Directed by
| James Brolin | ||
Writing Credits (in alphabetical order)
| Alex Simon | ... | (written by) |
Cast (in credits order)
Produced by
| John Brady | ... | associate producer |
| Roger Corman | ... | executive producer |
| Mary Ann Fisher | ... | producer |
| Cheryl Parnell | ... | co-producer |
| Lance H. Robbins | ... | executive producer |
| Darin Spillman | ... | co-producer |
Music by
| Gordon Goodwin | ||
| John R. Graham | ||
Cinematography by
| Michael K. Bucher | ||
Editing by
| Robert L. Goodman | ... | (recut) |
| Michael Kuge | ||
| Michael Thibault | ||
Casting By
| Jan Glaser | ||
| Anne Maloney | ||
Production Design by
| Billy Jett | ||
Art Direction by
| Tim Zeug | ||
Makeup Department
| Aine Ni Choistealbha | ... | assistant makeup artist |
| Grainne Daly | ... | makeup artist |
| Roisin Derrane | ... | assistant makeup artist |
Production Management
| Michelle Conway | ... | post-production supervisor: Ireland |
| Spurgeon Johns | ... | post-production supervisor: Los Angeles (as Scooter Johns) |
| Brian Kelly | ... | production manager |
Second Unit Director or Assistant Director
| Brian Kelly | ... | second unit director |
| Stephen Maloney | ... | first assistant director |
| Ivan McMahon | ... | third assistant director |
Art Department
| Stephen Daly | ... | set dresser |
Sound Department
| Philip Crosbie | ... | boom operator |
| Jeffrey D. German | ... | re-recording mixer / sound effects editor |
| Ken Regan | ... | re-recording mixer / supervising sound editor |
| Peter Slater | ... | production sound mixer |
| Jess Brolin | ... | assistant sound editor (uncredited) |
Special Effects by
| Mike Regan | ... | special effects supervisor |
Stunts
| Ed Anders | ... | stunts |
Camera and Electrical Department
| Pierce Boyce | ... | best boy electric |
| Colm Fagan | ... | dolly grip |
| Oisin Fennell | ... | key grip |
| Aidan Griffin | ... | grip |
| Columba Heneghan | ... | chief lighting technician |
| Iain Keeney | ... | second assistant camera |
| Muirinn Lane Kelly | ... | second assistant camera |
| Laurence Manly | ... | director of photography: second unit |
| Eamon McGillicuddy | ... | grip |
| Brian Shanley | ... | first assistant camera |
| Neville Tough | ... | still photographer |
Costume and Wardrobe Department
| Frederick Kirk | ... | wardrobe supervisor |
Editorial Department
| David Bernstein | ... | telecine colorist |
| James Finlan | ... | first assistant editor |
| Bob Fredrickson | ... | color timer |
| Dara Pounch | ... | assistant editor |
| Erick Ziegler | ... | post-production coordinator |
Location Management
| Elizabeth McKiernan | ... | location manager |
Music Department
| Paul Di Franco | ... | music supervisor (as Paul di Franco) |
| Eric Rigler | ... | musician: uilleann pipes, whistles (uncredited) |
Script and Continuity Department
| Paula Mulroe | ... | script supervisor |
Additional Crew
| Carrie Eidsmoe | ... | film liaison: Fuji |
| Marguerite O'Donoghue | ... | production coordinator |
| Marion O'Toole | ... | assistant to producer |
| Julia Roddy | ... | dialect coach |
