IMDb RATING
6.3/10
2.8K
YOUR RATING
When a little boy witnesses a mob hit, he is kidnapped by two professional assassins who are not what they seem.When a little boy witnesses a mob hit, he is kidnapped by two professional assassins who are not what they seem.When a little boy witnesses a mob hit, he is kidnapped by two professional assassins who are not what they seem.
- Awards
- 1 nomination total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe police cruisers seen during the finale were real Houston Police squad cars. Ford LTD Crown Victorias were used by HPD from 1983 - 1987; the last use of these squads was in 1993.
- GoofsDuring the nighttime driving scenes, many round white glares from freeway lights are visible through the side windows of Cohen and Tate's car. However, even though the vehicle is traveling at freeway speeds, these lights barely move.
- Alternate versionsSome versions of the film feature an opening crawl after the opening credits that offers some exposition before the first scene begins. It reads: "On November 1st, 1988, Travis Knight witnessed the murder of a Texas mobster. The FBI has his family in protective custody. The mob wants to talk to Travis and find out for themselves who did the shooting. They want to talk to him right now. Travis Knight is 9 years old." This crawl is missing from some television airings, as well as the recent on-demand DVD released by MGM. In its place are several (somewhat awkward) seconds of black screen where it would usually be before the first scene begins.
- ConnectionsFeatured in A Look Back at 'Cohen & Tate' (2013)
Featured review
User rating of 4.8? yeah right, so much for credibility!
Diabolically stupid reviews for this film go some way to explaining how this rating has eventuated but not all. Gratifying to see a few people with both awareness and understanding, albeit way in the minority.
For the record, this is one brilliant film, barely screened worldwide and buried long ago in video Boot Hill! A dialog-driven film which of course 'lost' the action-freaks probably during the opening reel. An entire movie shot more or less within the confines of an automobile and the interest never wanes (if you're SEEING, not just surface watching). Why is it brilliant? Because it offers the one thing ALL absorbing films do - INTERESTING CHARACTERISATIONS! Even Harley Cross as Travis Knight, the feisty lad under threat of death, contributes immeasurably to the film.
Arguably Baldwin and Scheider's greatest performances as the two hit-men thrown together on a "job" and yet who play by such different rules. Baldwin, the moronic Tate with no scruples, intellect or even taste. Scheider as Cohen the ageing assassin, weary of his lot but despite wanting to "get the job done," still with a thread of decency hanging over his doomed soul.
Extremely suspenseful and in some ways a human study that perchance the Cohen Brothers might have come up with. If you can see nothing in this film I can only wonder what you're missing in the rest of your three score years and ten? 8.5 out of ten, and don't even THINK about arguing!
Diabolically stupid reviews for this film go some way to explaining how this rating has eventuated but not all. Gratifying to see a few people with both awareness and understanding, albeit way in the minority.
For the record, this is one brilliant film, barely screened worldwide and buried long ago in video Boot Hill! A dialog-driven film which of course 'lost' the action-freaks probably during the opening reel. An entire movie shot more or less within the confines of an automobile and the interest never wanes (if you're SEEING, not just surface watching). Why is it brilliant? Because it offers the one thing ALL absorbing films do - INTERESTING CHARACTERISATIONS! Even Harley Cross as Travis Knight, the feisty lad under threat of death, contributes immeasurably to the film.
Arguably Baldwin and Scheider's greatest performances as the two hit-men thrown together on a "job" and yet who play by such different rules. Baldwin, the moronic Tate with no scruples, intellect or even taste. Scheider as Cohen the ageing assassin, weary of his lot but despite wanting to "get the job done," still with a thread of decency hanging over his doomed soul.
Extremely suspenseful and in some ways a human study that perchance the Cohen Brothers might have come up with. If you can see nothing in this film I can only wonder what you're missing in the rest of your three score years and ten? 8.5 out of ten, and don't even THINK about arguing!
Details
Box office
- Gross US & Canada
- $64,227
- Opening weekend US & Canada
- $45,586
- Jan 29, 1989
- Gross worldwide
- $64,227
- Runtime1 hour 26 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content