Laura Palmer's harrowing final days are chronicled one year after the murder of Teresa Banks, a resident of Twin Peaks' neighboring town.Laura Palmer's harrowing final days are chronicled one year after the murder of Teresa Banks, a resident of Twin Peaks' neighboring town.Laura Palmer's harrowing final days are chronicled one year after the murder of Teresa Banks, a resident of Twin Peaks' neighboring town.
- Awards
- 4 wins & 7 nominations
Jürgen Prochnow
- Woodsman
- (as Jurgen Prochnow)
Storyline
Did you know
- TriviaRichard Beymer (Ben Horne) declined to participate due to a scene where Ben was to force Laura to kiss him in exchange for a bag of cocaine. Beymer felt that there had been no buildup for the character of Horne (who confesses his love for Laura in Twin Peaks (1990)) to extort Laura, and that as a result the scene came off as exploitative. As a result, another scene, in which Leland Palmer (Ray Wise) confronts Ben about Laura's photo being on Ben's desk, resulting in a fight with Ben's wife, was never shot. The scene also would have included Johnny and Jerry Horne.
- GoofsThe cabin scene at the film's end differs vastly from its depiction in the series. In the film the cabin has no red drapes, there is no phonograph left playing, nor does the exterior of the cabin even appear to be the same. Also missing/omitted from the narrative of this sequence: - No Leo's bloody shirt. - Waldo never leaves the cage and does not draw blood. - No broken One Eyed Jack's casino chip or "Bite the big one, baby."
- Quotes
Donna Hayward: Do you think that if you were falling in space... that you would slow down after a while, or go faster and faster?
Laura Palmer: Faster and faster. And for a long time you wouldn't feel anything. And then you'd burst into fire. Forever... And the angel's wouldn't help you. Because they've all gone away.
- Alternate versionsThere is an unofficially released extended cut of the film titled 'Twin Peaks: Fire Walk With Me - The Extended Blue Rose Cut' which restores an hour of deleted footage formerly only found as bonus content on previous releases. This edition of the movie has a 196-minute runtime.
- ConnectionsEdited into Laura Palmer (2002)
- SoundtracksShe Would Die For Love
Lyric by David Lynch
Music by Angelo Badalamenti
Publishing: Anlon Music Co./ASCAP, Bobkind Music/ASCAP
Featured review
Not Lynch at his best(that would be Blue Velvet, though personal favourite is The Elephant Man), it is a very good film and should please fans of the TV series, even if darker in tone and lacking the show's humour. Lynch's films may be strange, unconventional and not always easy to understand for some, but all of them are visually striking, dynamically scored and with great performances, atmosphere and direction as well as working amazingly as mood pieces and being among the most unique films in existence- the only film of his that I didn't care for was Dune, was mixed on Inland Empire too but that still had a lot of the above components.
Twin Peaks: Fire Walk with Me may not be as good as the TV series but did not deserve the negative reception it got at the time. The few flaws it has has nothing to do with being darker and lacking the show's humour, they are not even flaws. David Bowie did stick out like a sore thumb and to me was embarrassingly bad(though a lot of it was to do with how his character was written) but the film's biggest flaw was that you could tell that it was originally written as a much longer film, with so much truncated there were parts where things felt under-explained and incomplete, a longer length would have helped(personal opinion of course and not one other people will share).
Coming onto however what was good about Twin Peaks: Fire Walk With Me, the film does everything else right. As said before, Lynch's films are always visually great, and to say that Twin Peaks: Fire Walk With Me looks great visually is not enough. The film in fact has wonderfully moody cinematography and lovingly designed sets, while the surreal imagery looks so mesmerising that regardless of whether the story confuses you you cannot possibly look away. Lynch's direction as ever is impeccable, his style unmistakable and the haunting soundtrack draws you in effortlessly. The story won't be everyone's cup of tea, I did find myself completely engrossed and found it along with Sophie Scholl: The Final Days one of the most powerful films personally seen in a while. Sure, it did feel under-explained and incomplete in parts but it never bored me and like every other Lynch film as a mood piece it's amazing. Parts were incredibly intense and shocking(the most intense parts making for one of the most disturbing films there is) but others were genuinely emotional as well. Regarding individual scenes in a film where one hypnotic scene follows another, the strobe-lit disco degradation stuck out in particular.
Apart from Bowie, Twin Peaks: Fire Walk With Me is very well-acted, Sheryl Lee is superb and at times heart-breaking as an easy-to-root-for character while Ray Wise is just terrifying as one of the scariest father figures on film. Harry Dean Stanton, Kiefer Sutherland and Kyle MacLauchlan are on fun form too. In conclusion, a very under-appreciated film and undeservedly so. 8/10 Bethany Cox
Twin Peaks: Fire Walk with Me may not be as good as the TV series but did not deserve the negative reception it got at the time. The few flaws it has has nothing to do with being darker and lacking the show's humour, they are not even flaws. David Bowie did stick out like a sore thumb and to me was embarrassingly bad(though a lot of it was to do with how his character was written) but the film's biggest flaw was that you could tell that it was originally written as a much longer film, with so much truncated there were parts where things felt under-explained and incomplete, a longer length would have helped(personal opinion of course and not one other people will share).
Coming onto however what was good about Twin Peaks: Fire Walk With Me, the film does everything else right. As said before, Lynch's films are always visually great, and to say that Twin Peaks: Fire Walk With Me looks great visually is not enough. The film in fact has wonderfully moody cinematography and lovingly designed sets, while the surreal imagery looks so mesmerising that regardless of whether the story confuses you you cannot possibly look away. Lynch's direction as ever is impeccable, his style unmistakable and the haunting soundtrack draws you in effortlessly. The story won't be everyone's cup of tea, I did find myself completely engrossed and found it along with Sophie Scholl: The Final Days one of the most powerful films personally seen in a while. Sure, it did feel under-explained and incomplete in parts but it never bored me and like every other Lynch film as a mood piece it's amazing. Parts were incredibly intense and shocking(the most intense parts making for one of the most disturbing films there is) but others were genuinely emotional as well. Regarding individual scenes in a film where one hypnotic scene follows another, the strobe-lit disco degradation stuck out in particular.
Apart from Bowie, Twin Peaks: Fire Walk With Me is very well-acted, Sheryl Lee is superb and at times heart-breaking as an easy-to-root-for character while Ray Wise is just terrifying as one of the scariest father figures on film. Harry Dean Stanton, Kiefer Sutherland and Kyle MacLauchlan are on fun form too. In conclusion, a very under-appreciated film and undeservedly so. 8/10 Bethany Cox
- TheLittleSongbird
- Nov 14, 2014
- Permalink
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Twin Peaks: Fuego camina conmigo
- Filming locations
- 708 33rd St, Everett, Washington, USA(Palmer residence)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $4,160,851
- Opening weekend US & Canada
- $1,813,559
- Aug 30, 1992
- Gross worldwide
- $4,248,389
- Runtime2 hours 14 minutes
- Color
- Aspect ratio
- 1.85 : 1
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