User reviews

I saw this film at the 2002 Toronto International Film Festival.

This is the first Indian film I've seen in the Tamil language, and while it does share some similarities with other Indian films (wonderful music and choreography, sweeping storyline), the director attempts more than just to entertain. The film tells the story of Amudha, a precocious nine-year old whose parents reveal to her that she was adopted, thus beginning an odyssey that takes them all from India to war-torn Sri Lanka. Gorgeous visuals mix with horrifying scenes of violence expressly to make a point, though it is a simplistic one. Amudha is played by P.S. Keerthana, and she is one of the few child actors I've seen who can be precocious and yet not annoying. Her charm and beauty held the film together.

Sri Lanka... not a country I've ever given much thought to, I have to admit. I didn't even know it was near India, let alone that there has been a bloody civil war going on there since 1983. It seems that the rebels of the Tamil minority have been in an ongoing conflict with the military regime that runs the country for many years, causing many deaths and widespread suffering on the island.

Mani Ratman's latest film, A PECK ON THE CHEEK, tells the story of a young girl named Amudha, who is separated from her Sri Lankan parents by the war and raised by a young Indian couple. Amudha is a bright and mischievous girl, whose life is turned upside down when her parents tell her that she was adopted as a child. Although her adopted parents love her as much as could be, and have raised her without prejudice along with their biological children, Amudha cannot help but want to learn more about her biological family.

Mani Ratman is probably best known for his 1998 film DIL SE, which hides a story about terrorism and politics inside a love story (or is it the other way around?). A PECK ON THE CHEEK inhabits similar territory, but is perhaps more ambitious in the ground it covers. The central theme that binds the movie is of love between all the various members of a family, and especially that between a child and her adopted parents. It's a pretty honest and open look at feelings, that can be extremely touching and heartwarming at some times and quite painful at others. It's an emotionally complex film, with characters that are somewhat idealised but still behave in a very human way.

The film revolves around 9 year old Amudha, played with charm and vivaciousness by young actress P.S. Keerthana in her first and only acting role. She's a princess and a monster, always getting into trouble but so disarmingly charming nobody can stay mad at her for long. The young actress is perfectly cast for the role, and does a tremendous job in the various and often difficult emotional scenes required of her.

A PECK ON THE CHEEK has such an innocent name I was quite unprepared for the intensity of the experience. Never has such a small act come with such an enormous emotional impact, I dare say. The film is a bold and artistic effort to explore issues that are not frequently covered on the silver screen.

Mani Ratman's direction is superb, very confident and mature - the most sophisticated work I've seen from this director yet. The film is visually very stylish, with some excellent camerawork and imagery. A.R. Rahman provides the film's soundtrack, which is not as good as his classic DIL SE or BOMBAY music (based on first impressions at least) but still shows his great musical talent.

I'm not aware of a DVD release for the film yet - I saw it in Tamil with English subtitles thanks to the San Francisco International Film Festival, of which the film was undoubtedly the highlight. The production is a truly world class effort, and I am sure it will be popular with western audiences as it begins to receive wider exposure.

Recommended.

I am a big follower of Indian Movies especially Malayalam and Tamil.

Shame on India for not sending this movie as their official Oscar entry. I have seen this movie and it has clearly revealed to me the maturity Tamil cinema has in its screenplay and narrative which bollywood better catch up with.By the way to all we westerners, Tamil Cinema is more qualitative and very different from Bollywood which is all about good looks glamour and promotion.

Coming to the point what was India thinking when they sent a movie like 'Devdas' to the Oscars? That was a really a Masochist move. I think they are trying to punish Oscar judges with boredom by sending Devdas since the judges toppled Lagaan last year.

'Devdas' is just a brigthly colored but stale and predictable melodrama of Love, fate and destiny. I would keep away from it. Anyway, not sending a movie like Kanathil Muthital shows how much of a revamp Indian administration needs to save them from poor administrators who lack intelligence. Now I know why this country has so many issues. They are heavily talented but not showcased properly.

The Director of Kannathil Muthamittal directed the first Indian film I had seen "Dil Se" which led me down the path of buying well over 122 Hindi DVDs in the

course of four months. I can say I understood the total attraction, I was

somehow confused as to why the film would stop for "music videos". It was an excellent movie, I didn't know what to make of the dancing and the female

vocals were a bit shrill for my western ears, but somehow I found AR Rahmen's score hypnotic. I bought the soundtrack the following day and then Lagan, Kuch Kuch Hota Hai and K3G the following week and with the exception of "Ichi the

killer" a few other Korean films , I can't be bothered to watch much else. Kind of strange for someone who has only watched a strict diet of Hong Kong, Horror

and Action/Science fiction films for the past 30 years.

But I should get back to Kannathil Muthamittal, It is one of the Mani Ratman's latest efforts and I laughed, Cried, Got totally mad, terrified and most of all I didn't feel manipulated. The acting was superb, the photography was beautiful, I think you could stop the movie at any given time and would notice that any give frame would be worthy of painting. The music fit the movie perfectly and after the

credits rolled, I wanted to watch again... so I did.

It would be foolish to discuss the plot for fear that you may miss the pleasure of watching the events unfold and the characters develop. This is what great film is all about! I stood and applauded in my home theater when it was over!

My wife is watching now, and I can't wait for her reaction, I can't expect it will be anything less than mine.

This movie was astonishing how good it was! The plot is extraordinary, and the acting spectacular. At first I thought this wasn't going to be that great because of a summary, but after about the first five or ten minutes of the movie, it struck me that I was dead wrong. I literally cried about four or five times in this movie, and despite this, I must've watched the same scenes over and over again about thirty times in one week! No, the song scenes were not as awesome as they could've been, but the plot is what really gets you. American or Asain, I would recommend this to anyone--and I have now. I guarantee that after seeing this one, you'll get the best out of it, and its plot. I hope you feel the same, and write a rave review too!

Mani Ratnam's 'Kannathil Muthamittal' is another of the movie from his 'political terror' series (along with films like 'Roja', 'Bombay' and 'Dil se'). It tells an intense story about 9 year old Amudha who, with the help of her adopted parents, seeks to find her birth mother in Sri Lanka. The movie is set with the backdrop of the civil war in Sri Lanka. With the help of the actors, Ratnam terrifically demonstrates the depth of the relationships between the adopt parents and the child. Their unconditional love for Amudha brings them all the way to war-driven and terror stricken villages in search for Amudha's answers. In a beautiful scene, even after being attacked and escaping a fatal encounter, Indra, for her daughter's satisfaction, bravely suggests without hesitation that they go to the park to check if Shama has arrived.

The cinematography is wonderful and the sets and the exotic locations are mindblowing. In addition to that there is A.R. Rahman's soulful score. I loved the songs, the title song being my favourite. The soundtrack reminds us Rahman's older music. I did not like how the last song was visualized on the father and daughter. It uses the clichéd meditation scenes, the Buddha statue (ridiculously positioned at different angles) and the typical monks-walking-at-the back. While many of the songs are beautiful, they look a little out of place. A question, why was Amudha so obsessed with finding her biological mother while she asks no questions regarding her biological father.

'Kannathil Muthamittal' boasts of some very strong performances. Simran delivers a beautifully understated performance who loves her daughter no matter what. Madhavan is sublime. His intensity and restraint prove what a skillful actor he is. Young actress P.S. Keerthana holds her own with these professional actors. The film centres around her and she does a fine job by pulling it off. Nandita Das is fabulous. Prakash Raj is irritating and his Sinhalese is all wrong.

Though 'Kannathil Muthamittal' revolves mainly around the Tamil people, the film is, in a way, arguably a bit partial as it shows how the war has affected the Tamil people in Sri Lanka without implying how this also had severely dangerous consequences for the non-Tamil Sri Lankan. Then again, the war is only a part of the film as 'Kannathil Muthamittal' is more about the unconditional love between two parents and their daughter.

This is another outstanding movie by Mani Ratnam before he went downhill with movies like 'Yuva' and 'Guru'.

Kannathil Muthamittal was simply one of the most touching and sincere movies ive seen in a long time. the story of an adopted girl who on her 9th birthday learns the truth about her parentage. she sets out in an endeavour to find out more about her real mother and learns that her mother is now a terrorist.

the greatness of the movie lies in its simplicity. mani ratnam generally has a tendency to create unreal and pompous overblown characters in this movie, every person seems real and their interactions are touching and sincere. this is the reason why this ranks as one of his best movies.

the movie is emotionally draining and tugs at the heart of the viewer, keerthana as the 9 year old amudha and simran as her adopted mother are simply brilliant. their relationship is the cornerstone of this movie. there are some notable flaws here, particularly the scene where amudha learns that she is an adopted child is jarring and seems totally unreal. it is hard to believe that such sensitive parents would break such a news in the manner that they did. another flaw is, surprisingly enough, the brilliant songs. they again seem forced and stand out, not gelling with the rest of the script.

having said these, this still is one of the most poignant and beautiful movies to come out of india in a long long time. this beauty is not just in the script or characters but in teh technical brilliance as well, ravi chandran's camera work is sheer poetry. all characters perform creditably and the realistic humour, especially in teh flashback scenes are entertaining.

a sincere 9!!

In Sri Lanka, a country divided by religion and language, the civil war between the pro-Sinhalese government and the Liberation Tigers of Tamil Eelam (LTTE), a separatist organization, has claimed an estimated 68,000 lives since 1983. Human rights groups have said that, as a result of the war, more than one million people have been displaced, homeless or living in camps. The impact on children and families caught in the conflict is sensitively dramatized by acclaimed Tamil director Mani Ratnam in his 2002 film A Peck on the Cheek, winner of several awards at the National Film Awards in India. While the civil war is merely a backdrop for the story of a young girl's voyage of discovery, the human cost of war is made quite clear and Ratnam gives the fighting a universal context, pointing the finger at global arms traffickers as the source of wrongdoing.

Beautifully photographed in Southern India by cinematographer Ravi K Chandran in a setting mirroring the terrain of Sri Lanka, the film tells a moving story about an adopted 9-year old girl who sets out to find her real mother in the middle of the fighting in Sri Lanka. Played with deep feeling and expressiveness by P.S. Keerthana in a memorable performance, Amudha is brought up by a loving middle class family with two younger brothers after her natural parents Shyama (Nandita Das) and Dileepan (J.D. Chakravarthi) were forced to flee when the fighting broke out, leaving her in a Red Cross camp. In a loving flashback, we see Amudha's adoptive parents, father Thiru (Madhavan) a prominent Tamil writer, and mother Indra (Simran) a TV personality, marry to facilitate their adoption of the darker-skinned little girl.

Young Amudha has no idea that she is adopted until it is sprung upon her abruptly on her ninth birthday, according to the parents' prior agreement. While she is playing, Thiru tells her almost in a matter of fact tone that "you are not our daughter" and the response is predictable. Distraught, she questions who her father was, what her mother's name was, why she gave her up, and so forth but few answers are forthcoming. Amudha runs away several times until her parents agree to go to Sri Lanka to help her find her true mother, now a fighter for the Tamil separatists. The family's immersion in the reality of the civil war leads to some traumatic moments and difficult decisions, handled mostly with skill by Ratnam, though a sequence where the family was caught in a crossfire felt amateurish.

A Peck on the Cheek is of course a Bollywood-style film and that means tons of music and melodrama. The melodrama did not get in the way because of the strong performances by the lead actors; however, I found the musical dramatizations of songs by A. R. Rahman counter to the mood of the film with their slick, high production techniques and fast-paced music video-style editing. Yet the compelling nature of the story and the honesty in which it is told transcend the film's limitations. Tamil cinema has been criticized by many, even within the country as being too clichéd and commercial, yet A Peck on the Cheek is both a film of entertainment and one that tackles serious issues. That it successfully straddles the line between art and commerce is not a rejection but a tribute.

Kannathil Muthamittal is for sure a great movie. I have to give it to Mani Ratnam for a great directing job and A.R. Rahman for great songs. The camera work is just excellent and is similar to Black Hawk Down and Saving Private Ryan. I will be shocked if this movie does not win an Oscar for Best Foreign Film or even Best Camera Work.

Amuda is an adopted child who longs for her birth mother, about whom she has managed to find out as many details as she can. She learns her mother was a Sri Lankan refugee who had given birth to her in a refugee camp in Rameshwaram, India. As usual, Ratnam's narration is perfect, with realistic portrayals of Amudha's home and family members, and the warm and funny (and not at all "filmi") flashback romance between Simran and Madhavan.

Ratnam then brings his camera to the Eelam, from which point Amudha's own story gets partly eclipsed by a passionate revelation of a struggle for freedom. The scenes in Sri Lanka are spectacular, with the heart-wrenching song 'Vidai Kodu Engal Naadu' playing as an entire village is evacuated. Vairamuthu has penned painfully beautiful lyrics. In another evocative scene, strong winds batter the lush, green fields as Madhavan's character (initially viewed as a suspicious intruder by the rebels) and some militant rebels jointly recite a patriotic poem. Their united voices rise above the howling wind. "Vellai Pookal" is another Rehman gem, a cry for peace, playing as background while refugees gather in Rameshwaram from their war-torn land.

Keerthana, as Amudha, astonishes with her articulate acting skills. Simran, finally in a performance-oriented role, is perfectly at ease with her character. Madhavan, Prakash Raj (PR is sometimes annoying) and the others do a good job. We see very little of Nandita Das, and when we do, she impresses with her naturalistic acting. The Rehman-Vairamuthu combo is at its best in this film, with a superior soundtrack that is only second to their earlier Iruvar, perhaps.

Touching Bollywood epic melodrama about a 10 year-old girl who finds out that she's adopted, and is determined to find her birth mother. The film's major success is the performance of P.S. Keerthana, who plays the girl. The first half of the film is very good. There are a few really good songs, too, especially the number that introduces the protagonist. Unfortunately, the film's second half, which takes place in war-torn Sri Lanka, feels like an entirely different, and disappointing movie. It's big on explosions and special effects, with Sri Lankan soldiers and rebels dodging grenades, running from fireballs, and being yanked by stunt wires. All the film can offer as insight are cheap platitudes like, "Some day there must come peace" and "Perhaps the children will find a way". The final sequence, where the daughter and mother are reunited, is good, but so over-the-top with the music and a well-timed downpour that it feels like a cheat. I know, I know, it's all in the style of Bollywood. But this is a story where big moments simply detract from the simple, powerful central story. Bollywood could certainly use a little restraint at times, too.

Watching this movie almost 20 years after it was made, I don't get it why they had to take a risk, travel to an area which was under a devastating war just to find a woman who abandoned her baby. She needed to know, she wanted to see, but why the hell were they on a suicide mission??? Why were they THAT stupid?? Honestly!!! In my point of view it didn't deserve the hype!!!

Mani Rathnam is seriously a World Class Talent. If he had been working in Western Countries he would be considered in the same league as Stanley Kubrick, Stephen Spielberg or Martin Scorsese.

With Kannathil Muthamittal ( A Peck on the Cheek) he has taken the two sensitive subjects of Adoption and the Civil War in Sri Lanka and linked them together to make a heart wrenching story.

The entire cast is superb. Special Mention should go to P.S. Keertana who acts like a veteran despite being so young. Simran and Nadita Das should also not be forgotten.

Mani Rathnam's directs as always with flair and purpose. He is not as flashy as in his other films but this suits the story.

Overall this is an excellent film. Mani Rathnam please make more films! Also hopefully he will soon get the international recognition he so richly deserves.

This film is absolute gold. If you haven't seen it, do. Mani Ratnam outdoes himself once again. This film introduced me to Nandita Das as well, though everyone shines in this movie. My only regret is I've never found a copy with subtitles to the lyrics of the songs. We are led from the jungle of northern Sri Lanka to the serene beaches of Southern India, as well as from the terror of war to the ultimate conquest by love of the human heart. Beautiful, subtle, witty, with a few hidden surprises waiting for the viewer, this movie stands up to being seen again and again, and the story within the story, The Umbrella, is done so well, as we watch the scene unfold from drawings in a book. Lovely. Watch it.

One more classic performance by Maniratnam and his team. They can be proud to show this movie at all film festivals for it has got everything that needs to name it as an "all time classic". The war and its impacts in Sri Lanka through the eyes of a ten year old girl is the movie all about but the scenes and circumstances will surely be not the one that you will expect. Madhavan no wonder he is one of the best actors in the country who can always add beauty and unique identity for the role he plays, and it needs real daringness to act as a father for three kids when he is considered as a dream boy with a glamorous personality in the industry. Music by AR Rahman makes the movie a special one for those who love melodies. Above all the story and the way it is told makes it as the best movie in the recent times.

A Tamil movie with English subtitles.. a brilliant work of Mani Rathnam, parallel to Stanley Kubrick or Martin Scorsese. Once again he returns to the basics. a cinematic gem, superb performances, Madhvan, Simran, Nandita Das, Prakash Raj and the little girl..a well depicted confluence of two delicate issues - adoption and the civil War in Sri Lanka makes it truly a heart wrenching story...

When you want to celebrate life and love, especially for precious little daughters, you have to shout it from the countryside. And what gorgeous countrysides! There are so many tears of joy even God joins in. See this movie.

Hello all! I went to this movie without any expectation though I knew Maniratnam would've given an excellent film! I was stunned!! The backdrop is the struggle between the tamils settled in Sri Lanka and the government. The story is about how an young girl Amudha who lives with her foster parents at Chennai, India leaves to Sri Lanka in search of her real mother. The high points of the film are the performances of every actor and actress and ofcourse, the cinematography, editing and all other technical details. Full marks to the cast and crew. I have to mention about the cinematography as it brings out the war in such a way that you feel yourself being there. Excellent work! Though the war sequences reminded me of Saving Private Ryan, such a work was never attempted on Indian Screen. Overall the movie is great! And hats off to Mr.Maniratnam.

Mani Ratnam has once again proved that he is a director who can take Indian cinema to great heights! I would love to watch this film again and again. An excellent film and a must see.

To tell you the truth, I do not speak Tamil, and I did not understand the film. My good Tamil friend, Kaneswaran Kumarswamypillai (wow, what a long name), explained every thing to me. What a great movie!!! After watching this movie, I felt I should have watched many more movies from Tollywood (Tamil Film Industry). The war scenes were amazing, camera work excellent, and plot beautiful. The actress "Simran", what a beauty. Give her an award for best looking someone. Ding, Ding, Ding, come on I smell a OSCAR winner. I didnt understand the songs, but they were excellent. Mani Ratnam is a great director, and I hope his next film was a success.

I am a jaded viewer, one who has watched movies almost every day for the past 13-14 years. However, the Tamil movies that I have seen in the past week have been among the finest that I have seen and it has been their allure that has made me come back for more, day after day. This, for most of its run time, is no exception. Most parts of Europe, these days, are pre-occupied with the Syrian refugee crisis. There was a similar exigency, more on the lines of ethnic cleansing practiced by the reigning govt. that was brewing in Sri Lanka, from the late 50s and that brewed over in the early 80s. The film is set against the backdrop of this official pogrom against the Tamil minority of Sri Lanka. The initial portion is narrated from the point of view of a little girl, who is growing up in Chennai, but who is the offspring of a Lankan refugee. The backstory of how Madhavan and his wife come to adopt the child is extremely well done, with little histrionics, but a lot of love and heart. The romance never seems overdone or forced, but feels like an organic growth between the two protagonists. To make the viewer feel such strong emotions, in a span of 20 odd minutes, is Maniratnam's magic. The narration is so powerful and the drama so riveting that they defy you to look away from the screen. It is when the action shifts to Sri Lanka that the tenor of the film changes from drama to thriller and the proceedings become a lot predictable. It happened around the 3 quarter mark and this was when I found my interest level sagging. There was the suicide bombing, village evacuations and the mandatory anti- war statements followed by war sequences to fulfill the viewer's blood lust. I expected all these to happen and wasn't very happy when my expectations were met. The charm of the first half lay in the fact that the story had a hook and pulled the viewer. The second part lets go off the tight hold. A small aside. This movie was made in 2002 and a lot less was known, then, about the state sponsored murder. Perhaps, it was films, such as these, which exposed the public to what was happening in Lanka. Perhaps, it would have affected me lot more 15 years back. Madhavan expertly straddles the spectrum of hues that Maniratnam embellishes his character with. However, it is the female triumvirate, of Simran, Nandita Das and P.S. Keerthana, who dominate with its screen presence and the vigor and intensity of its performance. Simran is, to use an often misused cliché, masterly, both in emotional sequences, where she chokes up (and so would any sentient watcher) as well as in romantic scenes with Madhavan, wherein she warms the heart, with her banter and idealism. She and Keerthana broke my heart many times, with their exchanges about motherly and daughterly love. Nandita Das took me by surprise. I am not a qualified judge of Tamil accent and hence can't comment on hers. There is a scene towards the end, wherein she lets her eyes and tears do all the talking. She is scarily brilliant and gives a glimpse of her formidable prowess. This should be seen by everyone who loves exceptional drama, with slices taken from the world around us.

Thanks to Manirathinam for a wonderful journey.

I have booked tickets without any expectation of what this movie all about. My only expectation is Maniratinam will give a best, and he did.

1. Madhavan gave a good and his best. +1 2. Prakash raj gave a difference in Sinhalese role. +1 3. Simran as a mother in first half, and a lovable girl in second half she proved herself. +1 4. Keerthana wonderful debut she lived in the role. +1 5. Nandhita das, she reflected a Tamil girl/women. +1 ------------------------------------------------------ 6. A.R. Rahman good background scoring, I got treas on my eyes on 'Vidaikodu engal nade' song. +1 7. Ravi K Chandran, good lighting and Cinematic shots, especially the scene where Prakash Raj and Madhavan talks about terrorism. +1 8. Sabu Cyril for the Climax fight sequence and the set for 'Vidaikodu engal nade'. +1 9. Sreekar Prasad, for the opening song 'Vellai pokal'. +1 10. Last but not least Manirathinam for the wonderful Journey. +1

The plot is searching for the separated mother well mixed with emotions. The performance and lines are casual and one can relate to. One of the best Mani Ratnam movies!!

Maniratnam, who in India, is often compared with prominent world film makers and is regarded a genius in film-making, has yet again proved that he can only make the frames look visually good, without offering much food for thought.Forget about pure cinematic pleasure that can be derived from cinema as a very old form of art.

While I would not like to claim and portray myself as someone who has seen all the beautiful movies made around the world, still any thoughtful and a bit educated film goer can identify that his films do not contain innovative ingenuous plots, does not contain lingering effects afterward and MOSTLY contain ridiculous ending and a LOT of melodrama, seen profusely in Indian movies.

Overall, Maniratnam has successfully confirmed my distaste for his films once again.

Sorry for those who on this board were claiming otherwise. My suggestion to you: WATCH SOME BEAUTIFUL CINEMAS MADE AROUND THE GLOBE.