IMDb RATING
5.6/10
1.7K
YOUR RATING
A British telecommunication expert comes to 1950s Berlin to help the Americans spy on the USSR. He meets a cute, mysterious local woman.A British telecommunication expert comes to 1950s Berlin to help the Americans spy on the USSR. He meets a cute, mysterious local woman.A British telecommunication expert comes to 1950s Berlin to help the Americans spy on the USSR. He meets a cute, mysterious local woman.
Storyline
Did you know
- TriviaThis movie used soldiers from the U.S., Great Britain, and the Soviet Union as extras and bit parts. After initially giving his permission, the Soviet Commander rescinded it. Director John Schlesinger was in contact with a subordinate, and they secretly assembled some troops in a hidden location, where Schlesinger sent a bus to pick them up.
- GoofsAbout two-thirds into the film, an unconscious man is discovered lying fully clothed on a bed. The first shot of the man shows only his left hand, palm down, near the left side of the bed. This implies that he is lying on his back. But moments later, in a wider shot, the man is shown lying face down.
- SoundtracksMaybellene
Words and Music by Chuck Berry / Russ Fratto / Alan Freed
© MCMLV by Arc Music Corp. New York
By kind permission of Jewel Music Publishing Co., Ltd.
Master Recording Performed by Chuck Berry
License Courtesy of MCA Records
Featured review
In search of the guilty
This movie has three serious flaws. It never finds a focus, (ultimately, I cared very little about any of the characters), it has the always fateful flaw of dialog that gets lost in whispered tones or buried beneath the score or SFX, and finally ... WHY, in heaven's name is Anthony Hopkins using his not-so-convincing American accent to play a character that could have been played better by half-a-dozen American actors? And I'm a Hopkins fan! Sorry, it just doesn't work. Although it tries to be both a suspense and love story, it accomplishes neither. That's all the more frustrating when the end arrives with what I assume is an homage to Casablanca. The whole thing is poorly focused and generally weak, despite solid performances by Isabella and Scott.
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Details
Box office
- Gross US & Canada
- $525,955
- Opening weekend US & Canada
- $283,260
- Sep 4, 1995
- Gross worldwide
- $525,955
- Runtime1 hour 59 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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