After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by stagi... Read allAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
- Awards
- 6 nominations
- Michael
- (as Robin De Jesus)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Fritzi reintroduces herself to Jill at the start of the movie and Jill fails to remember her, Fritzi reminds Jill that the previous summer, they had been in the play "'night, Mother" together. The joke is that "'night, Mother" only has two actors in it, and is an extremely intense, wrenching, emotional experience (it is about an adult daughter preparing her elderly mother for the fact that the daughter is going to commit suicide), so there is no way that Jill could have forgotten having already met Fritzi without Jill being incredibly self-absorbed.
- GoofsWhen Fritzi insults the fat girl they are discussing casting of "Promises, Promises", but that had already been settled earlier. The same problem comes up during what appears to be auditions for "Follies", which was also already settled (during the cast sheet montage, we see that the role of Carlotta, who they are singing for, has already been cast).
- Quotes
Bert: I'm gonna call it off.
Glen: I think you'd better.
Fritzi: Wait!
Bert: Fritzi, what in the hell are you doing here?
Fritzi: Well I... I knew you'd be discussing stopping the show and I just thought how disappointed all the kids would be after...
Bert: You scheming little bitch!
Fritzi: Oh please! I'm a child.
Bert: If you think for one...
Fritzi: Oh save the speech, rummy. She's fucked, I'm ready, and the goddamn show must go on. So let's get cracking, shall we?
- Crazy creditsMidway through the credits, Fritzi and Patrick are shown playing Martha and George in an adaptation of "Who's Afraid of Virginia Woolf?"
- ConnectionsFeatured in The 2004 IFP/West Independent Spirit Awards (2004)
- SoundtracksHow Shall I See You Through My Tears
Written by Robert Telson and Lee Breuer
Published by Boodie Music (BMI) and Otis Lee Music (ASCAP)
Performed by Sasha Allen, Steven Cutts and The Company
I can understand why this film didn't make a massive splash when it hit UK cinemas basically I saw a trailer for it then the next time I saw it, it was on DVD! It is very different from your average teen movie as well as being different from many musicals (not always a massive genre in themselves). I will be the first to admit that this film has weaknesses but I enjoyed it from the opening song, through to the final show there was barely a moment where I was bored or uninterested. The basic plot is a mix of minor story lines around an array of characters various romances happen, lessons are learned, eyes are opened and friendships made. It all sounds rather ordinary and, in a way, I suppose that it does do just what you expect it to. However, pretty much every other aspect of the film comes together to lift the film to be better than the script suggested it would be.
Primarily, if you hate musicals, then avoid this for it is a big part and, for me, it served as a superb foundation. The overall soundtrack is really good and is an enjoyable mix of music but it is the actual musical numbers that really lift the film. They are really enjoyable both the well known ones and the new songs; they fit in well with the narrative and act as good bits of punctuation. The narrative could have been stronger but the musical numbers mean that even if the narrative causes a slight dip, then the songs are there to provide a lift.
The characters are very well drawn, even if they don't use them that well. The fact that we have so many diverse teenagers who seem at ease with who they are is perhaps rather difficult to swallow but it certainly helps make the film feel a bit different from the usual. At first I was a bit put off by how the gay characters all seemed to be of the 'flaming' variety, but as the film went on I got over this and got to know their characters and not just their characteristics. More impressively, the whole cast (mainly teenagers) are really good they cope with the demands of the narrative (and the limitations as well) but they are very impressive when it comes to the musical numbers. One time tutor at one of these camps himself, writer/director Graff does a really good job with the direction here it never feels as low budget as I imagine it must have been and he frames many shots in involving ways.
Overall this is a standard teenage movie with all the hurts, lessons, romances and friendships that you would expect from the genre but it manages to rise above many of the genre by having different (if unrealistic) characters, roundly good performances and frequent musical numbers that never let the fun level of the film dip for too long.
- bob the moo
- May 15, 2004
- Permalink
- How long is Camp?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,629,862
- Opening weekend US & Canada
- $54,294
- Jul 27, 2003
- Gross worldwide
- $2,707,738
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1