Directed by
| Herbert Ross | ... | (directed by) |
Writing Credits
| Dean Pitchford | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Daniel Melnick | ... | executive producer |
| Lewis J. Rachmil | ... | producer (produced by) |
| Craig Zadan | ... | producer (produced by) |
Cinematography by
| Ric Waite | ... | director of photography |
Editing by
| Paul Hirsch | ... | (edited by) |
Casting By
| Jane Feinberg | ... | (casting by) |
| Mike Fenton | ... | (casting by) |
| Marci Liroff | ... | (casting by) |
Production Design by
| Ron Hobbs | ||
Set Decoration by
| Mary Swanson | ... | (as Mary Olivia Swanson) |
Costume Design by
| Gloria Gresham | ... | (costumes by) |
Makeup Department
| Barbara Lampson | ... | hair stylist |
| Daniel C. Striepeke | ... | makeup artist |
Production Management
| Murray Schwartz | ... | unit production manager |
Second Unit Director or Assistant Director
| Robert Engelman | ... | second assistant director |
| Donald Hauer | ... | additional second assistant director (as Donald Paul Hauer) |
| L. Andrew Stone | ... | first assistant director |
Art Department
| C.J. Maguire | ... | property master |
Sound Department
| Robert Bradshaw | ... | sound effects editor |
| David E. Campbell | ... | re-recording mixer |
| Gordon Ecker | ... | supervising sound editor (as Gordon Ecker Jr.) |
| Stan Gilbert | ... | supervising adr editor |
| David W. Gray | ... | sound stereo consultant: Dolby |
| Randy Kelley | ... | sound effects editor (as Randall F. Kelley) |
| Bob Newlan | ... | sound effects editor |
| Al Overton Jr. | ... | sound mixer |
| John T. Reitz | ... | re-recording mixer |
| Gregg Rudloff | ... | re-recording mixer (as Gregg C. Rudloff) |
| Wylie Stateman | ... | sound effects editor |
| Allan Bromberg | ... | assistant: sound editor (uncredited) |
| Stan Gilbert | ... | ADR Supervisor (uncredited) |
| Anthony Milch | ... | sound editor (uncredited) |
| Greg Orloff | ... | foley mixer (uncredited) |
| John Roesch | ... | foley artist (uncredited) |
Special Effects by
| Wayne Beauchamp | ... | special effects (as James W. Beauchamp) |
Stunts
| Robert Allen | ... | stunts |
| Wayne Brown | ... | stunts |
| J. Suzanne Fish | ... | stunts |
| Donna Garrett | ... | stunts |
| Paul Godwin | ... | stunts |
| Norman Howell | ... | stunts |
| Max Kleven | ... | stunt coordinator |
| Clair E. Leucart | ... | stunts |
| Daniel K. Moore | ... | stunts |
| Lane Parrish | ... | stunts (as Lane M. Parrish) |
| Carol Rees | ... | stunts (as Carol L. Rees) |
| John-Clay Scott | ... | stunts |
| Peter Tramm | ... | stunt dancer |
| Tommy J. Huff | ... | truck stunts (uncredited) |
Camera and Electrical Department
| Eric D. Andersen | ... | camera operator |
| Carl Boles | ... | gaffer |
| To Lee | ... | assistant camera |
| Harold Rabuse | ... | key grip (as Harold H. Rabuse) |
| Richard R. Robinson | ... | still photographer |
| Baird Steptoe | ... | first assistant camera |
| Donald E. Thorin Jr. | ... | first assistant camera |
| Richard Walden | ... | camera operator |
| Dale Alexander | ... | key grip (uncredited) |
| Mako Koiwai | ... | second assistant camera (uncredited) |
| Al LaVerde | ... | key grip: additional photography (uncredited) |
Casting Department
| Cate Praggastis | ... | location casting |
| Margery Simkin | ... | casting: New York |
Costume and Wardrobe Department
| Kendall Errair | ... | costumer: women |
| Barton Kent James | ... | costumer: men (as Barton K. James) |
Editorial Department
| David Handman | ... | assistant editor |
| Matt McFarland | ... | colorist |
| Peck Prior | ... | assistant editor |
| Gregory Scherick | ... | apprentice editor |
Location Management
| Frawley Becker | ... | location manager |
Music Department
| Nancy Fogarty | ... | music editor |
| Miles Goodman | ... | score adaptation |
| Jim Henrikson | ... | music editor |
| Becky Mancuso-Winding | ... | music supervisor (as Becky Shargo) |
| Spencer Proffer | ... | music producer |
| Dennis Sager | ... | music mixer |
| Jellybean Benítez | ... | additional production & remix: "Holding Out for a Hero" (uncredited) / additional production & remix: "Let's Hear It for the Boy" (uncredited) / music remixer: "Dancing in the Sheets" (uncredited) |
| Michael Boddicker | ... | musician: synthesizer (uncredited) |
| Lee De Carlo | ... | song producer (uncredited) |
| Arlene Matza-Jackson | ... | production coordinator: Kenny Loggins (uncredited) |
| Brian L. McCarty | ... | music playback operator (uncredited) |
Script and Continuity Department
| Esther Vivante | ... | script supervisor |
Transportation Department
| Sam Edelman | ... | transportation coordinator |
Additional Crew
| Wayne Fitzgerald | ... | title designer |
| Chuck Gaylord | ... | consultant: gymnastics |
| Spencer Henderson | ... | associate choreographer |
| Ronnie Kramer | ... | secretary: Mr. Schwartz |
| Michael Maslansky | ... | publicist |
| Christopher Meledandri | ... | associate: Mr. Rachmil and Mr. Zadan |
| David Oliver Pfeil | ... | title designer (as David Oliver) |
| Lynne Taylor-Corbett | ... | choreographer |
| David Oliver Pfeil | ... | title cinematographer (uncredited) |
| Ronald Walkshorse | ... | set security (uncredited) |
| Brian Wimmer | ... | production assistant (uncredited) |
