A soft and hesitant young man is in danger when he tries to break toxic relationships with a mysterious stranger claiming to be his friend.A soft and hesitant young man is in danger when he tries to break toxic relationships with a mysterious stranger claiming to be his friend.A soft and hesitant young man is in danger when he tries to break toxic relationships with a mysterious stranger claiming to be his friend.
- Awards
- 1 win & 1 nomination
Jet Freedom
- Band in Club
- (as jet freedom)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsEarly in the movie when Michael is in the bar drinking a beer the glass is nearly empty. When it cuts to Michael getting his head slammed against the table the glass is suddenly almost full.
- Quotes
Pismo Boll: It's only a matter of time... get in bed with the devil... sooner or later you have to fuck!
- Alternate versionsUK version is cut by 28 sec. to remove "dangerous imitable technique" during the scene where Alex attempts to kill Michael by connecting the car lights to the petrol tank.
- SoundtracksSpiritual Healing
Written by Toots Hibbert (as F. Hibbert)
Performed by Toots Hibbert (as Toots)
Produced by Chris Blackwell and Lowell 'Sly' Dunbar (as Sly Dunbar)
Courtesy of Mango Records, an Island Records company
Featured review
Bad Influence is directed by Curtis Hanson and written by David Koepp. It stars Rob Lowe, James Spader, Lisa Zane and Christian Clemenson. Music is by Trevor Jones and cinematography by Robert Elswit.
Michael Boll (Spader) is the ultimate milquetoast. Alex (Lowe) is something altogether different. When Alex introduces himself into Michael's life, Michael finds from within a boldness he didn't know existed. But Alex's life lessons may just come at a cost...
Tell me what you want more than anything else in the world.
The 90s began in a neo-norish haze for one time brat-packers Spader and Lowe. For Spader it was another chance to show, after 1989's Sex, Lies and Videotape, that he could do drama very well. For Lowe it was a case of dusting off his off screen misdemeanours to self mockingly portray the bad boy playing the bad boy. With future L.A. Confidential helmer Hanson in the chair overseeing things, Bad Influence rounded out as a sneaky bit of grit. It didn't make any great waves back on release, but it's a film that holds up surprisingly well these days, particularly as an 80s noir snapshot.
Thematically picture asks us if everyone has the devil inside them if prompted or manipulated from outside sources? Alex's motives are intentionally left sketchy, we are in no doubt from the opening credits that he's untrustworthy, yet who he is or what he's really about are questions left hanging in the air. A good looking charmer without doubt, and thanks to Spader's uber wimp beginnings, we find ourselves urging Alex on as he slots a spine into Michael's back. There's a decidedly nasty edge to the Koepp screenplay that lets the actors excel in their respective transformations, and with the mood set at simmer, story unfolds and lets the Doppleganger motif kick in. From here on in it's now a question for the viewers of how it's going to resolve itself?
Call me Mick.
Hanson paints it in sweaty metallic strokes, interiors of Michael's condo portray yuppie claustrophobia, exteriors of nighttime L.A. are classic noir; where the bright lights of the city are eyes observing Michael's transformation and the salty whiff of the pier and the sea hover over the telling periods of dialogue. True enough to say that Bad Influence, and its director, owe a huge debt to past masters, notably something like Strangers on a Train, but the update works very well, particularly in the context of maintaining a continued sense of tension. The humour that lives and breathes in the picture is nicely placed, adding a bit of salt to an already spicy broth, and there's even the delicate hint of an old noir favourite, potential man crush.
The build up isn't matched by the pay off, but even then there's enough of a bite to warrant respect. Far better than some internet ratings suggest it is, and certainly undervalued in the neo-noir pantheon, Bad Influence is well worth reevaluating in this new age of cinema. 7.5/10
Michael Boll (Spader) is the ultimate milquetoast. Alex (Lowe) is something altogether different. When Alex introduces himself into Michael's life, Michael finds from within a boldness he didn't know existed. But Alex's life lessons may just come at a cost...
Tell me what you want more than anything else in the world.
The 90s began in a neo-norish haze for one time brat-packers Spader and Lowe. For Spader it was another chance to show, after 1989's Sex, Lies and Videotape, that he could do drama very well. For Lowe it was a case of dusting off his off screen misdemeanours to self mockingly portray the bad boy playing the bad boy. With future L.A. Confidential helmer Hanson in the chair overseeing things, Bad Influence rounded out as a sneaky bit of grit. It didn't make any great waves back on release, but it's a film that holds up surprisingly well these days, particularly as an 80s noir snapshot.
Thematically picture asks us if everyone has the devil inside them if prompted or manipulated from outside sources? Alex's motives are intentionally left sketchy, we are in no doubt from the opening credits that he's untrustworthy, yet who he is or what he's really about are questions left hanging in the air. A good looking charmer without doubt, and thanks to Spader's uber wimp beginnings, we find ourselves urging Alex on as he slots a spine into Michael's back. There's a decidedly nasty edge to the Koepp screenplay that lets the actors excel in their respective transformations, and with the mood set at simmer, story unfolds and lets the Doppleganger motif kick in. From here on in it's now a question for the viewers of how it's going to resolve itself?
Call me Mick.
Hanson paints it in sweaty metallic strokes, interiors of Michael's condo portray yuppie claustrophobia, exteriors of nighttime L.A. are classic noir; where the bright lights of the city are eyes observing Michael's transformation and the salty whiff of the pier and the sea hover over the telling periods of dialogue. True enough to say that Bad Influence, and its director, owe a huge debt to past masters, notably something like Strangers on a Train, but the update works very well, particularly in the context of maintaining a continued sense of tension. The humour that lives and breathes in the picture is nicely placed, adding a bit of salt to an already spicy broth, and there's even the delicate hint of an old noir favourite, potential man crush.
The build up isn't matched by the pay off, but even then there's enough of a bite to warrant respect. Far better than some internet ratings suggest it is, and certainly undervalued in the neo-noir pantheon, Bad Influence is well worth reevaluating in this new age of cinema. 7.5/10
- hitchcockthelegend
- Mar 9, 2012
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Todfreunde - Bad Influence
- Filming locations
- La Brea Tar Pits - 5801 Wilshire Blvd, Los Angeles, California, USA(Multiple scenes: Alex and Michael meet at tar pits. Body is found in pits.)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $12,626,043
- Opening weekend US & Canada
- $3,822,019
- Mar 11, 1990
- Gross worldwide
- $12,626,043
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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