore and the whole movie missed its mark badly.

I see what they were going for I truly do, but somewhere along the way somebody suffered with writers block and out popped this half baked effort.

The Good:

A couple of interesting ideas

The Bad:

Plot makes very little sense

Nothing flows

Things I Learnt From This Movie:

Aliens can vaporize metal in a second but take several minutes to get through a wooden door

Have I been watching the same movie as some of the other reviewers here?

The first thing to realise before you sit down to watch this tedious plonker is that it is going to be a totally fruitless and unrewarding experience. The movie is plot free. Don't get me wrong - things happen - but nothing any of the characters do or say affects anything that happens throughout the whole movie. They just bob along, buffeted by a series of unexplained events that are totally outwith their control and they are powerless to change.

Basically what happens is this: after an interminably long montage of starscapes with a pontificating, portentous voice-over - always a dead giveaway that you are about to watch a REALLY bad SF movie - an all-American family move into their new home in the desert. Strange things start to happen, giant UFOs buzz the house, giant dinosaur things appear in the yard and try and eat each other, tiny UFOs invade the house (curiously these appear to have the ability to fly through windows without breaking them but have to use lasers to get through bedroom doors), tiny green people appear and tell the tiny UFOs to go away (bad UFO!). The house is mysteriously hurled into the future. Mom and little girl wander off and are lost in a swirling vortex of bad SFX. Rest of family are hurled even further into the future (?) get on their horses and ride off for no particular reason. Almost immediately they meet Mom, who hasn't died or been eaten by dinosaur things or learned to act, who says "it's all OK!". The end.

Seriously. That's it. Nothing is resolved. Nothing explained. No characters develop. Nothing.

Oh! I forgot the other "plotline". After dropping his family off at their new house, Dad has to go into the city to work. Dad decides to come home. Dad crashes car and finds horse. Dad rides home and witnesses firework display and vanishing house. Dad reacts to his entire family disappearing in front of his eyes with the same slack-jawed sonumbulistic non-acting with which he has shambled through the rest of the movie.

I assumed from the fact that Jim Brown gets to say "My God!" about 27 bejillion times through the course of the film and his "maybe it was meant to be... this is where we will make our new lives" speech at the end that in the end this was some sort of Christian allegory - and a bloody poor one at that.

Students of bad acting - and as a bad actor myself I watch out for this stuff - will enjoy Dorothy Malone's "awe" at the end. She looks like a fish having an orgasm. And since when has anyone in real life taken two steps forward to admire something in the distance? It happens all the time in bad movies. Think about the last time you saw a beautiful sunset. Did you take a step forward? "Oh look, the horizon is 20 miles away, the Sun is 93 million miles away I'll take a step forward to get a closer view." Cobblers!

This is a bad film. Most of it is boring. None of it makes any sense.

Yes, The Day Time Ended does indeed lent itself to many possibilities. Unfortunately, they tried to fit all of them into this one film, and yet despite the many different ideas, creatures, and going on present, there really isn't much of a story to speak of. It's as though the folks behind The Day Time Ended were making these things up as they went along. Some of the acting is fine, while some of it was poorly executed. The special effects weren't really all that effective. The story just didn't have any cohesion and as such never gain ed any momentum to draw the viewer in. Despite the efforts of some of the players here it just didn't amount to enough to recommend.

"The Day Time Ended" is marked by excellent special effects, an interesting musical score, and some competent acting performances by Jim Davis as the patriarch and by child actress Natasha Ryan (Actually, Natasha wasn't just decent, she was excellent. The film would have benefited greatly if her young mug had been on screen more). Natasha gives a performance that brings to mind Angela Cartwright's persona on "Make Room For Daddy". The Angela Cartwright connection doesn't end there, as there is a strong "Lost in Space" influence to this flick. Dorothy Malone gives a June Lockhart-like spin to the matriarch character, and the family-clan-wandering-around in a lunar-like setting, with all manner of strangeness taking place around them, was right out of "Lost in Space". If you imagine their Aztec-influenced solar-powered house (w/matching barn) being a disk-shaped flying saucer instead, then you will get the "Lost in Space" image. Missing is the comic relief that Mr. Smith & The Robot brought to "Lost in Space".

Where this film went wrong -- it has some hokey dialogue, directing gaffs, and some poor editing. Marcy Lafferty (William Shatner's ex-wife) is given a particularly peculiar few lines of dialogue to recite near the end of the film. It is a moment that does real harm to the entire film, as it highlights the confused and muddled nature of the entire flick. Also, there are numerous scenes that seem like campy moments from a "Brady Bunch" episode, but they are not meant to be funny. For instance, Jenny getting out of bed to use the bathroom, Beth needing to sip on her wine while listening to Jenny deliver a line of dialogue, and the grandparents heading out into the desert night wearing bathrobes, are moments which would have fit in fine if this had been a campy comedy film.

By the way, the scene in which Jenny makes a trip to the bathroom epitomizes truly BAD filmmaking. First of all, the scene is completely unnecessary to the plot. Second of all, to be blunt -- it is a stupidly filmed scene, as the child manages to use the facilities in less than 10 seconds.

I notice that "Vortex" is an alternate title for "The Day Time Ended". "Vortex" is a more apt title for the flick -- "Lost in the Vortex" (or "Lost in Time") would have been an even better title, as it would have paid homage to "Lost in Space" while also paying homage to the "lost" nature of the screenplay (especially in the final act). The film brought to mind some better-made 1970s made-for-television sci-fi productions like "Logan's Run", "Isis", "Shazam", and "The Fantastic Journey" (the short-lived television series that Roddy McDowall appeared in).

I agree with IMDB reviewer CaptEcco who wrote of "The Day Time Ended" ending -- "It's like having a water balloon blow up in your hand before you've had the chance to throw it." This was almost a good sci-fi flick, instead, a few missteps turned it into a fair sci-fi flick.

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DVD Note: I viewed "The Day Time Ended" from a 4-film DVD collection titled "Time Travelers". I've already watched three of the four films (the sound and picture quality hasn't been good). "The Day Time Ended" is an OUTSTANDING film compared to the first two that I've watched: "Journey to the Center of Time" and "In the Year 2889". Those two were wretched on so many levels. The one film of the four that I've yet to see is the Peter Fonda directed "Idaho Transfer". I'm hoping it will be the best of the four.

As others have said, this is a film without a plot. It's one of those things where you put a family in a house in a remote place and start doing things to them. There are all sorts of things but nothing is ever explained. There is a big fight between two claymation monsters, but what do they have to do with the swirling lights that keep showing up, or the gunlike thing that points at people. We meet a couple of little creatures at the beginning but then we never see them again. And what does a triple-nova have to do with anything? The closing statement by grandpa is made without any knowledge of anything. And where are they going? And why them? And where is everyone else? I know it has something today with a time vortex, but the principle characters just bumble around. They don't really learn anything. Or do they? They don't bother to tell us.

If you love cult 70's Sci-fi the way I do, or if you like movies such as "Repo Man" or "Buckaroo Bonzai" than you're going to love this one. It's a stream of consciousness 70's Sci-fi spectacular, including a 22nd century junkyard and the Earth a million years from now. This movie is pure 70's. Put on Steve Miller's "Fly Like An Eagle" or Pink Floyd's "Dark Side Of The Moon" and you're ready to go!

I recently returned to this film after having watched it 12 years ago on VHS. (This time, I watched the 4:3 frame DVD included in the Brentwood 4-DVD collection "Time Travelers," which, apparently, is the best of the transfers out there; I've read the standalone transfer isn't as good and contains atrocious artifacts.) Anyway, I remembered originally liking the film for its peppy pacing and its honest intentions. I was pleased to see those elements still intact. The film whipped along a brisk pace, the characters were likable and acted well enough, and the late 1970's "desert house of the future" provides a pretty unique setting.

As is evident by the reviews already listed here on IMDb, it seems you are either a fan of the film or feel compelled to hound it for its technical shortcomings--shortcomings, by the way, which are many. (Let's at least be honest while we temporarily kneel at the alter of director John "Bud" Cardos.) I understand the stop motion prehistoric creatures are animated by none other than icon Dave Allen, and there are precious matte paintings by film artist extraordinaire Jim Danforth, but let's face it. The low budget nature of the flick really shines through (in a bad way) during the effects-heavy scenes—which account for about half the film. As many reviewers have pointed out, "The Day Time Ended" does at times feel like a very-poor-man's "Close Encounters of the Third Kind." Considering this film was screened 2 years after "Close Encounters," the Spielbergian influences can't be hidden. You've got low-flying, multicolored UFOs whipping down deserted highways that stretch through the mountains. You've got the little child (inevitably kidnapped) who is inexorably drawn to the aliens and their technology, etc. (By the way, if this film reminds anyone of "E.T.," remember you are a few years too soon—that film wouldn't be made for at least another two years after "The Day Time Ended.").

Correct me if I'm wrong, but this film was made on the cusp of the made-for-video revolution (my books say 1979, not 1980), so I'm not certain about its actual theatrical release. The film feels as though it was prepared for a major release—though its short running time just barely makes it full-length. Overall, the production values hint at something larger than later Full Moon-era Richard Band releases (Puppetmaster 1, 2, 3, 4, 5, and 12) which were clearly made for the video-shelf-small-screen. But like many of Richard Band's releases, the ambidextrous Band does the music himself. His orchestral flourishes really aren't all that bad.

But speaking of bad, something VERY bad happens around the 60-minute mark. The film's plot—what little was established—falls completely to shreds. As the family is attacked by every SPFX artist on the set, the story is, literally, tossed into the vortex. By the end, the family (which has been torn asunder in time and space with much crashing of cymbals and whirling of stars) suddenly and inexplicably reunites at the edge of a crystal city glimmering in the distance. They all sort of shrug their shoulders, hop on their horses, and head to their "new home" (a pretty, futuristic matte painting by none other than Jim Danforth). Problem is, none of the family members seem particularly bothered by any of it. They're not bothered by the fact that their house—indeed their entire world and its civilization—has vanished. Heck, they've got each other, and, who knows, "Maybe this was all meant to happen," as Jim Davis, the family patriarch, says. Yeah, right! In fact, this saccharine reunion takes place so quickly after the family members are separated in the "timespace warp," that the viewer never really gets a chance to worry about what is happening—you end up not caring about their plight, or their new circumstances, at all. Of course, you might say, "What do you expect from a below-B science fiction flick?" The problem is that for the first 60 minutes of the film, the characters are believable, likable, rational folk beset by otherworldly forces, and they react accordingly (most of the time). Unfortunately, those established characters inexplicably evaporate at the end, and the story and characters really fall apart as they mundanely saunter their way into the future. This comes damn, damn close to wrecking the entire film.

Of course, this isn't the first time I've seen John "Bud" Cardos do this kind of thing. Maybe it's his shtick—wrecking a film just during the last few minutes.

According to the opening credits for "The Day Time Ended", four writers are credited with developing the story and writing the screenplay. And none of them apparently were able to make the movie's story make much sense. I'm not sure even if you can call what's in the movie a story - much of the movie seems to be just a series of random supernatural events, and even the resolution at the end doesn't answer what the intents of the creators of the events are. Though the problems of the movie go beyond the bad script. Director John 'Bud' Cardos makes much of this theatrical movie have the feel of a made-for-TV movie of this period. Is there anything positive to say about this movie? Well, some of the special effects aren't bad for a movie that had a pittance of a budget. But I'd rather have a good script with bad special effects than a movie with good special effects and a bad script.

After watching The Day Time Ended I'm left scratching my head wondering just what did I see? A whole lot of dazzling pyrotechnics that I can see at any light show, some ugly looking monsters and a little girl who is just taking it all in while the grownups are frightened out of their wits.

Three generations of a family grandparents Jim Davis and Dorothy Malone, children Marcy Lafferty and Scott Kolden, Marcy's husband Chris Mitchum and their child Natasha Ryan check into a solar powered house on the desert which is to be a family vacation. Then everything starts going haywire including all their appliances even the car starting by itself, dazzling lights, and some ugly looking creatures. All adding up to what I don't know.

The explanation is that not one, not two, but three stars went nova at the same time two hundred light years away and it's only reaching the earth now.

The ending is a combination from Cocoon and Close Encounters done on the very cheap. I'll bet the actors weren't sure what was going on either.

I've seen worse science fiction, but I've seen a whole lot better. No point to this one at all.

Or 4 screenwriters for a total failure! Jim Davis(Jock Ewing from "Dallas") is not a bad actor. But poor man, in what he was involved in... You can not believe how stupid this is, I do not know how to call it... All the others, Christopher Mitchum, Dorothy Malone, Marcy Lafferty, are more than ridiculous, together with the old veteran of westerns, Mr. Davis. Alone, little Natasha Ryan is OK, because she has the innocence and the naturalness of a little girl. The pony and the horses are also OK, animals and children are always adorable. But the story of those 4, Wayne Schmidt, J. Larry Carroll, David Schmoeller, Steve Neill, and how it was made is more than a shame.

While watching John 'Bud' Cardos's The Day Time Ended (1979), I couldn't help but think of Tobe Hooper's (i.e. Steven Spielberg's) Poltergeist (1982): replace aliens with ghosts and you have eerily similar movies. A series of inexplicable, supernatural events; a family moving into a recently built house in the desert; the young daughter disappearing into a vortex only to be followed by her desperate mother: it's all there (my somewhat crack-pot theory posits that Poltergeist was payback from Spielberg, whose 'Close Encounters of the Third Kind' was clearly ripped-off by Cardos for The Day Time Ended).

Of course, Cardos's movie is—to put it mildly—nowhere near as good as either Close Encounters or Poltergeist: the random script feels as though it was written on the fly, the special effects are ambitious (given the budget) but still shonky, and the acting is mediocre at best (watch the reaction shot of Dorothy Malone when she answers a knock at the door from a surprisingly polite, poorly animated, stop-motion monster—it's hilarious!). After much preposterousness featuring dazzling lights in the sky, battling beasts, and malevolent machines, none of which makes any sense, the film conveniently reunites the entire family with no explanation whatsoever and leaves them heading for a futuristic alien city (where, for all they know, the inhabitants are hideous monstrosities with a taste for human flesh!).

Pay the director a good chunk and then write the whole thing off as a tax loss.

The plot makes no sense.

The acting makes no sense.

The special effects look like a high school project.

This movie just uses up time - it is not the day time ended but rather the day time dragged on forever.

I can only think that this was a tax loss for an investment company who needed to lose money. For an explanation of how this works watch The Producers with Gene Wilder - it is possible to actually make money with a loss making project.

At the end the film simply stops - no explanation, nothing - it just ends.

As the title says, it is a run-of-the-mill Claymation-esque science-fiction b-movie.

Looking at the visuals first, it is a b-movie. It does utilize Claymation, which it is done poorly (IMO, at least). But, you can't exactly expect good visuals, it is a low-budget 1979 b-movie.

Now for the movie, it's very loose on plot. The setting gets to the plot before the characters do. The ending makes no sense, the setting is cliche, it more belongs to a monster movie in the mid 50s and not the late 70s.

And, that being said, that's just what the movie is: A cheap, cash-grab quickie of a movie. It's clearly not trying not to be anything deep, so I believe it shouldn't have an overly-extensive long review.

An incoherent ripoff of Close Encounters. Never makes any sense and you never have any idea what's going on. Watch the MST3K version only...it's pretty funny.

(15%) A low budget Charles Band production that plays a bit like ET, only 100% worse. The script is awful, the acting wouldn't be out of place in a early afternoon soap opera, and the effects are as shoddily put together as a giveaway toy. But then again it isn't all bad. You can for instance make it until the end without wanting to die, and the movie's shortfalls can be mocked which is a lot more entertaining than the movie itself. The plot doesn't really make a whole lot of sense, and when a eight inch brown alien starts prancing around a little girls bedroom it becomes clear that this really, really, really isn't going to get much better any time soon. This ins't worth a look, but to claim it as the worst ever is a touch too harsh.

Considering it was made on a low budget, THE DAY TIME ENDED manages to make the most of its budget with some surprisingly good special effects work.

The story involves a family who are about to move into their solar-powered home in an isolated part of the Mojave Desert in southwestern California, only to find it trashed--by motorcycle vandals, they think. But their youngest daughter (Natasha Ryan) has begun to see mysterious things--a green pyramid, strange humanoid figures, etc. And only recently, the light from a trinary star explosion has caused extremely unusual auroras to show up in the desert skies. Thus the family, led by Jim Davis and Dorothy Malone, finds themselves face-to-face with strange alien forces who have put them in a time-and-space warp.

Mixing in elements of 2001: A SPACE ODYSSEY and CLOSE ENCOUNTERS OF THE THIRD KIND, THE DAY TIME ENDED, despite its obvious flaws and uneven acting, remains interesting due to the superb special effects work of David Allen. The desert setting is very appropriate for this film's close encounters; and while the movie cannot really be compared with either Kubrick's or Spielberg's films, THE DAY TIME ENDED is much better than many other 2001/CLOSE ENCOUNTERS knock-offs. I give credit to director John 'Bud' Cardos, whose 1977 thriller KINGDOM OF THE SPIDERS made for an interesting precursor to ARACHNOPHOBIA, for at least trying--and on that basis, I give THE DAY TIME ENDED a 7 out of 10.

A family living on a compound in the middle of the desert is terrorized by aliens.

I promise to keep this short and sweet. The Day Time Ended is such a mind-numbingly awful experience that it doesn't deserve much of my time and effort. I'll start with the plot - what a mish-mash of different sci-fi ideas that all feel like they're from different movies! From the glowing green pyramid to the tiny dancing elf to the gigantic prehistoric creatures to the floating Roomba / fax machine (what was that thing supposed to be?) to the dancing lights to what I'm guessing was a timewarp of some sort, none of it makes the least bit of sense. Without a coherent plot, this one is a dud from the word Go. Poor Dorothy Malone looks as befuddled as I did watching this car-crash of a film. I'm guessing this is what a bad acid trip is like. The special effects, script, direction, and acting are all equally bad. There's really not much here to enjoy.

A VERY generous 2/10 from me.

2/10