A funeral director tells four strange tales of horror with an African American focus to three drug dealers he traps in his place of business.A funeral director tells four strange tales of horror with an African American focus to three drug dealers he traps in his place of business.A funeral director tells four strange tales of horror with an African American focus to three drug dealers he traps in his place of business.
- Awards
- 2 nominations
Samuel Monroe Jr.
- Bulldog
- (as Sam Monroe)
Roger Guenveur Smith
- Rhodie
- (as Roger Smith)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSome of the dolls in the "KKK Comeuppance" segment were later re-used in Team America: World Police (2004), also done by The Chiodo Brothers.
- GoofsWhen the cop pees on Martin's grave, the mustard bottle used to simulate urination is visible.
- Alternate versionsIn most broadcast TV versions, along with omitting/replacing the profanity, some versions show Walter's body in the casket at the end of his story "Boys Do Get Bruised" instead of the charred remains of his mother's abusive boyfriend Carl.
- ConnectionsEdited from Aladdin (1992)
- SoundtracksLet Me At Them
Performed by Wu-Tang Clan
Featured review
Tales From the Hood, another horror anthology film dripping with EC comics-style ghoulishness, strings together four stories told by a wild-haired, macabre funeral director (Clarence Williams III) to a trio of gangbangers seeking their missing drug stash in a mortuary. Virtually all of the tales are familiar -- walking corpses and voodoo dolls are staples of the format -- but director Rusty Cundieff makes every effort to inject the proceedings with social morality. Child abuse, racism, and police brutality each get a pretty heavy-handed treatment, but the last story, involving a voluntary "behavior modification" technique for an unrepentant killer (ala A Clockwork Orange) explodes off the screen. In the film's most powerful sequence, Cundieff serves up a quickly cut montage of unsettling images culled from a number of state historical archives depicting vicious, stomach-churning lynchings meant to deter the rapacious young killer from wanting to harm any more people. It's potent stuff, and makes one wish the rest of the film had this kind of intensity.
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $11,837,928
- Opening weekend US & Canada
- $3,898,983
- May 29, 1995
- Gross worldwide
- $11,837,928
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