In the Middle East in 1823, two teenagers seek refuge at an oasis, where they discover love and intimacy while staying one step ahead of the slaver who massacred their families.In the Middle East in 1823, two teenagers seek refuge at an oasis, where they discover love and intimacy while staying one step ahead of the slaver who massacred their families.In the Middle East in 1823, two teenagers seek refuge at an oasis, where they discover love and intimacy while staying one step ahead of the slaver who massacred their families.
- Awards
- 1 nomination total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaStar Phoebe Cates has said of this film: "I was only 17 when I did my nude scenes in 'Paradise'. They were serious and more difficult because they were not easily justified. But the topless scene in Fast Times at Ridgemont High (1982) was funny, which made it easy".
- GoofsDespite playing a British character, Phoebe Cates has no trace of British accent.
- Quotes
Sarah: [Sarah is looking through a medical textbook and comes across an illustration of a nude adult male, noticing his penis]
[giggles]
Sarah: You look funny!
David: So do you.
David: [He notices what Sarah is looking at] We shouldn't be looking at this.
Sarah: Why not?
David: It could be sin.
Sarah: [Regarding the male penis] But they're beautiful! How can looking at something so beautiful be a sin?
- Alternate versionsThe Japanese DVD blurs over the scene of Willie Aames' full frontal nudity.
- ConnectionsFeatured in 'Paradise' on Fox Commercial (1989)
- SoundtracksParadise Theme
Sung by Phoebe Cates
Written and Produced by Joel Diamond and L. Russell Brown
Available on Columbia Records
As many others have pointed out, this film borrows heavily from the Blue Lagoon but somehow manages to strip the emotion and warmth out of the formula.
I wandered through this movie totally oblivious to the death of the parental characters and I audibly yawned when Joffrey the minder died. Too much time is spent wasted on ridiculously stupid chimp scenes which one could over-intellectualise and proclaim as being a raw and uninhibited metaphor of the lives of Sarah and David, but in reality are there for cheap gags. As a result the movie seems too short even though you get the distinct feeling you have been sitting, watching it for a long time.
The continuity and time-span of Paradise seems horribly distorted. By the end of the movie you would swear that the two "cast-aways" had been lost out in the desert sea for no more than a couple of weeks. However, when Sarah conceives a child (towards the end of the movie) and she feels it kick in her womb (perhaps 20 minutes later) , you realise that the time span of the movie has been horribly compressed. As a result, I was left feeling baffled and rather surreal. There was no sense of extended isolation, self discovery or sincere empathy towards the characters as they never really seem to be in danger. Similarly, Paradise does not, nay cannot emulate the irony of Return to the Blue Lagoon, where Civilization is portrayed as the great destroyer or unmaker. The characters in The Blue Lagoon are wholly dependent on their little island, where as the oasis in Paradise seems like nothing more than a stop-over enroute. It's sad that it is nothing more than a rip off of The Blue Lagoon that misses the critical factors that made The Blue Lagoon so good.... but that's what it is.
In reality there is only one reason why you would want to watch this movie, and that is for the nude scenes of Phoebe Cates.. and trust me, they give the movie legs.
- Dylan Chan
- Mar 10, 2000
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Details
Box office
- Budget
- CA$3,500,000 (estimated)
- Gross US & Canada
- $5,588,800
- Opening weekend US & Canada
- $2,815,503
- May 9, 1982
- Gross worldwide
- $5,588,800