Directed by
Nagisa Ôshima |
Writing Credits
Nagisa Ôshima | ... | (screenplay by) & |
Paul Mayersberg | ... | (screenplay by) |
Lourens van der Post | ... | (based on the novel "The Seed and The Sower" by) (as Sir Laurens van der Post) |
Cast (in credits order) verified as complete
Produced by
Terry Glinwood | ... | executive producer |
Masato Hara | ... | executive producer |
Joyce Herlihy | ... | associate producer |
Geoffrey Nethercott | ... | executive producer |
Eiko Oshima | ... | executive producer |
Larry Parr | ... | associate producer |
Jeremy Thomas | ... | producer |
Music by
Ryuichi Sakamoto | ... | (as Ryûichi Sakamoto) |
Cinematography by
Tôichirô Narushima | ... | director of photography |
Editing by
Tomoyo Oshima |
Production Design by
Shigemasa Toda |
Art Direction by
Andrew Sanders |
Makeup Department
Antony Clavet | ... | makeup supervisor |
Glenis Daly | ... | hair stylist |
Bryony Hurden | ... | makeup assistant |
Robern Pickering | ... | chief makeup artist |
Second Unit Director or Assistant Director
Jonty Barraud | ... | second assistant director |
Geoffery Hill | ... | third assistant director |
Lee Tamahori | ... | first assistant director |
Art Department
Masaru Arakawa | ... | set dresser |
Lyn Bergquist | ... | property buyer |
Kyoichi Hashimoto | ... | construction manager |
Tetsuya Hataya | ... | assistant art director |
Trevor Haysom | ... | stand-by props assistant |
Ryoichi Kamon | ... | construction technician |
Masaaki Kobayashi | ... | construction technician |
Bryan McDonald | ... | property assistant |
Kazumasa Nomura | ... | assistant art director |
Chris Paulger | ... | stand-by props |
Pam Seabold | ... | property assistant (as Pam Sebold) |
Yutaka Wakase | ... | construction technician |
Shoichi Yasuda | ... | property master |
Sound Department
Eugene Arts | ... | boom operator |
Akira Honma | ... | dubbing mixer / sound effects |
Mikio Mori | ... | stereo sound consultant: Dolby |
Mike Westgate | ... | sound recordist |
Special Effects by
Kevin Chisnall | ... | special effects supervisor |
Visual Effects by
Shulamit Levin | ... | digital restoration artist (uncredited) |
Camera and Electrical Department
Rick Allender | ... | clapper loader |
Ian Beale | ... | electrician |
Dennis Cullen | ... | grip |
Tex Foote | ... | generator operator (as Tex Foot) |
Ken George | ... | still photographer |
Brian Harris | ... | key grip |
Don Jowsey | ... | best boy |
Geoff Maine | ... | electrician |
Warren Mearns | ... | gaffer |
Brendon Mune | ... | electrician |
Jeff O'Donnell | ... | grip |
Ian Philp | ... | electrician |
Andy Roelants | ... | focus puller |
Hiroaki Sugimura | ... | camera operator |
Takashi Ueno | ... | still photographer |
Casting Department
Diana Rowan | ... | casting: New Zealand |
Takashi Ueno | ... | casting: Japan |
Costume and Wardrobe Department
Norman Forsey | ... | wardrobe assistant |
Leslie Gilda | ... | wardrobe assistant |
Kazuo Matsuda | ... | wardrobe master |
Christine West | ... | wardrobe supervisor |
Editorial Department
Kimie Kawagishi | ... | negative cutter |
Ken'ichi Takashima | ... | assistant film editor (as Kenichi Takashima) |
Location Management
Takashi Shirai | ... | location manager |
Script and Continuity Department
Raijin Nakahata | ... | continuity |
Transportation Department
Robin Allen-Paris | ... | transportation manager (as Robin Allen) |
Additional Crew
Vivien Bridgewater | ... | production secretary |
Sevilla Delofski | ... | assistant to producer |
Didi Dickson | ... | interpreter |
Mitsue Fujita | ... | assistant production accountant |
Ralph Gardiner | ... | armorer |
Tony Hedges | ... | production accountant |
Margaret Hilliard | ... | production coordinator |
Lynne Newport | ... | assistant production accountant |
Susan Nicholas | ... | nurse |
Roger Pulvers | ... | assistant to director / dialogue coach |
Kuniko Usui | ... | production assistant |
Brian Mahony | ... | insurance broker (uncredited) |
Natsuko Toda | ... | translation: Japanese (uncredited) |
Kansai Yamamoto | ... | concept designer (uncredited) |