A Christmas Carol

This underrated version of the Dickens classic is, if not the most faithful to the book, the most faithful to the truths of Victorian England. This version draws less from the jollity of Dickens' earlier Christmas works, and more from his later, darker works (such as "Bleak House"). It is packed with details which ground it in a sort of reality that the earlier, more fanciful versions ignore. The streets are dirtier, the people are more miserable, and for perhaps the first time in film history, you can understand why people hate Scrooge so much. George C. Scott is outstanding in this version: his Scrooge is spiteful, cruel, and virtually irredeemable. Tiny Tim looks like a choleric orphan who could literally drop dead at any given moment. My favorite aspect of this production is how people react to Scrooge's transformation at the end. Rather than following the standard "Hooray, he's nice now!" change of heart, all the characters regard Scrooge with understandable suspicion and disbelief. While it may not be the best to warm your cockles on a cold Winter's eve, this version is at least the closest to Dickens' view of humanity.