User reviews

'Wives and Daughters' is not usually as regarded as highly as the BBC's celebrated 'Pride and Prejudice' mini-series but it is just as good in its own way. The original author Elizabeth Gaskell was a major writer of her day and can stand comparison with most novelists except perhaps for Austen and Dickens. Her work is definitely still worth reading. This particular book was unfinished but one can't fault the way Andrew Davies has rounded off the story.

The story covers Austen territory, two or three families, idiosyncratic supporting characters, love and marriage, hearth and society. All seen through the eyes of Molly Gibson. She is played splendidly by Justine Waddell who stays the centre of the film, even though surrounded by great actors like Michael Gambon, Bill Paterson, Penelope Wilton and Francesca Annis who are all perfect in their roles. The acting through out is excellent.

The characters are real people, flawed and petty and proud and anxious, but you can't help loving them. Andrew Davies wanted to put across the feeling of what it means to be alive and he does that by showing what it is like to be human. Even small scenes like the card party for the young people are rich in character and emotion. The length of the mini-series allows character development, enables one to get to know the characters. It shows ordinary life but also how rich that ordinary life is. Molly learns about people, about herself and also about the world around her, even about the little creatures who live at the bottom of ponds.

It repays watching time and again.

The BBC version of Elizabeth Gaskell's "Cranford" a few years back was mostly about Dame Judi and her spinster cronies and their unbecoming bonnets, but this wonderful series, based on Mrs. G's last novel, focuses on the younger generation: Roger Hamley, the old squire's younger son, seems like a perfect match for Molly Gibson, the doctor's daughter; he's a budding naturalist, she reads Lamarck and other serious works; they both enjoy looking at pondwater through the microscope.

The problem is that Molly's father has just remarried, which brings Cynthia, a vivacious, not-so-serious stepsister, into the picture; before he sets out on a lengthy expedition, Roger proposes to Cynthia. This leaves Molly with plenty of time to help the other characters sort things out—Cynthia's unfortunate entanglement with a caddish young striver (Iain Glen, currently seen on "Game of Thrones"), Roger's older brother's estrangement from their temperamental father (a perfect part for Michael Gambon; twenty years after Waterloo, the old squire's still hatin' on the French).

Master adapter Andrew Davies, assisted by a near-perfect cast, really gets us involved in such no-longer-burning questions as whether a young lady who's "lost her character" by talking with a young man in a secluded spot could get it back by swanning around town for an afternoon with a peer's daughter; Rosamund Pike is charming, and gets to wear the best costumes, as the latter (I wanted to call her the duchess ex machina, but I think she's just the daughter of an earl).

Francesca Annis is clearly enjoying herself in the role of Molly's stepmother, Hyacinth, a scheming, moralizing ex-governess; Dad seems to find her adorable, because she's not the boss of him and, despite the unflattering Mid-Victorian coiffure, she's still Francesca Annis. Though Mrs. Gaskell was a reformer and a progressive on the issues of her day—she clearly approves of Molly and Cynthia's ladylike revolt against the town's gossips and prigs—it's interesting that she weighs in on the current stay-at-home-mom debate by portraying Cynthia as a fractious adolescent who resents her mother for "abandoning" her to go to work as a governess.

Justine Waddell may be a bit too glamorous for the part of Molly, but that doesn't strike me as a dealbreaker; Keeley Hawes, who seems to have had a corner on out-of-control ingenue roles that year (see "The Last September"), is just right for Cynthia. Available on streaming Netflix and Amazon Prime.

After some deliberation, I have decided that this miniseries is one of my favorite movies of all time. Why? Because I can make no complaints whatsoever about this film. First, the screenplay, written by the wonderfully talented Andrew Davies of "Pride and Prejudice" (my favorite film of all time) and "Middlemarch" fame (the latter is on my list of must-sees). "Wives and Daughters" is based on the novel of the same name written by Elizabeth Gaskell. It tells the story of young Molly Gibson (Waddell), who lost her mother at a young age, but is raised by her loving father, the town doctor. When Mr. Gibson remarries, Molly's world is turned upside down. Now she has to contend with her daft and, at times, conniving stepmother, Hyacinth (Annis), and her worldly stepsister, Cynthia (Hawes). Despite their vast differences in temper, Molly and Cynthia become fast friends, but a secret from Cynthia's past stands to stain Molly's impeccable reputation. Meanwhile, Mr. Gibson's old friend, Squire Hamley, has two sons, studious Roger, and tortured Osbourne. Osbourne, the family favorite, has a few secrets of his own, but it is the younger Roger who not only proves himself the most responsible of the two, but also wins the heart of Molly and also a piece of Cynthia's as well. Will Molly finally have some happiness of her own? Well, after 3 1/2 hours, you'll find out.

Now, the actors. Superb! Justine Waddell (Tess of the D'Urbervilles, Great Expectations) is excellent and totally convincing as the strongwilled yet innocent Molly. Keeley Hawes (Cater Street Hangman, Our Mutual Friend) is wonderful as always. Bill Paterson (Mr. Gibson) is perfect as Molly's doting and protective father. And how can I forget Roger, played by Anthony Howell in his first television role? Wow, not only is he amazingly easy on the eyes, but he is a superb actor, who hails from various theatre troupes in England. The supporting actors and actresses are splendid, as well. As for the scenery and costumes, perfection. Nothing more to add on that account. One of the most memorable scenes to look out for is when Molly catches Roger's eye at a party given in his honor. I don't want to get into a lot of detail, but let me say that fortunately I recorded W&Ds, and I rewound that scene and also the last half hour at least 10 times. The ending is perfect! Definitely no disappointments. Please see "Wives and Daughters" if you already haven't. Even if you don't like period dramas, make an exception in this case!

"Wives and Daughters" is adapted from the unfinished Victorian novel of Mrs. Elizabeth Gaskell and is produced by the same creative geniuses that gave us A&E/BBC's 1995 "Pride and Prejudice."

"Wives and Daughters" is adapted from the unfinished Victorian novel of Mrs. Elizabeth Gaskell and is produced by the same creative geniuses that gave us A&E/BBC's 1995 "Pride and Prejudice."

This story centers around girl-next-door Molly Gibson (Justine Waddell of "Mansfield Park," "Tess" and "Great Expectations") and her father, the town doctor (Bill Patterson). Their idyllic lives are turned upside down when Mr. Gibson remarries the selfish, self-absorbed Claire Fitzpatrick (Francesca Annis) and her beautiful daughter Cynthia (Keeley Hawes of "Our Mutual Friend") join the household. The brothers Osborne (Tom Hollander) and Roger (handsome newcomer Anthony Howell who reminds me of a young Mel Gibson) Hamley add romantic interest to the tale. However, the Hamleys come from old English stock and the squire Hamley (veteran actor Michael Gambon) desires his sons to marry into "wealthy old English families." Before long, Molly falls for Roger and Roger falls for Cynthia and we, the viewers, find some surprising discoveries along the way!!

Memorable supporting characters include the goodhearted Browning sisters, town gossip Mrs. Goodenough, mysterious Mr. Preston (Iain Glen) and the aristocratic Cumnor family. Justine Waddell is luminous as Molly and Michael Gambon and Francesca Annis turn in memorable performances. The scenery, costumes and production values are all excellent. Screenwriter Andrew Davies - who also penned P&P - gives us a satisfying, romantic new ending that would make Mrs. Gaskell proud. I loved every moment of this adaptation! If you are an Anglophile, enjoy a great love story or are a fan of Mrs. Gaskell, this is the film for you!!

I found this mini-series extremely entertaining. The acting was excellent. Michael Gambon was particularly outstanding. Justine Waddell did a wonderful job with Molly. She could have been an insufferable prig, but Justine brought such sincerity and vulnerability to her that you took her to your heart. Francesca Annis touched all the right buttons with her characterisation of the social climbing wife and Bill Paterson's wry humour and warmth made his relationship with Molly all the more realistic. Every role was well performed and no-one struck an artificial note. The settings, of course, were superb. How can you fail with the wonderful wealth of historic houses and the countryside available in England. The costumes,too, were excellent. No detail was missed. This series is one you can watch several times and still find new facets in the characterisations. PLEASE let us have more of this quality. Highly recommended.

A treasure, really. I enjoy films portraying this period, but this is above all my favorite. The acting is incredibly touching. I was in awe with the portrayal of the story throughout its entirety.

Waddell portrayed the character of Molly so well, it made me ache for her. Her obvious childishness throughout the movie makes her eventual development so much more satisfying. She is one of the best dynamic characters I have seen on film. Paterson is all at once likable, firm, loving to his daughter, annoying, and trustworthy. Truly a real characters, full of depth, intricacies, and idiosyncrasies.

This movie reads like an excellent, cozy book. I highly recommend this to anyone who enjoys excellent acting and reading fine literature.

This is quite simply an exceptional piece of television theater which the BBC has justifiably gained a world wide reputation for. An outstanding cast bring to life a riveting story of ,intrigue, loyalty, and romance which will delight and enthral all devotee's of the costume drama.

My wife was surprised that I sat out this whole miniseries with her. In fact, that was not hard at all. I loved the story, the performances, the wit and detail, the intelligence behind the dialogues and the storyline. Even though I could see the 'happy ending' looming large over the second half of the story, there remains a LOT to enjoy. The performances are so good (maybe with the exception of the two young brothers) that I can hardly believe the actors in fact have other characters than those they enacted on screen. 'Sense and sensibility' may be another fine Victorian adaptation, but I take this 'Wives and daughters' over it any time. Wholeheartedly recommended to anyone whose heart is not made of stone or cast iron.

Anybody who loves a good adaptation of a book, lovely period detail, compelling storytelling and great writing and acting should find no real reason to not enjoy Wives and Daughters. As an adaptation, Wives and Daughters is hardly disappointing, some might be underwhelmed by the ending but the book's incompleteness does deserve some of the blame here but the adaptation does show loyalty to the book while telling it intricately and freshly. I however have always found it fairer to judge an adaptation on its own, and on its own Wives and Daughters is brilliant and you don't even have to have read the book to enjoy what is personally considered one of the best series the BBC has ever done. The scenery and locations are stunning and the costumes, hair(didn't have much of a problem with Rosamund Pike's in Episode 4) and make-up are true to period and a feast on the eye, which is always a great starting point for a period drama adaptation. The music is quirky yet at other times understated and is never obtrusive, letting the story speak for itself when needed. The dialogue is incredibly thought-provoking with splashes of humour, ranging from subtle and hilarious, and emotional impact, and the story has every nuance and detail of society at the time down-pat and spot on and the telling of it is done loyally while fresh and relevant and intricate while never dragging or being too staid or faithful. The characters are immensely engaging and are developed just fine, Gaskell's characters like George Eliot's and Charles Dickens's were quite flesh-and-blood-like and there is a sense of that here. You'd think that you'd be annoyed by characters like Lady Harriet, but actually you might find that she later becomes one of your favourites when she stands up for Molly. The acting is superb from all, especially from Michael Gambon who is gruff yet poignant and Francesca Annis who makes a formidable character genuinely beastly. Justine Waddell is excellent never comes across as too perfect considering her type of character and Keeley Hawes is incredibly charming and naturally. Bill Paterson is likable and admirably restrained and Tom Hollander, who plays a conflicted character most touchingly, and Anthony Howell, who is effortlessly dashing, provide the heart of the drama without problem. The beautiful Rosamund Pike is wonderfully feisty and forceful(the scene on the carriage is very funny) and also elegant and dignified, it's a fairly small role but Pike makes a lot out of it. All in all, a brilliant series and adaptations. 10/10 Bethany Cox

Having just spent five hours watching this mini-series, I feel the need to warn IMDb readers just how surprisingly downbeat and unpleasant it really is, for the most part. I'm giving it only 4 out of 10 stars, because I don't much care for somber soap operas, even when they have a satisfying ending.

However, I must say that the movie is not without its good points. The entire cast is excellent, from the beautiful star (who is supposed to be a "rather plain" girl), all the way down to the heroine (who has a truly great closing line). And the production values, the scenery, and the dialogue are all very good as well.

It's just that the whole thing seems frequently bleak and/or shrill. And there's very little comic relief, except for the stepmother, who is played wonderfully, and also two other characters, who I think were supposed to be old maid sisters. (I have to admit to getting character overload when watching this kind of movie.)

Anyway, if a heavy romantic drama is your cup of tea, then you might enjoy this one. But give me the Gwyneth Paltrow version of Emma any day.

The BBC is well known for its high quality costume dramas and this is one of the best in recent years. Elizabeth Gaskell is not an author that I was familiar with except for her usually being known as 'Mrs. Gaskell', which immediately makes her work offer the prospect of being a bit staid. Well not a bit of it! This production is intelligent, witty and thoroughly charming throughout. When it was shown as a serial, I couldn't wait for the next episode! Every member of the cast is exceptional, but special praise for Justine Waddell and Francesca Annis. I defy anybody not to become thoroughly involved in the story of Molly and her family/friends. Elizabeth Gaskell never finished the novel, sadly dying before its completion, but I feel certain that she would have wholeheartedly approved of the BBC's ending which is absolutely heartwarming! Even if you dislike period drama, I urge you to give this one a try, I know that my DVD copy will be getting a lot of use in the coming years - many thanks BBC!

To me, one of the hallmarks of a good movie is when I forget myself, and feel apart of the world the movie/series is trying to create. There is no sense that Justine Waddell is pretending to be Molly Gibson. She - is- Molly Gibson. And it's not just Waddell, all of the characters are convincing as real people. Mr. Gibson's emotions are so intense, and yet realistic. His humor is incredible, and he really shines next to his foil, (played by Francesca Annis).

The chemistry is just what all films strive to have. If you like Michael Gambon at all, you cannot miss his performance. Many of the characters are conflicting in their temperaments. One of the characters actually makes a note of it. To find so many actors who can show love, compassion, anger, joy, depression, indifference, anxiety... they are all so dynamic.

In general, I find that period pieces (which I ADORE) fall into a couple different categories. Some of the ones from the 80s are rather stuffy for the casual viewer. If you liked the 2005 version of Pride and Prejudice, give this a try. It doesn't have the pace of that film, but it has a similar chemistry for a modest sized cast, and also it's more visually pleasing than older period pieces.

You can also get a better sense of the actors' skills by seeing their other films as well. Similar films with these characters include, among many:

Cranford - Barbara Flynn, Deborah Findlay, Michael Gambon, Francesca Annis

(1995 P&P) - Barbara Leigh-Hunt

Sense and Sensibility - Elizabeth Spriggs

Mansfield Park - Justine Waddell

(2005 P&P) - Tom Hollander, Rosamund Pike

Cranford is also based on Elizabeth Gaskell's writings... so if you enjoy this, by all means, see Cranford!

Wives and Daughters is in my top 5 :)

I have been a lover of period dramas for many years but I have to say that this is my all time favorite. Forget Pride and Prejudice, forget Sense and Sensibility, Wives and Daughters has to be the best one I have ever seen!

I loved the cast, the story, the setting everything. The story of Molly Gibson was wonderful, and I've never enjoyed a period drama quite so much! Me and Molly fell in love with Rodger and Osbourn together, and the hellish step mother story was wonderful. Coupled with her loving father this drama really gives you that warm glow inside. It was a pleasure to watch when it first came out, and is still a pleasure to watch on video.

Where has this film been or where have I been concerning this film? I found it in passing in a library period film search and then got busy and almost didn't play it. So very glad I did. I understand the author is a lesser known for some reason, and there is a move to bring her works to the forefront. If this isn't the cream of her crop, it is likely close. This film stands up against the most popular period presentations of the last several decades. Excellently produced, spot-on casting and portrayals, overall even pace. The surpassing feature, however, is the emotional depth of the characters. These people come to life in full dimension. There's an even flow of them, without so much extreme bad or good. Along with that, characters embody weaknesses and vulnerabilities along with their strengths. It's an effective and affecting film experience.

I ran into something on this one that happens with me from time to time on this type of film, and that is the variance between my taste in looks and beauty and those of the time. For example here, between the two son, Osbourne is said to be the handsomest and Roger to be plain in looks. I find it the opposite. Found this in "Pride & Prejudice" as well, preferring Elizabeth Bennett's looks over her sister, Jane, who is credited the beauty in the film.

Regardless, this is a super outstanding period film I will be ready to share with all my friends who enjoy these and definitely add to my favorites. It conveys its characters and the story gently, but very effectively. There is much of interest and variety. It is realistic in showing flaws in persons and customs, who change in some respects, but do not undergo unbelievable transformations. I like it that the film demonstrates the reward of patience and endurance and the folly of self-indulgence and stubborn prejudice. There is wit, humor, depth and shallowness of character, joys and sorrows, generosity and self-centeredness, wisdom and frivolity.

Dr. Gibson may well become one of my all-time favorite male characters from fiction. He is gratifying throughout, though tried and vexed, weighs in like gold in the punches. While open and accommodating to his new female household additions, he never compromises his tender watch care for his own beloved daughter. I love it when he tells the squire that she needs to come home now and receive some cosseting herself. He holds his own with the gentry along with the regular folk. He and his faithful girl are two of the most valued and respected denizens of their community. The new wife and step-mother is also a remarkable character, for a different reason, with her unrelenting zeal to tweak all about her. I love it that, though giving her proper place, the two girls do not allow her to "live in their place," but make their voices heard with spirit. She was entirely well played here, giving much interest throughout. Though we see her some mollified at the end by life's vicissitudes, we also sense she will definitely rise again. I really enjoyed the two girls hitting it off. Though light weight on steady character, Cynthia brings some playfulness and fun in needed relief to Molly's older-than-her-years intensity. However, there is a period of angst over Molly's being made use of to cover Cynthia's inconsistencies.

I definitely want to read the book and will likely purchase both. Many of these characters have a classic quality about them, the kind that becomes a type of reference. I'll also be seeking out this author's other works and will likely find them keepers as well if they are anything like this marvel.

The words 'magnificent, wonderful, superb' all tumble off one's tongue as one exclaims upon the excellence of this mini-series which is, frankly, a work of art. One of the things which makes it is its absolutely perfect casting. There is not even the hint of a false note anywhere. The film features what may be the most brilliant and moving performance by Michael Gambon of his entire career, and that is saying a lot, considering his body of work and that he is one of the finest actors ever produced by Britain. But the central jewel of the production is the lead performance by Justine Waddell, who represents everything in the round that she is meant to be, and is so far from being a cardboard character that she is positively four-dimensional and radiantly glowing with warmth and life. Rarely has a classic mini-series been so fortunate in the inspired casting of a young heroine. And the other two young women in the story are also brilliantly played by Rosamund Pike ('she who rises to the surface') and Keeley Hawes (who had just finished making a feature film with Gambon, THE LAST September). Waddell's father is played to perfection by Bill Paterson. Everyone is not only good but excellent, and that applies equally to Francesca Annis, who drives us all mad by playing one of the most irritating women imaginable (Waddell's step-mother) with such utter conviction, and with every tiny mannerism intact, that it is impossible to watch without wanting to wring her neck. (Was she attacked in the street by exasperated viewers after this mini-series aired, one wonders.) And although she only appears in the early part of the mini-series and then dies, we must not forget one of England's finest actresses, Penelope Wilton, as Gambon's wife, seen here once again at her recurrent best. And then there is Iain Glen as 'a passionate tiger' of a man prowling round and driving some women mad with all that sexual energy, who has been yet another victim of the inconstant Hawes, whose affections are as flitting as a moth's flight. And there is also good Tom Hollander, suffering admirably in his intolerable position of being secretly married but unable to tell his father. Elizabeth Gaskell's last novel is the basis of this mini-series, brilliantly scripted by that old hand at such things, Andrew Davies. The direction by Nicholas Renton is masterful and inspired. I am not at all well-read in 19th century English fiction but 'they say' that Mrs. Gaskell, as she is generally known, was most remarkable (the DVD has a half-hour extra about her) and 'better than Dickens and Jane Austen'. Well, I think there is no doubt she ranks with them in any case. This story is laden with deep emotion, loss, intrigue, tragedy, pathos, joy and happiness all thrown together, and you never know which will emerge moment by moment as the complex tale moves forward with its many characters, with Justine Waddell playing a young woman of excellent character, Miss Gibson, who is at the centre of it all. The story has a brief and dreamy preamble in which Miss Gibson as a child meets 'the grand people', and then the main story begins with the touching father-daughter friendship of Waddell and the her loving father, the widower Paterson, a village doctor, which is then interrupted by his precipitate decision to remarry a woman who seems charming but who suddenly turns into a nightmare (Annis). She won't even permit her husband to eat cheese, his favourite food, because its smell offends her, and her ludicrous social affectations are truly nauseating. This was an admirable opportunity for Mrs. Gaskell to throw her darts at social pretensions, and she never misses. The lives of the Gibsons are constantly intertwined with those of the Squire (Gambon) and his family, and hovering also just beyond the fringe of the main action are Lord and Lady Cumnor, 'the grand people of Cumnor Towers', a huge stately home with lots of marble and suffocating grandeur, who are to be decisive in the story eventually. The local inhabitants are called by them 'the townspeople', and all the townswomen curtsy to the Cumnors if they encounter them even in the street. So we see a portrait of a highly stratified society, but no servants enter into the story. (I almost said serfs!) This is not an upstairs/downstairs story at all. It is about the high and the low, but not about the lowly. To try to summarize the complicated story, which evolves majestically over 301 minutes, not one second of which is boring, would take, well, 301 minutes, so shall not be attempted here. Anyone with good sense who has not seen this yet will buy the DVD immediately. Failure to do so will result in the administration of 301 strokes of the ruler across the back of the hand, exile to the colonies, or being left alone in a room for an hour with Francesca Annis in character. But such fates are reserved only for those who fail to buy the DVD. Those who do have instead a most pleasant fate, that of being mesmerised for five hours of thrilling drama. Truly, this mini-series is sublime.

a wonderful movie/mini series. fits the book perfectly. Justine Waddell plays the role of molly Gibson without a single mistake, and i'm sure if Ms Elizabeth Gaskall was still here today she would agree. I really liked the charm and simplicity of this film. I loved how you could read the actors thoughts and expressions clearly and the actor were one with the characters in the book. I found a little fault with Molly going with Roger to Africa. Ladies of that time most likely wouldn't have done such a thing. The scene in the rain was very romantic though. I thought it was funny how Roger and Molly never kissed. he kisses Cynthia, which is in the book, but never poor old Molly! I love Wives and Daughters, there is simply no more i can say!

As a Jane Austen fanatic I always thought nothing could ever beat the BBC's 1995 adaptation of Pride and Prejudice but, finally, after watching Wives and Daughters for the third time, I have to admit that this is a greater achievement. This series has much of the same behind the scenes team (Producer, Andrew Davies' screenplay) as the 1995 classic so it should be no surprise this is also a classic. The costumes, dances, dinners and locations are perfectly presented. The strict confines of the English early 19th century class system is ever present throughout the story similar to Austen's novels.

What makes this series so special is the quality of the performances from just about every member of the cast. Michael Gambon probably tops the list, it has to be his finest performance of a wonderful career but Justine Waddell is not far behind, making Molly Gibson one of the great screen heroines, her wonderful personality lingers long in the memory. Francesca Annis and Keeley Hawes also give outstanding performances in the roles of flawed characters. Bill Paterson is just perfect as Molly's father and yet is overshadowed by so many. The squire's sons, Roger and Osborne, also give wonderful performances, showing such a wide range of emotions. Iain Glen is excellent as he warms up for his similar Downton Abbey character and Barbara Leigh-Hunt reprises her memorable Lady Catherine role from Pride and Prejudice. Lady Harriet is not a major character but her few appearances play significant parts in the story, brilliantly played by Rosamund Pike, she was clearly destined for bigger things. The wonderful Miss Browning sisters are only supporting characters but their scenes are also memorable.

Jane Austen is great escapism, but you know it's going to end happily, there is a wider range of emotional depth in this story, especially dealing with death (Penelope Wilton is also outstanding in her role). There are two deaths and the emotional pain so movingly portrayed thanks to Gaskell's novel, Davies' screen play and the wonderful performances that they are heartbreaking for the viewer. More than anything this is a story about love, the love between a father and daughter, a father and sons and so many romances I lost count of the refused proposals, jilted engagements and marriages. There are also numerous very funny scenes throughout to add balance to the heartbreak and romance.

There are so many dramatic scenes, twists and turns packed throughout the five hours, which never drag, and it takes several viewings to take it all in. Gaskell digs deeper into the characters and personalities and it does take repeat viewings to really appreciate just how good this story and this adaptation is. I look forward to enjoying this series many more times.

This video is an interesting mistake. They seemed to have missed the comedy despite a superb cast of women who could handle comedy.

Is it an early sudser? or a sitcom? The literary pretenses are a little silly. The plot and character manipulations are so mechanical that the fact that this is a piece of commercial fiction is obvious.

This video proved that mediocre fiction should be edited down to a film no more than two hours long.

The extra materials were dull. Was the Roman Spring of Mrs. Stone the story of Mrs. Gaskell's endless trips to Italy? Did she have only genteel boyfriends from Boston, or did she sample the local color? Did proper English ladies go to Rome for gigolos in those days? or were there enough in London? Why can't the BBC stop being so respectable and give us some good gossip?

I already knew this was going to be fab after I'd watched the first one, because I have seen lots of the BBC costume dramas, and they are always fab, and I was not disappointed in Wives and Daughters. The cast are (as always) excellent. Particulely Justine Waddel (Estella in Great Expectations) and Keeley Hawes (Lizzy in Our Mutal Friend) I can't wait for the final episode. I'm dying to see what happens!!

The BBC TV miniseries Wives and Daughters (1999) was directed by Nicholas Renton. It's based on the novel written by Elizabeth Gaskell (1810 - 1865). Mrs. Gaskell's work was fairly well know in the 19th Century, but she faded into obscurity until the mid-20th Century. Now critics--particularly feminist critics--have brought her work back into view. The BBC has produced miniseries of three of her novels--this one, Cranford, and North and South.

Although written in 1865, the novel is set in rural England in the 1830's. This was before railroads became the dominant transportation system in England. Horses and stagecoaches were the standard form of transportation. That's where the BBC comes into its own--BBC directors love horses, dogs, sheep, cows, etc. The BBC really knows how to make modern England look like pre-Victorian England.

Although Mrs. Gaskell wrote a generation after Jane Austen, her novels deal with similar situations. Wives and Daughters shows us a strong, intelligent, attractive woman who needs to marry someone who will acknowledge her excellent qualities.

The problem is that her widower father marries a woman who also has a daughter. Although Molly (Justine Waddell) is attractive, her step sister Cynthia (Keeley Hawes) is extraordinarily beautiful. Men come to court Molly, but it's love at first sight when they see Cynthia. That's the basic plot, but there are many ramifications, secrets, and unexpected twists.

As usual, the BBC has assembled an excellent ensemble cast. I was particularly impressed by Waddell and Hawes. Francesca Annis as the-- somewhat--evil stepmother, and Michael Gambon as Squire Hamley were both outstanding. (Sir Michael is alive and well, but he's no longer young. What will the BBC do without him?)

I really enjoyed this miniseries. Because it was made for TV it works well on the small screen. Wives and Daughters has an outstanding IMDb rating of 8.1. I thought that it was even better than that, and rated it 9.

P.S. Sadly, Mrs. Gaskell died just before completing the novel. That means that the BBC had to invent the final chapter. I think they did a good job with that, although we can never know.

"Wives and Daughters" is cut from the same cloth as "The Forsyte Saga" or "Mansfield Park" inasmuch as it is a Victorian soap opera about the this and that of 19th century English country life. The film centers on and swirls about Molly Gibson (Waddell), the somewhat plain but earnest teenage daughter of a physician, as it explores the ever crisscrossing lives of several neighboring families of varying station. A delightful look at the role of the distaff from matron to maid which imparts the flavor of the period, "Wives and Daughters" is a light-hearted drama laced with charm and wit which should appeal to anyone into films of the robust Victorian period. (B+)

Has all the elements is a period drama we love: an unassuming, ethical, sincere heroine; old school, good manners and glimpses of a refined culture of days gone by. One of the best: highly recommended.

I've watched many a British period drama from the likes of BBC, etc., this one is of the first I ever watched and as the years go by it just grows more and more in my appreciation.

It's mostly a story about various family realities and the way people interact with each other, within the family and elsewhere, nothing apparently grand about it. But there are just so many excellent performances from the different characters and the scenes are so well made it's a constantly engaging.

Justine Waddel as a the main character Molly performs just so perfectly: Molly is a young, naïve and strong willed girl, but utterly good-hearted. She genuinely exudes the right aura for the character - you can feel her innocence and honesty and utter love for her father. It's truly heart warming to see that family of her and her father so "cosily" displayed in so many "casual" day to day interactions - I never found such a truthful display of family love such as in this series.

Many many other actors perform just as well bringing to life their characters' traits. I'm constantly struck at how in the majority of scenes every character gives off lots more than just the dialogue with small gestures, facial expressions, body movements, etc etc, enriching the painting in every scene. You can rewatch this again and again and get more nuances out of it. You truly get intimate with the realities of the characters.

I could write novels about how well just about every other character is acted out so well, in every moment of every scene - I can't begin to endeavour that.

And alongside all of this, you get lots of gleans into many different aspects of society at the time, which never really take the primary focus, but instead by not being directly addressed are naturally shown rather than told - making it, imho, more poignant. AND a glimpse of the scientific society of the time too, which I found very interesting.

And I need to acknowledge the soundtrack as well, very lovely and charming and expressive altogether.

In conclusion, I feel like even though "Wives and Daughters" may not boast as strong an impact as the likes of Austen's works, this rendition of the work is utterly charming and rich with subtle detail as making it one of the most genuine adaptations I've ever see.