User reviews

On the one hand, it is possible to view this film only as an attempt to make a star out of Ken Wahl, whose "The Soldier" had some box-office success. However, the film is infinitely more intresting if taken as an action-adventure in the mold that Spielberg would adopt for "Raiders of the Lost Ark", a film which when released around the same time, served to bury "Race" for all but the dilligent. Certainly the film is similar in certain respects, and may be seen as the first of the imitators, its plot and characters anticipating Robert Zemeckis' hit adventure, "Romancing the Stone". But it is individual enough to warrant some attention.

It was a US/Australia/New Zealand co-production, made by English actor/director David Hemmings on marvellous New Zealand locations. The story focuses on two helicopter pilots and hunters who search for the wreckage of an American plane reported missing during World War II, and carrying a large amount of gold and money. Naturally as the villains appear (led by dapper George Peppard), the film becomes a chase scenario in an agreeably old-fashioned mode, populated by eccentrics.

Donald Pleasance effortlessly steals his scenes, with a characterization resembling that in John Sturges' western epic comedy, "The Hallelujah Trail" some fifteen years earlier. And tpical of the movie's allusive nature, the music score by Brian May ("Mad Max") pays tribute to the theme from John Sturges' "The Great Escape", in which Pleasance also starred.

With sundrenched visuals, and a Europeanized use of open-frame compositions, this adventure is used by Hemmings to explore the lengths to which people are prepared to go to to justify their self-image and self-indulgence. It is less about obsession than about pride. Spielberg would also examine this theme in his later films, as would Hemmings, but to vastly different results.

In many respects, it is a minor film, and unlikely to come under any retrospective scrutiny. But for what it sets out to be, it is lean, charming and entertaining in a way that many film's strive for, but rarely achieve. A curiosity, for completists.

If you've ever wondered what the high country of New Zealand's south island looks like, this will provide decent introduction. It looks a little like the video clips we've seen of the Falkland Island, only with mountains, rocky snow-veined crags.

The story features Ken Wahl as an adventurous helicopter pilot, his bibulous side kick Donald Pleasance, and the requisite young lady who gets swept up in the race to find the Yankee Zephyr, an American C47 that crashed during WWII, carrying a cargo of Purple Hearts, whiskey, cash, and gold bars. I don't know why everyone in the movies finds wrecks filled with treasure. All the old crashed airplanes I''ve found contained nothing. The wrecked ships were worse.

In any case the three good guys are doing their best to find the wreck, the drunken Donald Pleasance not being too sure of its location. In hot pursuit are the bad guys, led by George Peppard, one of those suave villains who sounds like he graduated from college and is dead set on demonstrating it. I can't locate his accent. I won't tell you who wins.

It's all fast paced with obvious direction by David Hemmings. The editing is a bit clumsy and the film is overscore. The music is mostly generic adventure but shoehorns in a little Sibelius. Leslie An Warren looks pretty good.

It's harmless entertainment, along the lines of "High Road to China."

In a lake high in the mountains of New Zealand hunter Gibbie Gibson (Donald Pleasence) discovers a plane wreck , the contents of the stash in the cargo aircraft comprised a shipment of gold war medals, Christmas mail correspondence, a crate of 100 bottles of Kentucky-made Old Crow bourbon whiskey, 1000 gold-bars in gold bullion and the entire payroll in cash for the American South Pacific Fleet. The value of the cargo in the film's story-line was said to be US $50 million . Finding it after four decades is quite a challenge , but holding onto it is really an adventure . It puts moody Gibson , her daughter (Lesley Ann Warren) and an adventurer , a helicopter pilot (Ken Wahl), chasing the treasure hidden since 1944 in the plane wreck of the Yankee Zephyr and risking their lives thereby. Meanwhile , a nasty gang boss (George Peppard) and his hoodlums on their tails . As a group of crooks follow and threaten them .

This exciting film packs thrills , non-stop action , humor , helicopter pursuits , motorboat chases and wonderful landscapes . The picture was originally conceived as being a comic-adventure caper in the style of 1963's It's a Mad, Mad, Mad, Mad World and the film was "New Zealand's first big budget ($6 million) co-production". There's denying the energy in the frenetically paced flick but it remains flawed and sometimes unfocused. One of the big early creative decisions about the picture was whether this action-adventure-race film would be an off-road land or underwater salvage movie . The movie was re-titled 'Treasure of the Yankee Zephyr' for its distribution in the USA and it was first shown in America via pay-cable, where it carried no rating but was preceded with a warning vis-a-vis violence and strong language . The casting is frankly good , as Star Billing the followings : Ken Wahl , Lesley Ann Warren , Bruno Lawrence and special mention to George Peppard as a snarling villain and Donald Pleasence as a likable drunk . Gorgeous outdoors shot in location in the rugged terrain from New Zealand . Although the film was made in New Zealand instead of Australia due to an Australian Actor's Equity dispute , this was due to the refusal to permit four foreign actors to be cast in the film's four top-billed lead roles ,as such, this meant there would be not one Australian actor in any of these parts . Before the picture's setting was located to the South Island of New Zealand due to union disputes, the film was originally intended to be set in the rain forests of tropical north Queensland, Australia, specifically in the region of Cape York.

This was second of two Australian theatrical feature films that were directed by David Hemmings in the early 1980s , the first was The survivor (1981) . Both films were made with producer Antony I. Ginnane and both movies featured an airplane as a central story element . David Hemmings replaced Richard Franklin as director. The latter was the film's original director but withdrew from the production when the filming location changed from Australia to New Zealand . This was last cinema movie directed by David Hemmings for around eleven years until 1992's Dark Horse (1992). Hemmings' only other theatrical feature after that movie was 1996's Lone Justice 3 (1996). In between these three pictures Hemmings did direct in television such as A Team (1983), Airwolf (1984), Magnum P.I. (1980) and Quantum Leap (1989).

A solid film with exceptional production values a few flaws. What really surprises me about this film is just how well acted it is by the supporting cast and the three protagonists. Combine that with some very good cinematography and you have a respectable film.

Toss in a very sumptuous looking New Zealand background and you have a an exceptional production.

The only downside to this production is perhaps the casting of George Peppard as the mercenary antagonist. His accent and overall performance are very misplaced and almost serve as comic relief for a film that needed a good solid villain to anchor it. Peppard nearly derails this film with a horrible effete British accent, but the action and the three leads.

The character driven moments are finely staged, and the action sequences are old fashioned classic pre-CGI film making. Aeriel sequences and boat chases, and even a few fire fights are all in this film combined with the elements I already mentioned.

It's just a few notes shy of being an outstanding film. As it is now it's just a good action film with good drama, some comedy, and one mis-cast villain. It's worth seeing once.

Enjoy.

Yeah, I know his character was supposed to be a drunk, and he may have been just acting goofy. But something tells this critic that Mr. Pleasence really was drinking a lot and was intoxicated during his scenes in the film. Basically everything he says is slurred and often unintelligible. Or maybe it was just the poor productions values... hard to say.

Anyway, The Race for the Yankee Zephyr is a film that just doesn't work. That's a shame, too, since the film has a terrific opening and a generally interesting plot. Ultimitely the production values are just too low and the action just too sparse for this New Zealand adventure to deliver the goods. The story deals with a US war plane which is filled with gold, money, and medals, which crashes into a lake in New Zealand during WWII. The plane remains lost for about forty years or so until it somehow washes ashore and a drunk (Pleasence) literally stumbles onto it. At first he gathers up all the purple heart medals and tries to sell them in town, actually getting $75 apiece for them! Little does he know that once he sells them, the local jeweler gets on the phone and starts trying to track down info about the plane. Before you can blink, all of the attention brings a wealthy scumbag (Peppard) and his henchmen into town and they quickly try to force the old guy to give up the location of the plane since they know there is much more on it than just medals. The old drunk's business partner (Wahl) and his daughter (Warren) then race out to try and claim the fortune before the bad guys can get to it. The resulting action just isn't as fun as you'd hope it would be.

The acting is rather awful, save for Pleasence. George Peppard tries to do some kind of (I guess) Austrailian accent, but it is hardly convincing. Lesley Ann Warren isn't too bad, but Ken Wahl is really bad. He's basically doing his best impression of Michael Pare on his worst day. And that's saying something. Hopefully he made enough money on this film to fix his front teeth which looked a bit crooked. I don't recall if he'd had them straightened by the time he was in Wiseguy. The rest of the cast are pretty untalented. Probably mostly locals who never did much else. I guess the biggest problems for me were the lack of action for much of the film, and the lack of danger. The villains are just too nice and goofy to be taken seriously. And honestly, there are NO helicopters in the film that look like the ones on the DVD cover. And none of the boats in the film have teeth painted on them, either.

The film does have its strengths, though. The beginning which starts off as a newsreel and then becomes part of the story was a nice touch. Brian May's score sounds a little too much like the one in Mad Max 2, but he included a nice little march they play for Pleasence in some scenes. Sounds just like the one in the Great Escape! There are some neat helicopter stunts and a great boat chase that apparently killed three stunt men during filming. The scenery, despite the grainy look of the picture, is still quite beautiful. The thing you'll remember most is the drunken antics of Donald Pleasence, though. He was almost enough to save this film. Almost. 4 of 10 stars.

The Hound.

First and foremost I just have to state that nobody – and I do mean NOBODY – could depict a jolly old drunk like Donald Pleasance could! I already worshiped his alcoholic character in "Wake in Fright" (also an Aussie movie and quite possibly the most underrated film of all time), but that was a serious motion picture whereas "The Race for Yankee Zephyr" is more of a light-headed and comical treasure hunting adventure. Either way, Pleasance effortlessly steals every scene he's appearing in as the unintelligibly mumbling and heavily drinking poacher Gilbert Carson. His delicious and infectious laughter alone is enough reason to seek out this sadly forgotten early 80's flick as far as I'm concerned! Along with his "business" partner Barney, Carson is out in the beautiful New Zealand Mountains when a deer hunt goes awry and he falls from the shoddy helicopter into a lake. When he recovers, he actually notices that he stumbled upon the remains of an old American WWII aircraft named Yankee Zephyr. Now, during the brilliantly nostalgic opening sequences, we learned that this aircraft carried on board the Christmas gifts for all overseas fighting soldiers, including many cases of Whiskey, army decorations and a damn big load of gold bars! Carson hardly has the time to convince Barney and his estranged daughter Sally to help him bring back all this richness, as suddenly the obnoxious British millionaire Theo Brown arrives in town to claim the gold. Carson alone knows the exact location, but he definitely doesn't intend to share the gold – let alone the whiskey – with Brown, thus the race for Yankee Zephyr begins. I've read quite a number of negative and complaining reviews about this movie, but I seriously can't figure out why that is. Sure the production values aren't on the same level as other contemporary adventure movies (like "Raiders of the Lost Ark" or "Time Bandits") but it's nevertheless an exhilarating and enthusiastic effort that put a vicious grin on my face from start to finish. What's not to like in fact? There are numerous chase sequences on the land, in the air and on the water! There are Aussie bar fights and astounding landscapes to admire. And apart from Pleasance delightful over-the-top performance, there's also George Peppard who clearly enjoyed portraying an exaggeratedly stereotypical British villain. Heck, the film even shamelessly copies the legendary theme music from "The Great Escape"! Especially since I've seen the downright genius documentary "Not Quite Hollywood: The Wild, Untold Story of Ozploitation!" (if you consider yourself to be a cult-movie fanatic and you haven't yet seen this documentary, first of all shame on you and, secondly, hurry up) I've been moderately obsessed with Australian exploitation cinema and this one is a stellar entry. Quite the "dream team" was involved in this, notably writer Everett De Roche ("Razorback", "Long Weekend", "Roadgames"…) and David Hemmings in the director's chair. The latter is mainly known as a great actor ("Deep Red", "Blow-Up") but he also directed a couple of remarkable titles, like "The Survivor" and of course this little gem. Search for it! Unless you're a sourpuss, I guarantee you will not regret it!

This is a nice campy little film that the whole family might enjoy IF you can find a copy anywhere. However there are many unrealistic "shoot em up" scenes, which may leave the young to think that gunplay has no consequences. I won't describe the plot as given elsewhere.

There are two great helicopter chase scenes in the film (reminiscent of "the Gauntlet") that really show off some of the backcountry beauty of New Zealand that frankly, you would not be able to see without a helicopter.

There are also many later scenes of "expert maneuvers" in helicopter, such as "quickstop-pedalturn-reverse heading", a "hammerhead pushover" or two, "sidewall dismount", and "confined spaces settling". The pilotage is excellent.

The film also shows some of the wild ruggedness of New Zealand's South Island, where(at the time the film was made at least in 1981) the only paved roads are in larger towns and cities, and the country thoroughfares are primarily just "metal" (gravel roads) though always well maintained. And yes, the peaks really are that jagged. No special effects.

Donald Pleasance, as a happy go lucky over the hill sot, plays his character to perfection. He makes numerous muttering quips similar to the humorous mutterings you hear in the vintage "a.a.p." Popeye cartoons. Unfortunately, many of these mutterings in RFYZ are unintelligible without multiple rewinds and equalizing to hear what is said. A bit frustrating, as there are probably a few lost jokes in there.

George Peppard's accent is a very forced upper class snotty, which conforms to his portrayed character adequately.

Ken Wahl and Lesley Ann Warren's characters play well off of each other to establish a typical independent rugged male vs. coddled entitled wenging female dynamic that would be "toxic" if not for nuances of a smoldering mutual sexual interest. There is one very brief fully clothed and appearing to have been intentionally directed "doggie style" movement between Wahl and Warren masked in a "struggling to escape" context that adds a subliminal mild eroticism to the play, but will go right over the heads of the kiddies. (Though may well spark Mom and Dad's fantasies once the kiddies have gone to sleep . . . .) There are no overt sexual references in the film that the kiddies would understand, however there is a brief "wet slip" scene which does faintly reveal the nature of LAW's upper "endowments".

Shooting violence is significant, including use of assault weapons, but amazingly through the expenditures of hundreds of rounds of ammo, nobody ever gets hurt(hooray for Hollywood), nor is their accompanying gore.

Conversational and expletive profanity (all but the F word and genital synonyms) are typical for middle class language, and would likely only be offensive to "devout" types, though may be inappropriate to guarded "inculcation" of pre-teens.

Overall a fun "adventure" type film that all can enjoy as long as the young'uns are thoroughly coached or cognizant that in real life all the gunplay would really end up with lot's of dead people. And a must see for anyone interested in the wilds of New Zealand that could otherwise not be seen, or any student of rotor-wing aviation. Though all shots are exterior, so accurate control inputs are not shown. Choppers used are Hughes 269, Hughes 500C and Bell 206.

At the opposite end of the spectrum from RAIDERS OF THE LOST ARK is David Hemmings' utterly inferior adventure regarding the salvage of a World War II-era plane with a valuable cargo. Assets include beautiful New Zealand settings, Brian May's energetic music score and some dandy helicopter flying and jet boat chases. The bad, however, far outweighs the good. Donald Pleasence hams as perhaps never before; half of his dialog is almost unintelligible. George Peppard attempts an Australian (I think) accent, then gives it up halfway through. Lesley Ann Warren is at her most irritating. Ken Wahl is, well, Ken Wahl. The dialog is painful to hear and Hemmings' direction is largely inept. The script is not only obvious but terrible. Jokes fall flat, scenes carry no punch and continuity is virtually non-existent. According to the end credits, two men were killed piloting jet boats during the making of the film. What a waste.

'Race for the Yankee Zephyr' is alright viewing, though its extremely uneven nature makes it difficult to get into.

Donald Pleasence gives a rather wacky performance as Barney, it looks like he was having fun acting in this - but, as a viewer, he only adds to the chaotic feel of this movie, which is kinda all over the place. Ken Wahl and Lesley Ann Warren are good, though George Peppard's antagonist isn't the best; Peppard himself is OK.

The plot moves at a real meh pace, as it doesn't really leave you a lot to latch on to. It is objectively a quite drawn out way of telling the story, which could've been wrapped up in short film form to be honest! There are worse movies out there no doubt, but this 1981 picture is very much a forgettable one!

First off, the initial concept of a lost fortune in gold bars discovered in a New Zealand lake, inside a downed World War 2 plane is a great opening. What follows is nothing but cartoon like drivel. Men chasing men, cars chasing men , helicopters chasing men, helicopters chasing boats, boats chasing boats, for the better part of an hour, the most boring nonsense, with absolutely no advancement to the story. Special mention must be made of the chop shop editing, as many scenes seem to have been spliced together in random order. The acting by all concerned is an embarrassment. One last thing, the picture quality and sound quality is so bad on this DVD that you will be appalled. - MERK

I was really surprised to see all of the negative comments, for even though all we have left is a very lousy copy, it is still watched occasionally and all of the family and friends that have seen it have had nothing but good to say of it.

We must just be movie hillbillies as we can have a good time knowing that the movie is just there to entertain.

Yes there are a couple of scenes that may not tie together very good but so what? There are similar dis-jointed scenes in Romancing the Stone and the Indiana Jones movies also. In my book this movie is as good as or even better than them because it is even more realistic.

The drunk is always drunk, the bad guys are bad and the action is exciting. If anyone gets killed it's not dwelt on, there is no drugs (except booze), the sex is only hinted at and family (and civil) morals are left intact. (Could not sell it today)

I am amazed at the number of Tape and DVD jacket covers that do not really relate to the film but the correct one does. Where the bogus covers came from, I don't know, but if you've seen the movie you know which ones are bogus. (The ones with the plane in the water are real)

The only thing I would like of this is a good copy, like the first rental one we had that we should have stolen. No good copies seem to be available.

Unbelievably bad. That's all I would say if IMDb didn't insist on at least ten lines, so I will oblige them.

* The story sounds all right but is discarded from the outset. * It was written by putting scraps of paper with individual words on them into a hat and then plucking them out at random. * If there was a director he must have been drunk under a table, or perhaps away on holiday. That's what I would claim if I was listed as the director of this film. * The production values were around the level of a school play. Perhaps they wasted their entire budget playing with helicopters. And it's obvious that they were just playing, because none of it has the least thing to do with the story. * There is no acting in this film. All you'll find are cardboard cutouts taped to sticks, and the whole lot waved around in front of the camera while someone off to the side yells gibberish in strange voices. * The scenery is pretty, but it's not anywhere near enough to salvage this. Not even close to being enough! Not even on the same planet, in fact.

Recently a Kiwi friend has forced me to watch a pile of New Zealand films with her, and all I can say is that I now no longer have any desire to ever visit New Zealand. It may seem odd to you that a few bad films could ever change my view of an entire nation or willingness to visit it, but if you had to sit through the same incredibly appalling rubbish, I would be willing to bet that you'd feel likewise. ( Watch The Price of Milk and then try and tell me I'm wrong! )

You can goggle it and watch for free, but its pretty bad.

Good idea, acting not so good, plot terrible.

I was really expecting more looking at the rating and almost wonder if some people were watching a different movie.

Race for the Yankee Zephyr is a typical low-budget adventure film from the 80s. It looks in one breath, vaguely resembles films about Indiana Jones (but only by concept, comparing them is certainly stupid). Race for the Yankee Zephyr has a classic plot, love arc and caricature villain and predictable ending. If the film at least somehow surprised the viewer, and so you literally know what will happen next. You can watch the film as a family, there is humor and funny scenes. But this is a completely passing film that will be forgotten the next day, it will literally be made according to the template and with a small budget.

I thought that the boat chase was exceptional, all of the scenery and locations were terrific. i believe that their should have been a sequel to this movie, or a lead in. This movie is a great tribute to the adventure writers of our time. The story is a bit slow at first but picks up in the typical movie manner. I believe that it could have been brightened by a deeper subject matter. i enjoyed all of the movie from start to finish and would like to see more of these brought to the screen for everyone's enjoyment. I truly was pleased with the action that takes place in this movie and would like to know more about the vehicles that were used, such as: i would like to know what type of boats were being used.