A teenage girl learns to cope with her parents' divorce, her sister's wedding, her best friend's pregnancy, and the attentions of her first serious boyfriend.A teenage girl learns to cope with her parents' divorce, her sister's wedding, her best friend's pregnancy, and the attentions of her first serious boyfriend.A teenage girl learns to cope with her parents' divorce, her sister's wedding, her best friend's pregnancy, and the attentions of her first serious boyfriend.
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Storyline
Did you know
- TriviaThe plot is a combination of the Sarah Dessen novels "Someone like You" and "That Summer." The first novel is the story of Halley helping Scarlett through the results of her interaction with Michael. The second novel is the story of Haven, whose parents have broken up and whose sister is planning a wedding. The stories were combined, with Dessen's approval, by reassigning Haven's family to Halley.
- GoofsWhen Scarlett goes over to Halley's house to discuss symptoms she is eating grapefruit. After complaining that Halley's 'perfume' smells she puts the plate of grapefruit to her right. But in the overhead shot of her and Halley we see that the grapefruit is still on the pillow in her lap.
- SoundtracksBilly S.
Written by James Robertson and Skye Sweetnam
Performed by Skye Sweetnam
Courtesy of Capitol Records
Featured review
I almost considered passing up watching this one, but I'm glad I didn't. This movie has all the hallmarks of a bad afterschool special, actually four or five of them smashed together. But just when you think it's about to fall off a cliff of cliches, something unexpectedly intelligent happens. Just when it's about to turn into a tear-jerker, the director puts her camera, almost joyfully, above the rain to show everyone shielding themselves with the church program. Just when you think it's going to turn into a soppy love story, the characters flee from each other, scared out of their minds at the possibility. Just when you think it's going to be a soap opera, Mandy Moore acts her way out of the paper bag that people seem to pigeon-hole her into. You get the idea.
The actors all do well, especially Allison Janney, who puts a real edge to a role that could have easily been mush. I must admit, though, Peter Gallagher, usually a reliable guy, doesn't do much with his aging hipster role. The real joy here is Moore. She's got just enough stuff to hook you into the story, and she's just raw enough that she'll make you believe. And, yeah, the dialogue is corny here and there, but not outrageously so. I have to hand it to the director to keep everyone loose enough to pull off some of these lines, and to make the shots interesting enough for us to care what happens when they do.
The plot, which does have its convolutions and weird devices, is not nearly as interesting as Halley's growth as a character. It's basically a character piece wrapped in a teen romance. And Moore brings it all together.
The actors all do well, especially Allison Janney, who puts a real edge to a role that could have easily been mush. I must admit, though, Peter Gallagher, usually a reliable guy, doesn't do much with his aging hipster role. The real joy here is Moore. She's got just enough stuff to hook you into the story, and she's just raw enough that she'll make you believe. And, yeah, the dialogue is corny here and there, but not outrageously so. I have to hand it to the director to keep everyone loose enough to pull off some of these lines, and to make the shots interesting enough for us to care what happens when they do.
The plot, which does have its convolutions and weird devices, is not nearly as interesting as Halley's growth as a character. It's basically a character piece wrapped in a teen romance. And Moore brings it all together.
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Details
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $14,195,227
- Opening weekend US & Canada
- $5,800,000
- Jul 20, 2003
- Gross worldwide
- $14,390,329
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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