...because this is a terrible sequel that nearly undoes all of the goodwill created by the first two films. Christopher Reeve returns as Superman, who, in his alter ego of Clark Kent, travels back to his hometown of Smallville to attend his high school reunion. While there, he crosses path with an evil business magnate (Robert Vaughn), his equally evil sister (Annie Ross), and Vaughn's ditzy assistant (Pamela Stephenson). They've hired a computer genius (Richard Pryor) to help develop a super computer to help in their plan for global domination. They also develop artificial kryptonite that turns Superman evil. You know he's evil because he quits shaving, has dingy clothes, and straightens the Leaning Tower of Pisa.
Margot Kidder was fighting with the producers at this point, so her role as Lois Lane is reduced to short cameos at the beginning and end of the film. Jackie Cooper returns as Daily Planet editor Perry White, and Marc McClure as junior reporter Jimmy Olsen. Annette O'Toole appears as Kent's high school crush Lana Lang, and Gavan (Son of Dan) O'Herlihy as a drunken high school bully.
Director Richard Lester tries to accentuate the comedy in this, but the script is so awful that nothing can save it. The effects are bargain basement as well, with some really shoddy miniature and matte work.
THis film has one of the zaniest rather stand-alone moments in any film ever- near the end when the Super Computer the villains build starts malfunctioning and they try to flee. The villain's sister- who up to now really has served zero purpose in the story- is sucked into a claustrophobic compartment of the computer and- in one of the most disturbing moments that I can recall in what is supposed to be a relatively family friendly film - she screams in agony as the computer strangles her with wires and staples metal all over her face. She then emerges as the most ridiculous looking robot ever, by which I mean even Robbie the Robot would laugh at this thing.
The director of this film had to have had some serious issues with his mother (or maybe his sister?).i just cannot fathom how it was felt by the writers that this was necessary or appropriate in a movie that children were going to want to see. Annie Ross is actually an accomplished jazz and standard vocalist who, i can only assume, was being blackmailed into appearing in this or really needed to pay off a loan or something.
So this was the end of WB's relationship with the Christopher Reeve franchise of Superman. Given the goofiness of it all the fourth one was taken on by The Cannon Group, which was such a goofy production company that it was worthy of a documentary all of its own, and actually HAS a documentary all of its own.
