A young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.A young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.A young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.
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- TriviaLead actress Meiko Kaji also is an accomplished singer, and she performs the song "Shura no Hana" heard in the film. When Quentin Tarantino used the song in his "Kill Bill" films, it sparked renewed interest in her music that inspired her to record and release new songs for the first time in nearly 30 years.
- GoofsThis film is set in the late 19th Century, however, during the masquerade party there are various modern day flags on display including but not limited to: Pakistan (created in 1947), Australia (created in 1901), and the 50-star flag of the United States (introduced in 1960).
- Quotes
Narrator: People say you can't wash away the mud of this world with pure white snow. You need asura snow - stained fiery red.
- ConnectionsFeatured in A Beautiful Demon: Kazuo Koike on Lady Snowblood (2016)
- SoundtracksShura no Hana
(Flower of Carnage)
Written by Kazuo Koike, Masaaki Hirao & Kôji Ryûzaki
Sung by Meiko Kaji
Featured review
Lady Snowblood isn't the most widely known Samurai Film in the International movie market, but it is certainly worth a viewing, particularly for those into Samurai/swordsplay pictures. I just checked it out randomly because I thought the female swordsperson angle might be interesting, but I had no real expectations. I was surprised to find a stylish film with a solid story (which can actually be unpredictable at times), adequate action sequences (spruced up by heavily stylized blood spurts) and good acting (particularly from the female lead). The film balances the sadness of Lady Snowblood's story and some campy humor to great affect. Some may be turned off by the latter part, particularly if they fail to see it as intentional. I loved the bit, for example, when a villain explains to a radical left-wing writer his business of the last few years, exactly in the exaggerated fashion that a radical left-wing reporter would be inclined to write about a tyrannical bureaucrat. This movie would be well viewed by Samurai film aficionados and people interested in gender roles in cinema.
- xhari_nairx
- May 7, 2001
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